Entertainment
How I Was Raped five Times – Iyabo Ojo
Nollywood actress, Iyabo Ojo, has revealed how she was raped about 5 times as a growing girl child.
She made the revelation in an episode of: “Bare it all with I Y.”
She stated that she was first raped at the age of 14 but refused to tell anyone because it was like taboo to be raped at that time.
In her words;
“I know a lot of ladies who have been through what I have been through. I feel it is time for me to talk to them and make them understand that it is okay to talk about it. To let them know that it is not okay to be in the situation.
Like I said, yes I have been raped before. Not once but five times. And trust me when I say it wasn’t easy. The first time I was raped, I was 14. It happened at my aunty’s house (not a family member). I didn’t want to talk about it because it was taboo to talk about it. I felt I would be blamed for everything that happened.
And the second one, that was another terrible one that happened. And I still could not tell anybody in my family. I summoned a bit of courage to tell a friend of mine then and it was one of the reasons I ran away at a particular time. The whole family was looking for me and when they eventually found me, I still didn’t talk about it.
Now, the third one, the guy was a neighbour. We were very close to each other. My dad’s house and his house were the second or third street away in the same neighbourhood. He was a friend to my first boyfriend, though he was much older than him.
I never knew that he had such an intention. I grew up in the Obanikoro area of Lagos. I moved to Ikeja to stay with my aunty. However, I went to Obanikoro sometimes to check on my grandmother, dad, and boyfriend. On my way from Obanikoro going home, I was at the bus stop waiting for a taxi, then his car drove past me and he stopped.
We exchanged pleasantries. He asked me where I was going. I told him that I was going to Ikeja and he offered to drop me off. He said he had moved to Ikeja. When we got to Ikeja, he told me he lives on Toyin Street. I told him I know the street very well because I lived at Balogun Bus Stop in Ikeja. He said he should show me his house so that I could visit whenever I feel like it.
I didn’t see any big deal in it because he was a friend to my ex, the first boyfriend then. When we got to his house, he had a rug, air-conditioner and television in the parlour. He suddenly said he was hungry and asked me if I was hungry too. I told him that I wasn’t because I was already late and my aunty would be waiting for me.
He then said he had loved me even before Emmanuel met me and that when he found out I was going out with Emmanuel, he was heartbroken. At that time, I was almost 18 years old. He started trying to touch me. I got up angrily and made my way to the door. I noticed that it was locked. I told him to open the door. He told me that he loves me.
Then he started dragging me. That brought back memories of the experience I had been through that first time. So, it dawned on me that it was about to happen again. I didn’t want it to so I wrestled with him. I tried to push him and ran into one of the rooms to open the window to scream but he pulled me back with my hair and then he held my neck to the wall.
I continued struggling and wrestling with him so he dragged me out of the room because he didn’t want me to shout and gave me a dirty slap. I hit my head on the wall. I was a bit dizzy trying to find my feet and he went into the kitchen to get the knife. When he got the knife, his eyes went red and his face changed.
He wasn’t the same person that I knew. It dawned on me that if I fight him, I will end up dead. Then he dragged me back into the room. I was just numb. He did whatever he wanted to do. When he was done, he went out and came back and started calling my name because I was still at the spot he raped me. Then he started calling me baby. That word baby was piercing my brain because I was mad.
You never get over it, but it gets to a stage in your life whereby it becomes a story to tell. You have to deal with it. I have been able to deal with it in my way because before, I can’t talk about it. When I try to, I get so emotional, angry, and many other things come with it.
Right now, I can talk about it. So, after the kissing, he said he loved me and I told him that I loved him too. He went to drop me off at my bus stop. While walking down home, I could remember that I was just calm. I had no feelings or emotions. I got home and luckily my aunty wasn’t around. I just went straight upstairs and climbed into the bathtub and just started crying.
I cried my heart out. Then I pondered about telling my ex-boyfriend. My ex-boyfriend was a bad boy and I wouldn’t say I liked all the bad things he did. So I decided not to tell him because they might kill or do something terrible to him if I did. I didn’t want that because I didn’t want blood on my hands.
I don’t know if what I did was right or wrong. So, the only way not to tell him was to break up with him. Then the other one happened after I got married to my husband and had my kids, then we moved to Ikeja. I was raped by one of the armed robbers who came to our house. It’s not easy to talk about rape. No matter how much you talk about it, you have to realise that it is painful, but you are not alone.”
Naijaloaded
Renowned Nigerian musician and live-band leader, Akinloye Tofowomo, popularly known as Akin Shuga, is dead.
The celebrated performer and founder of Shuga Band died on October 30, 2025, in New Brunswick, Canada, at the age of 50.
His family, in a statement on Monday, described him as a “revered music icon, grandmaster, and custodian of rhythm, culture, and the spirit of performance.”
The statement added, “Akinloye Tofowomo was more than a musician; he was a custodian of rhythm, culture, and the spirit of performance.
“Across more than three decades of excellence — on stage and in mentorship — he redefined what it meant to lead a band with grace, mastery, and purpose. To countless admirers at home and abroad, he was both an inspiration and an institution: a true king in his art.
“As the family comes to terms with this immeasurable loss, we humbly request privacy and quiet reflection at this deeply difficult time. We wish for the space to find closure and to honour his life in the intimacy of loved ones and cherished memories.
“Further details, including dates and arrangements for memorial observances, will be communicated in due course.
“We extend heartfelt appreciation to all who have reached out with prayers, tributes, and kind words. Akinloye Tofowomo’s legacy, through the Shuga Band and Shuga Entertainment, will continue to live on.”
Born on January 6, 1975, in Ile-Oluji, Ondo State, Akiin Shuga’s life was defined by resilience, passion, and purpose.
Stricken by polio at the age of five, he defied physical challenges to become one of Nigeria’s most accomplished live-band performers and music entrepreneurs. His story mirrored Nigeria’s own revival of live music as an essential part of its cultural identity.
In 1998, he founded the Shuga Band, which began performing at Pintos in Ikeja, Lagos. Over the years, the band grew into a 14-member ensemble known for its electrifying performances at weddings, corporate events, and state functions.
His company, Shuga Entertainment, became a model for professionalism and excellence in live performance, combining artistry with discipline.
Akiin Shuga also served as the founder and president of the Association of Music Band Owners of Nigeria, where he worked to elevate standards within the live-music industry and promote fair treatment for musicians.
Mavin Records boss, Don Jazzy, has unveiled his list of favorite Afrobeats songs and albums, spotlighting the classics that propelled the genre from local streets to international acclaim.
In a RollingStone Africa interview, the producer paid homage to the Mo’ Hits era he co-built with D’Banj, while crediting pioneers who shaped the sound.
His top songs include 2Baba’s African Queen, which he said opened global doors for Afrobeats and Wizkid’s Ojuelegba for its authentic storytelling.
D’Banj’s Fall in Love earned praise as a continental anthem from Mo’ Hits, while 9ice’s Gongo Aso was lauded for blending Yoruba tradition with pop.
Davido’s Aye rounded out the list for its Highlife-infused energy.
For albums, Don Jazzy singled out Wande Coal’s Mushin 2 Mo’Hits, which he produced as a timeless masterpiece.
He also named 2Baba’s Grass 2 Grace, Wizkid’s Superstar, D’Banj’s The Entertainer, and Aṣa’s self-titled debut as foundational works that influenced today’s stars.
The Nigerian Bar Association (NBA) has condemned an alleged order by a Magistrate Court in Kano State reportedly directing two social media content creators, Idris Mai Wushirya and Basira Yar Guda, to marry each other within 60 days.
The court directive reportedly followed a case against the duo over the circulation of a video deemed “indecent” by state authorities.
The content, which went viral on TikTok and other platforms, featured affectionate scenes between the two influencers.
The Kano State Films and Video Censorship Board claimed the video violated public morality and religious codes governing conduct in the state.
Magistrate Halima Wali reportedly handed down the marriage directive on Monday after arraigning the pair on charges relating to the production and distribution of obscene content online.
Reacting to the development, NBA President Afam Osigwe described the court order as a “grave misunderstanding of the limits of judicial authority under the Nigerian Constitution and constitutes an affront to the fundamental rights of the individuals concerned.”
Osigwe noted that no court has the power to compel any person to marry another person or two persons to mandatorily marry, adding: “It is indeed unconstitutional and therefore unlawful for any court to purport to have power to make such an order.”
He added that such an order would constitute a violation of several fundamental rights guaranteed under the 1999 Constitution of the Federal Republic of Nigeria (as amended).
“Marriage, by its very nature, is a voluntary union between consenting adults. It cannot, under any circumstance, be imposed as a form of punishment, moral correction, or judicial remedy.
“No court in Nigeria possesses the constitutional authority to compel two persons to marry, and any attempt to do so violates the rights to personal liberty, dignity of the human person, and privacy as guaranteed under the 1999 Constitution (as amended).”
The alleged order, according to the NBA president, is an example of judicial overreach that not only infringes on personal freedoms but also could undermine public trust in the legal system.
“The courts must remain the bastion of justice and protectors of constitutional rights, not instruments for enforcing social conformity or moral compulsion,” Osigwe added.
The NBA then called for an immediate review of this decision by Magistrate Halima Wali and urged the relevant judicial authorities to take steps to prevent a recurrence of such unconstitutional orders.
It also directed the NBA Citizens’ Liberties Committee and Women’s Forum to monitor the situation to ensure that the rule of law prevails.
