Entertainment
DecemberIssaVybe: FirstBank Sponsors ‘Our Duke Has Gone Mad Again’ Stage Play
First Bank of Nigeria Limited proudly sponsored a remarkable stage play titled ‘Our Duke Has Gone Mad Again: A Biting Satire.’ This captivating performance was masterfully directed by the acclaimed Joseph Edgar, widely recognised as The Duke of Shomolu. The play received high praise for its creative ingenuity and sharp satirical brilliance, effectively delivering a meaningful message to its audience.
The much-anticipated performance took place on December 23, 2023, at the prestigious Shell Hall, MUSON Centre in Lagos. This staging was an integral part of the vibrant activities associated with the 2024 edition of FirstBank’s annual Initiative, ‘DecemberIssaVybe,’ which aims to support and promote the thriving arts and entertainment sector in Nigeria.
Written and produced by the versatile Joseph Edgar, who is also a distinguished playwright and journalist, ‘Our Duke Has Gone Mad Again’ is a profound satire that conveys a compelling message through clever satirical elements and well-crafted characters. Edgar describes the play as a compilation of his earlier writings that appeared in ThisDay newspaper, along with his personal reflections shared on various platforms, including WhatsApp.
This particular production marked the fourth outing of the play, with previous adaptations being celebrated and well-received. One standout performance featured the talented actress Chantal, who humorously chastised Edgar in a memorable scene, referring to him as a “self-centred Ibibio man,” eliciting laughter from the audience. Another crowd favourite was a scene set in a white garment church, directed by the iconic Segun Adefila. This lively depiction showcased the vibrant energy and joyful movements of the beautiful women attending such congregations, further engaging the audience with their energetic performances. Additionally, the play prominently featured a scene centered around the controversial journalist and TV host Rufai Oseni, thoughtfully reflecting current societal debates and media dynamics.
A significant portion of the production was dedicated to a heartfelt tribute to the late Herbert Wigwe, a revered banker and former chairman of Access Holdings, known for his bold business strategies and calculated risk-taking. Edgar, drawing from his personal experiences with Wigwe, portrayed the late banker as an inspiring figure who achieved prominence through sheer determination and hard work. The narrative expressed a profound sense of loss felt by many following Wigwe’s untimely passing, resonating deeply with the audience.
The storyline of ‘Our Duke Has Gone Mad Again’ is a vibrant and dynamic fusion of dance, music, traditional aesthetics, and visual spectacle, seamlessly blending comedic and tragic elements. In addition to honoring Herbert Wigwe, Edgar also paid homage to other notable figures, such as Mrs. Umo Eno, the recently deceased First Lady of Akwa Ibom State, and the iconic singer Onyeka Onwenu, showcasing the play’s deep connections to the fabric of Nigerian society.
The themes explored within the play span a broad spectrum of human experience, including pain, love, joy, relationships, and the myriad challenges faced by society. It poignantly reflects the complexities of Nigerian life and culture, utilizing elements from Edgar’s finest writings to resonate with the audience on multiple levels. Furthermore, the production served as a platform to commemorate several Nigerians who have recently passed away, intertwining personal narratives with collective grief and memory, thus adding another layer of depth to the performance.
Crafted with a rich, emotional plot, ‘Our Duke Has Gone Mad Again’ is an exhilarating theatrical spectacle that effortlessly integrates various aspects of Nigerian culture, music, folklore, and languages. While rooted in satire, the core narrative resonates with contemporary societal realities, making the production both entertaining and deeply thought-provoking.
Olayinka Ijabiyi, the Acting Group Head of Marketing & Corporate Communications at FirstBank, expressed the bank’s unwavering commitment to providing a memorable December experience for all generations. He remarked, “FirstBank is dedicated to facilitating unforgettable homecoming experiences this December for gatherings such as weddings, family reunions, and festive celebrations. Our collaboration with the Duke of Shomolu on this play signifies our dedication to promoting the creative industry through the arts and stage plays, aligning perfectly with our vision as an organization that cherishes Nigeria’s artistic landscape.”
Ijabiyi further highlighted FirstBank’s rich 130-year legacy of supporting the arts through its First@arts initiative. He encouraged Nigerians to embrace the diverse entertainment offerings presented throughout DecemberIssaVybe. He assured people that FirstBank is steadfast in its mission to create memorable experiences while considering the overall well-being of its customers.
The FirstBank DecemberIssaVybe is celebrated each year to enhance the arts and entertainment sectors in Nigeria. Throughout December, the bank hosts multiple opportunities and platforms that provide a memorable Homecoming Experience for Nigerians, welcoming both local and international guests. It is designed to provide access to premium live performances featuring beloved artists and engaging concerts that embody the spirit of joy and celebration, ultimately creating lasting memories for all attendees.
Looking ahead, FirstBank is actively working on an exciting lineup for the upcoming 2024 DecemberIssaVybe ensuring that both customers and social media followers can look forward to a world of entertainment that promises to be unforgettable.
This story is sponsored by FirstBank, and written by Oladapo Sofowora
Renowned Nigerian musician and live-band leader, Akinloye Tofowomo, popularly known as Akin Shuga, is dead.
The celebrated performer and founder of Shuga Band died on October 30, 2025, in New Brunswick, Canada, at the age of 50.
His family, in a statement on Monday, described him as a “revered music icon, grandmaster, and custodian of rhythm, culture, and the spirit of performance.”
The statement added, “Akinloye Tofowomo was more than a musician; he was a custodian of rhythm, culture, and the spirit of performance.
“Across more than three decades of excellence — on stage and in mentorship — he redefined what it meant to lead a band with grace, mastery, and purpose. To countless admirers at home and abroad, he was both an inspiration and an institution: a true king in his art.
“As the family comes to terms with this immeasurable loss, we humbly request privacy and quiet reflection at this deeply difficult time. We wish for the space to find closure and to honour his life in the intimacy of loved ones and cherished memories.
“Further details, including dates and arrangements for memorial observances, will be communicated in due course.
“We extend heartfelt appreciation to all who have reached out with prayers, tributes, and kind words. Akinloye Tofowomo’s legacy, through the Shuga Band and Shuga Entertainment, will continue to live on.”
Born on January 6, 1975, in Ile-Oluji, Ondo State, Akiin Shuga’s life was defined by resilience, passion, and purpose.
Stricken by polio at the age of five, he defied physical challenges to become one of Nigeria’s most accomplished live-band performers and music entrepreneurs. His story mirrored Nigeria’s own revival of live music as an essential part of its cultural identity.
In 1998, he founded the Shuga Band, which began performing at Pintos in Ikeja, Lagos. Over the years, the band grew into a 14-member ensemble known for its electrifying performances at weddings, corporate events, and state functions.
His company, Shuga Entertainment, became a model for professionalism and excellence in live performance, combining artistry with discipline.
Akiin Shuga also served as the founder and president of the Association of Music Band Owners of Nigeria, where he worked to elevate standards within the live-music industry and promote fair treatment for musicians.
Mavin Records boss, Don Jazzy, has unveiled his list of favorite Afrobeats songs and albums, spotlighting the classics that propelled the genre from local streets to international acclaim.
In a RollingStone Africa interview, the producer paid homage to the Mo’ Hits era he co-built with D’Banj, while crediting pioneers who shaped the sound.
His top songs include 2Baba’s African Queen, which he said opened global doors for Afrobeats and Wizkid’s Ojuelegba for its authentic storytelling.
D’Banj’s Fall in Love earned praise as a continental anthem from Mo’ Hits, while 9ice’s Gongo Aso was lauded for blending Yoruba tradition with pop.
Davido’s Aye rounded out the list for its Highlife-infused energy.
For albums, Don Jazzy singled out Wande Coal’s Mushin 2 Mo’Hits, which he produced as a timeless masterpiece.
He also named 2Baba’s Grass 2 Grace, Wizkid’s Superstar, D’Banj’s The Entertainer, and Aṣa’s self-titled debut as foundational works that influenced today’s stars.
The Nigerian Bar Association (NBA) has condemned an alleged order by a Magistrate Court in Kano State reportedly directing two social media content creators, Idris Mai Wushirya and Basira Yar Guda, to marry each other within 60 days.
The court directive reportedly followed a case against the duo over the circulation of a video deemed “indecent” by state authorities.
The content, which went viral on TikTok and other platforms, featured affectionate scenes between the two influencers.
The Kano State Films and Video Censorship Board claimed the video violated public morality and religious codes governing conduct in the state.
Magistrate Halima Wali reportedly handed down the marriage directive on Monday after arraigning the pair on charges relating to the production and distribution of obscene content online.
Reacting to the development, NBA President Afam Osigwe described the court order as a “grave misunderstanding of the limits of judicial authority under the Nigerian Constitution and constitutes an affront to the fundamental rights of the individuals concerned.”
Osigwe noted that no court has the power to compel any person to marry another person or two persons to mandatorily marry, adding: “It is indeed unconstitutional and therefore unlawful for any court to purport to have power to make such an order.”
He added that such an order would constitute a violation of several fundamental rights guaranteed under the 1999 Constitution of the Federal Republic of Nigeria (as amended).
“Marriage, by its very nature, is a voluntary union between consenting adults. It cannot, under any circumstance, be imposed as a form of punishment, moral correction, or judicial remedy.
“No court in Nigeria possesses the constitutional authority to compel two persons to marry, and any attempt to do so violates the rights to personal liberty, dignity of the human person, and privacy as guaranteed under the 1999 Constitution (as amended).”
The alleged order, according to the NBA president, is an example of judicial overreach that not only infringes on personal freedoms but also could undermine public trust in the legal system.
“The courts must remain the bastion of justice and protectors of constitutional rights, not instruments for enforcing social conformity or moral compulsion,” Osigwe added.
The NBA then called for an immediate review of this decision by Magistrate Halima Wali and urged the relevant judicial authorities to take steps to prevent a recurrence of such unconstitutional orders.
It also directed the NBA Citizens’ Liberties Committee and Women’s Forum to monitor the situation to ensure that the rule of law prevails.
