Entertainment
COSON Calls for End of ‘Divide and Rule’ in Nigerian Music Industry
Copyright Society of Nigeria (COSON), the nation’s largest copyright collective management organization for musical works and sound recordings, has called for the coming together of the different interest groups within the music industry to properly tackle the problems of the industry, and to end the era of ‘divide and rule’ which it says has been deployed to pauperize the stakeholders in the Nigerian music industry.
In his “No Music Day” address to the nation issued from COSON House in Ikeja, and syndicated on multiple media platforms across the nation and across the world on September 1, 2020, the Chairman, Copyright Society of Nigeria, Chief Tony Okoroji, said, “On this ‘No Music Day’, we must tell the musicians of Nigeria that our problems will not be solved until we stop the bickering and factionalization in our industry which most times are exploited to keep us down. We must work together in the interest of our country and the young people who look towards us for guidance. We must understand that in a democracy, there will be alternative points of view. Each alternative view should not result in the setting up of an alternative faction”
Continued Chief Okoroji, “We should no longer tolerate a situation where there are diverse organizations in the industry that upon close observation provide no answers and do nothing for anyone except those who claim to be their leaders”
In the words of the celebrated former President of PMAN, “All true musicians in Nigeria must be terribly embarrassed by the endless finger pointing and dirty name calling that have become the order of the day in PMAN, the once most admired and important national association whose image has been badly damaged and which has been made the laughing stock of the nation. The time has come for the bickering and quarrelling to stop and for those in the industry who truly have the interest of musicians at heart to come together and work with one another to ensure that the industry speaks with one voice on critical issues. We must take to heart the immortal words of the late Dr Martin Luther King Jnr who said, ‘We must learn to live together as brothers or perish together as fools’”.
Speaking on the effects of the Coronavirus pandemic on the music industry Chief Okoroji held that while the pandemic has hit practically everyone badly, it has been devastating for musicians in Nigeria. According to him, with all event venues shut down, event centres, hotels and nightclubs closed, no birthdays, no weddings, no product launches, no concerts and not even funerals allowed, the income of thousands of musicians in Nigeria has been crushed.
He declared that it was as a result of this devastating situation that during the Coronavirus lock down, the COSON Board took the bull by the horn and earmarked the sum of N72.5 million naira of COSON money for distribution to musicians across Nigeria to cushion the crushing effects of the pandemic. According to him, “the great lesson is that there was no quarrel whatsoever about the distribution of the money because it was done transparently. Of course, we could have done a whole lot more if the many obstacles placed in our way by the Nigerian environment were not there”
Said the COSON Chairman, “the fact that this broadcast is being made from the magnificent COSON House in Ikeja built without one naira of government money, no loan, grant or debt whatsoever places on record what the Nigerian creative community can do if no shackles are placed on us.
“We have read in the newspapers and heard on broadcast media that the government is interested in providing COVID 19 palliatives for the creative industry. We find it odd that as the one Nigerian organization with the greatest number of creative people and undeniable structure, several months into the COVID 19 lockdown, nobody has reached out to us, nobody has asked us any questions and nobody has provided any palliatives”.
TO WATCH THE “NO MUSIC DAY” 2020 OFFICIAL STATEMENT AS READ BY COSON CHAIRMAN, CHIEF TONY OKOROJI ON BEHALF OF THE NIGERIAN MUSIC INDUSTRY KINDLY CLICK ON THIS LINK
Reggae music icon Jimmy Cliff, who’s unique tone, lyricism and breakthrough role on the silver screen helped make the music of his native Jamaica part of popular culture across the globe, has died at the age of 81, his family said in a statement shared Monday on social media.
“It’s with profound sadness that I share that my husband, Jimmy Cliff, has crossed over due to a seizure followed by pneumonia,” Latifa Chambers said in a statement posted on Cliff’s Instagram account.
“I am thankful for his family, friends, fellow artists and coworkers who have shared his journey with him. To all his fans around the world, please know that your support was his strength throughout his whole career … Jimmy, my darling, may you rest in peace. I will follow your wishes.”
Born James Chambers, OM (30 July 1944 – 24 November 2025), known professionally as Jimmy Cliff, he was a Jamaican ska, rocksteady, reggae and soul musician, multi-instrumentalist, singer, and actor.
At the time of his death, he was the only living reggae musician to hold the Order of Merit, the highest honour that can be granted by the Jamaican government for achievements in the arts and sciences
He stared in the musical comedy film Club Paradise, along with late Robbin Williams, Peter O’toole, among others .
His famous album, “House of Exile,” which was titled “Music Maker” in the European version, contains such numbers as Brother, “House of Exile,” “Music Maker,” “I want to know,” and “You can’t be wrong and get right.”
Renowned Nigerian musician and live-band leader, Akinloye Tofowomo, popularly known as Akin Shuga, is dead.
The celebrated performer and founder of Shuga Band died on October 30, 2025, in New Brunswick, Canada, at the age of 50.
His family, in a statement on Monday, described him as a “revered music icon, grandmaster, and custodian of rhythm, culture, and the spirit of performance.”
The statement added, “Akinloye Tofowomo was more than a musician; he was a custodian of rhythm, culture, and the spirit of performance.
“Across more than three decades of excellence — on stage and in mentorship — he redefined what it meant to lead a band with grace, mastery, and purpose. To countless admirers at home and abroad, he was both an inspiration and an institution: a true king in his art.
“As the family comes to terms with this immeasurable loss, we humbly request privacy and quiet reflection at this deeply difficult time. We wish for the space to find closure and to honour his life in the intimacy of loved ones and cherished memories.
“Further details, including dates and arrangements for memorial observances, will be communicated in due course.
“We extend heartfelt appreciation to all who have reached out with prayers, tributes, and kind words. Akinloye Tofowomo’s legacy, through the Shuga Band and Shuga Entertainment, will continue to live on.”
Born on January 6, 1975, in Ile-Oluji, Ondo State, Akiin Shuga’s life was defined by resilience, passion, and purpose.
Stricken by polio at the age of five, he defied physical challenges to become one of Nigeria’s most accomplished live-band performers and music entrepreneurs. His story mirrored Nigeria’s own revival of live music as an essential part of its cultural identity.
In 1998, he founded the Shuga Band, which began performing at Pintos in Ikeja, Lagos. Over the years, the band grew into a 14-member ensemble known for its electrifying performances at weddings, corporate events, and state functions.
His company, Shuga Entertainment, became a model for professionalism and excellence in live performance, combining artistry with discipline.
Akiin Shuga also served as the founder and president of the Association of Music Band Owners of Nigeria, where he worked to elevate standards within the live-music industry and promote fair treatment for musicians.
Mavin Records boss, Don Jazzy, has unveiled his list of favorite Afrobeats songs and albums, spotlighting the classics that propelled the genre from local streets to international acclaim.
In a RollingStone Africa interview, the producer paid homage to the Mo’ Hits era he co-built with D’Banj, while crediting pioneers who shaped the sound.
His top songs include 2Baba’s African Queen, which he said opened global doors for Afrobeats and Wizkid’s Ojuelegba for its authentic storytelling.
D’Banj’s Fall in Love earned praise as a continental anthem from Mo’ Hits, while 9ice’s Gongo Aso was lauded for blending Yoruba tradition with pop.
Davido’s Aye rounded out the list for its Highlife-infused energy.
For albums, Don Jazzy singled out Wande Coal’s Mushin 2 Mo’Hits, which he produced as a timeless masterpiece.
He also named 2Baba’s Grass 2 Grace, Wizkid’s Superstar, D’Banj’s The Entertainer, and Aṣa’s self-titled debut as foundational works that influenced today’s stars.
