Entertainment
Opinion: Madam, Let’s Cook the Tourism Food!
By Frank Meke
There is no doubt that Minister of Tourism, Madam Lola Ade-John would need good and experienced hands to navigate the Nigerian tourism ocean. It is a war-like situation, a national tourism emergency campaign, and if we ignore it, we perish.
It’s indeed, a matter of serious concern that she must intentionally get into the grove on the right side of the business and the first thing to do is to evaluate the human capacity availability needed to drive the process.
Madam Lola Ade John is on the short take in this area and there’s no denying that it’s a huge burden. So how do the industry and the federation of Tourism Associations of Nigeria help?
However there are those who may point to the existence of ntda and Nihotour, the only two agencies the ministry of tourism inherited from the old Ministry of Information, culture and national orientation. How that even came to be is a subject for another day, but be it as it may, both Nihotour and ntda have their own short supply of adequate and competent manpower.
It’s critical to also access, evaluate and determine the quality of staff needed to engage properly and deliver on the national tourism space.
We have seen some kind of presidency expectations and target deliverables from other Ministries with performance bonds signed by ministers and their subordinates trailing their target assessments and expected contributions to socioeconomic advancement of the country
Yes, our madam minister was not on the field when those processes were made the face of performance ecosystem by President Bola Ahmed Tinubu, it however does not mean that Tourism was exempted from being one of new economies calibrated to create jobs and empower the people.
Madam Lola Ade John must first let us know the expectations of this administration on the basis of those two economic deliverables, the tourism jobs to be provided yearly and other empowerment metrics for Nigerian people.
How much can tourism generate to the economy in material terms and value, including jobs openings and rural development in six months, one year or so on?
What drives it and how much do the ministry need in from each budget circle to deliver on the national expectations?
Indeed tourism budgeting is unique in its own and sometimes difficult to defend due the variables associated with its profiling.
So madam Lola Ade John needs serious help to engage all the needed enablers to power the sector to certain realities that can excite the president and Nigerians at large.
It would be suicidal to just leap frog into the dynamics of the sector, with unknown portfolio shenanigans or be influenced with eurocentric blue prints as no tourism development and marketing plan bears same stamp of sensibilities.
Honestly, it would have been a step in the right direction if those who managed our tourism issues in the old contraption, did have a hold on its metrics or rubrics. Unfortunately, they failed and that’s why when president Buhari came with his brooms, he found am empty cupboard in the tourism ministry and swept us into the information conundrum.
If I were madam Lola Ade John, I will be circumspect when the ” left over staff” from the old ministry put forward memos to me. Seriously, I doubt if our minister apart from inheriting ntda and nihotour, really have any serious well trained and exposed tourism hands to run the ministry.
At the on set of the creation of the Ministry of Tourism and Culture during President Obasanjo era, ntdc( I doubt the wisdom behind ntda) had some of the best industry technocrats. Then we could count and rely on the wisdom and expertize of Mr Christopher idu, irrepressible John Adzer, and Bade Adelegbe
These gentlemen are still alive today and made a ntdc the dream government tourism agency. I recall that our first minister, late Ojo maduekwe relied on the competence and administrative knowledge of Christopher idu to flourish the set up that ministry.
Two decades after or more, the scenario has changed. Ntdc ( ntda) has lost the services of the experienced and upright technocrats either due retirement windows or outright neglect to expose the staff to training and restraining opportunities.
In this business, highly dynamic and scientifically evolutionary due to various socioeconomic, political and health variables, some unpredictable, training and consistent retraining of tourism personnel within and outside the country should top sustainable industry management ecosystem.
Unfortunately, that muddled up the human capacity requirements and availability in government tourism circles, particularly between 2013 till date.
Ntdc ( ntda) which used to be the hunting grounds for experts has been run aground by the most despicable political elements appointed and selected to run its affairs since 2013.
I need not waste my ink to state that madam Lola Ade John should not waste valuable time, hoping that the leopard at ntda will bear any tourism magic. He aren’t got the will or zeal to bring about anything worthwhile.
The guy is a time waster and should be ignored and allowed to mark out his remaining ten months in office in his delusional prison. What a shame!
It is ok for the minister to confess that the assignment will be tasking since she doesn’t have the background, it is worrisome that the permanent secretary is also a freshie. That not withstanding, both can search out for competent and tested hands on tourism with civil service orientation to help bear directions and organize development strides.
President Bola Ahmed Tinubu is showing example in this regard, wooing experts and hunting for their experience to bring about solutions to our national problems.
Apart from the Bade Adelegbe, Christopher idu and John Adzer, earlier mentioned, Ashamu fadipe , a former tourism centric permanent secretary in Lagos ministry of Tourism with deep academic and practical exposure to local and international tourism development can be invited either on a short or long term as consultant to calibrate the ministry.
Before I am accused of shopping for jobs for these guys and others, it’s also important for madam minister to sit down with ftan to look at the private sector for those with verifiable experience and deliveries on tourism matters and tap from their successful blueprints and abilities.
If madam minister fails to get the best hands, independent minds to help her navigate this process, then we shall be back again to the tourism wilderness conundrum and we have ourselves to blame, not the president or the devil either.
Entertainment
Burna Boy Partners Shakira in 2026 World Cup Theme Song
Shakira has announced the official song for the 2026 FIFA World Cup, featuring Nigerian Grammy-winning star, Burna Boy.
The Colombian superstar revealed on social media that the song, titled “Dai Dai,” will be released on May 14.
“From Maracaná Stadium, here is ‘Dai Dai,’ the FIFA World Cup Official Song 2026. Coming 5/14. We’re ready!” Shakira posted on X alongside a teaser for the track.
The announcement has sparked excitement among football and music fans, especially with Burna Boy becoming one of the African artists to feature prominently on a World Cup anthem.
Shakira is no stranger to World Cup songs. Her 2010 hit Waka Waka (This Time for Africa) became one of the most iconic football anthems in history during the tournament in South Africa.
Recent World Cup theme songs have also featured global stars. In 2014, Pitbull, Jennifer Lopez and Claudia Leitte performed We Are One (Ole Ola) for the tournament in Brazil.
For the 2018 tournament in Russia, Nicky Jam, Will Smith and Era Istrefi released Live It Up.
At the 2022 World Cup in Qatar, FIFA rolled out multiple soundtrack songs, including Hayya Hayya (Better Together) by Trinidad Cardona, Davido and Aisha.
The 2026 FIFA World Cup will be jointly hosted by the United States, Canada and Mexico.
Entertainment
Glo-Sponsored African Voices Spotlights Ejatu Shaw
This week, African Voices, the Globacom-sponsored magazine programme on CNN International, turns its searchlight on Ejatu Shaw the London-based photographer and multidisciplinary artist whose work continues to refract heritage into striking visual poetry.
Born in 1996, Shaw is a graduate of University of Westminster, where she earned a Master’s degree in Photography Arts in 2020. Yet the true genesis of her craft predates the academy. It was during a 2013 family sojourn to Sierra Leone that her creative awakening first flickered—like light finding its way through a narrow aperture—setting her on a path of introspective exploration.
Her oeuvre is a delicate tapestry, interweaving strands of Islamic faith with the vibrant textures of African heritage. Echoes of the great studio photographers of the 1960s and 1970s—such as Malick Sidibé, Sory Sanlé, and Omar Yahia Barram—resonate subtly within her compositions, like ancestral voices carried on a visual wind.
From these influences, Shaw has cultivated a practice rooted in memory and self-inquiry. Through self-portraiture and conceptually layered projects, she transforms personal recollections into images that speak with both intimacy and universality—mirrors in which the past and present quietly converge.
Her ascent has been both swift and assured. In 2025, the British Fashion Council named her a New Wave Creative, affirming her place among a new generation of cultural vanguards. In the same year, her lens captured figures of global renown, including Angela Bassett for EBONY, Cynthia Erivo for The Guardian, Sunday Times and Vogue, and Usain Bolt for Puma.
She also conceived and shot the album cover for Craig David—each frame a testament to her evolving visual language.
African Voices airs on Saturdays at 7:30 a.m. and 11:00 a.m., with further broadcasts on Sunday at 3:30 a.m. and 6:00 p.m., and repeat transmissions on Monday at 3:00 a.m. and 5:45 p.m.—an invitation to witness, through Shaw’s eyes, a world where identity is not fixed, but fluid, luminous, and ever unfolding.
Entertainment
Joeboy Stars on Easter Edition of Glo-Powered African Voices
Nigeria-born Afro-pop star, Joeboy, whose melodies now ripple across continents, takes centre stage this week on the Easter edition of African Voices, the Globacom-sponsored CNN magazine programme.
In a captivating session from Lagos, show anchor Larry Madowo drew out the rhythm of Joeboy’s journey, tracing the arc from a starry-eyed university dreamer to a maestro whose songs now traverse the globe like whispered secrets carried on the wind.
Born Joseph Akinwale Akinfenwa-Donus in 1997, Joeboy—affectionately dubbed Afrobeats’ “lover boy”—embarked on his musical odyssey in 2017 with a viral reinterpretation of Ed Sheeran’s Shape of You.
This pivot from rap to melodious crooning caught the discerning eye of Nigerian artiste and entrepreneur Mr Eazi, who, upon discovering him on Instagram, extended an invitation to join the emPawa Africa Talent Incubation initiative—a sanctuary for budding African talents where raw potential is nurtured into brilliance.
The partnership bore fruit in 2018 with the release of Fààjí, featuring Mr Eazi, and soon after, Joeboy was signed to Warner Music Africa. From there, his ascent became a symphony of milestones: the intoxicating single Baby in 2019, followed by Beginning, which amassed over 23 million views on YouTube, and Love & Light the same year.
Collaborations with Mayorkun yielded the spirited tracks Don’t Call Me and All for You, further cementing his place in the Afrobeats constellation.
Joeboy’s debut album, Somewhere Between Beauty & Magic, unfurled in February 2021, a melodic tapestry of youth, hope, and desire. By 19 May 2023, he unveiled his sophomore studio effort, Body & Soul, preceded by the evocative singles Sip (Alcohol), Contour, Body & Soul, and Duffel Bag. In 2023, he teased the world with Only God Save Me and the extended EP Body, Soul and Spirit, offering listeners a window into the essence of his artistic spirit.
February 2024 marked another milestone as he launched his own imprint, Young Legend, soon releasing Osadebe, a track that resonated nationwide with the familiar warmth of homegrown brilliance.
Joeboy’s dedication has been richly rewarded. He clinched Best Artiste in African Pop at the 2019 All Africa Music Awards and Best Pop at the 2020 Soundcity MVP Awards Festival. His music has earned numerous nominations, including at the City People Entertainment Awards and The Headies, affirming his status as a luminary of contemporary African sound.
The Easter edition of African Voices featuring Joeboy will air on DSTV Channel 401 at 7:30 a.m. on Saturday, with repeats at 11 a.m.; Sunday at 3:30 a.m. and 6 p.m.; Monday at 3 a.m. and 5:45 p.m.; and Tuesday at 5:45 p.m. The schedule will be mirrored the following week, culminating in Monday at 3 a.m., giving audiences multiple opportunities to bask in the artistry of a musician whose voice carries the pulse of a continent.






