Entertainment
DecemberIssaVybe: FirstBank Sponsors ‘Our Duke Has Gone Mad Again’ Stage Play
First Bank of Nigeria Limited proudly sponsored a remarkable stage play titled ‘Our Duke Has Gone Mad Again: A Biting Satire.’ This captivating performance was masterfully directed by the acclaimed Joseph Edgar, widely recognised as The Duke of Shomolu. The play received high praise for its creative ingenuity and sharp satirical brilliance, effectively delivering a meaningful message to its audience.
The much-anticipated performance took place on December 23, 2023, at the prestigious Shell Hall, MUSON Centre in Lagos. This staging was an integral part of the vibrant activities associated with the 2024 edition of FirstBank’s annual Initiative, ‘DecemberIssaVybe,’ which aims to support and promote the thriving arts and entertainment sector in Nigeria.
Written and produced by the versatile Joseph Edgar, who is also a distinguished playwright and journalist, ‘Our Duke Has Gone Mad Again’ is a profound satire that conveys a compelling message through clever satirical elements and well-crafted characters. Edgar describes the play as a compilation of his earlier writings that appeared in ThisDay newspaper, along with his personal reflections shared on various platforms, including WhatsApp.
This particular production marked the fourth outing of the play, with previous adaptations being celebrated and well-received. One standout performance featured the talented actress Chantal, who humorously chastised Edgar in a memorable scene, referring to him as a “self-centred Ibibio man,” eliciting laughter from the audience. Another crowd favourite was a scene set in a white garment church, directed by the iconic Segun Adefila. This lively depiction showcased the vibrant energy and joyful movements of the beautiful women attending such congregations, further engaging the audience with their energetic performances. Additionally, the play prominently featured a scene centered around the controversial journalist and TV host Rufai Oseni, thoughtfully reflecting current societal debates and media dynamics.
A significant portion of the production was dedicated to a heartfelt tribute to the late Herbert Wigwe, a revered banker and former chairman of Access Holdings, known for his bold business strategies and calculated risk-taking. Edgar, drawing from his personal experiences with Wigwe, portrayed the late banker as an inspiring figure who achieved prominence through sheer determination and hard work. The narrative expressed a profound sense of loss felt by many following Wigwe’s untimely passing, resonating deeply with the audience.
The storyline of ‘Our Duke Has Gone Mad Again’ is a vibrant and dynamic fusion of dance, music, traditional aesthetics, and visual spectacle, seamlessly blending comedic and tragic elements. In addition to honoring Herbert Wigwe, Edgar also paid homage to other notable figures, such as Mrs. Umo Eno, the recently deceased First Lady of Akwa Ibom State, and the iconic singer Onyeka Onwenu, showcasing the play’s deep connections to the fabric of Nigerian society.
The themes explored within the play span a broad spectrum of human experience, including pain, love, joy, relationships, and the myriad challenges faced by society. It poignantly reflects the complexities of Nigerian life and culture, utilizing elements from Edgar’s finest writings to resonate with the audience on multiple levels. Furthermore, the production served as a platform to commemorate several Nigerians who have recently passed away, intertwining personal narratives with collective grief and memory, thus adding another layer of depth to the performance.
Crafted with a rich, emotional plot, ‘Our Duke Has Gone Mad Again’ is an exhilarating theatrical spectacle that effortlessly integrates various aspects of Nigerian culture, music, folklore, and languages. While rooted in satire, the core narrative resonates with contemporary societal realities, making the production both entertaining and deeply thought-provoking.
Olayinka Ijabiyi, the Acting Group Head of Marketing & Corporate Communications at FirstBank, expressed the bank’s unwavering commitment to providing a memorable December experience for all generations. He remarked, “FirstBank is dedicated to facilitating unforgettable homecoming experiences this December for gatherings such as weddings, family reunions, and festive celebrations. Our collaboration with the Duke of Shomolu on this play signifies our dedication to promoting the creative industry through the arts and stage plays, aligning perfectly with our vision as an organization that cherishes Nigeria’s artistic landscape.”
Ijabiyi further highlighted FirstBank’s rich 130-year legacy of supporting the arts through its First@arts initiative. He encouraged Nigerians to embrace the diverse entertainment offerings presented throughout DecemberIssaVybe. He assured people that FirstBank is steadfast in its mission to create memorable experiences while considering the overall well-being of its customers.
The FirstBank DecemberIssaVybe is celebrated each year to enhance the arts and entertainment sectors in Nigeria. Throughout December, the bank hosts multiple opportunities and platforms that provide a memorable Homecoming Experience for Nigerians, welcoming both local and international guests. It is designed to provide access to premium live performances featuring beloved artists and engaging concerts that embody the spirit of joy and celebration, ultimately creating lasting memories for all attendees.
Looking ahead, FirstBank is actively working on an exciting lineup for the upcoming 2024 DecemberIssaVybe ensuring that both customers and social media followers can look forward to a world of entertainment that promises to be unforgettable.
This story is sponsored by FirstBank, and written by Oladapo Sofowora
Nollywood actress Regina Daniels has said she is no longer interested in getting married again following her separation from her estranged husband, Senator Ned Nwoko, but remains determined to have a daughter.
The actress made the remarks during a livestream session with TikToker Jarvis at her Children’s Day carnival held in Asaba, Delta State.
Speaking on her current outlook on relationships and motherhood, Daniels said she has mentally moved away from the idea of marriage.
“But for some reason, I’ve checked my mind out of getting married. I’m yet to have a girl. And I must have a girl,” she said.
The mother of two explained that her desire for a daughter comes from what she described as the unique emotional bond between mothers and female children.
“I feel like motherhood starts better. Like you would understand motherhood when you have a girl child,” she said.
“So, having boys is easy because at least you can groom them to have a role model in a father figure. But for your girl child, you have to be that role model for them to emulate.”
Daniels also revealed that she initially never wanted a daughter before becoming a mother.
“Before I had my first son, I said no, never. I will never have a girl child. Never, ever. But after my first, after my second, I remember, for some reason, it’s female kids that remember,” she added.
Reflecting further on family dynamics, the actress said women tend to maintain stronger emotional ties to their homes than men.
“Men will grow, get married and focus more on building family. But for women, she will always remember home,” she said.
Daniels married Nwoko in 2019, a union that drew widespread attention because of their age difference. The couple share two sons.
Their relationship later became publicly strained in 2025 following allegations by Nwoko that the actress was battling substance abuse and required rehabilitation.
Daniels denied the claims and accused the senator of manipulation, psychological control and abuse before eventually leaving the marriage and moving into her own residence.
Organisers of Big Brother Naija have announced the opening of auditions for the show’s 11th season, unveiling registration details and requirements for prospective housemates.
In a statement on Saturday, the organisers said, “It’s time! #BBNaija Season 11 auditions registration is here,” noting that registration will run from May 16 to 20 for candidates seeking to qualify for the physical audition stage.
They explained that applicants must register via africamagic.tv/bigbrother, fill in personal details, and select preferred audition dates, locations and times, with physical auditions scheduled to hold between May 22 and 24 in Lagos, Abuja and Enugu.
According to the organisers, “AUDITION IS FREE”, and only persons aged 21 and above with valid identification documents are eligible to participate. They also warned that the registration portal will close once capacity is reached.
The statement further cautioned applicants on data usage and participation rules, noting that by submitting entries, participants grant the organisers permission to use audition materials in perpetuity and across global platforms. It also warned that multiple registrations could lead to disqualification.
The announcement comes months after the conclusion of Season 10, which returned to screens on July 26, 2025, featuring 29 housemates competing for a N150 million grand prize.
Imisi Ayanwale emerged as the winner of the season after securing 42.8 per cent of the total votes, ahead of finalists including Dede, Koyin, Sultana, Kola, Jason Jae, Mensan, Isabella and Kaybobo.
Past winners of the reality show include Mercy Eke, Laycon, Whitemoney, Kellyrae, Phyna and Ilebaye, with anticipation now building for Season 11 as viewers await possible new twists and format changes.
Nollywood actress and filmmaker, Genevieve Nnaji, is making her return to television in “Wahala”, a new six-part drama produced by BBC Studios.
The series is based on the novel “Wahala” by Nikki May and will air on BBC One, with episodes also available on BBC iPlayer.
It is adapted for television by BAFTA-nominated writer, Theresa Ikoko.
BBC confirmed the cast on Tuesday, announcing a female-led ensemble that includes Adelayo Adedayo, Deborah Ayorinde, Cush Jumbo, and Susan Wokoma, alongside Nnaji.
Set in London, Wahala follows four Nigerian-British women whose close friendship is tested as they navigate work, relationships, and family life. Their lives begin to shift when hidden secrets from the past resurface, bringing betrayal and tension to the surface.
Speaking about the project, Nnaji said: “I’m very happy to be joining Wahala and to be working with such a brilliant team. It’s an intriguing story, and I’m excited to be a part of it.”
