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‘Game of Thrones’ Wins Top Emmy for Best Drama

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“Game of Thrones” took the top Emmy for best drama Sunday but dark British comedy “Fleabag” was the surprise big winner of television’s glitziest night, dominating the comedy prizes at a star-studded ceremony in Los Angeles.

“Thrones,” the most decorated fictional show in the history of the Emmys — television’s Oscars — finished with 12 awards overall for its final season.

“Thank you to the hardest working crews in show business — the dragons who shot for 70 nights straight in freezing Belfast rain, the wolves who shot all around the world — you are amazing, all of you,” said showrunner Dan Weiss.

“And it is amazing that all of you are still alive.”

Peter Dinklage won his fourth best supporting actor statuette for his portrayal of sharp-tongued dwarf Tyrion Lannister.

But the blood-soaked fantasy epic’s hopes of going out with a new record for a single season were dashed after it failed to convert nominations in directing, writing, and the other acting categories.

The divisive final run of “Thrones” enraged many fans — more than a million signed a petition for HBO to redo its conclusion.

But the 10 nominated cast members of the cast of “Thrones” received a standing ovation as they gathered on stage.

“I think all of us agree how amazing the entire last season was for us,” said Sophie Turner, who played Sansa Stark.

“Thrones” had already bagged 10 Emmys in lesser categories at last weekend’s Creative Arts Emmys, including for the show’s special effects and elaborate costumes.

It ends its eight-season run with 59 Emmys, a record for a drama or comedy. Only variety sketch show “Saturday Night Live” has more.

In the night’s biggest shock, “Fleabag” star Phoebe Waller-Bridge bested eight-time acting winner Julia Louis-Dreyfus (“Veep”) before the show itself won for best comedy series.

The BBC show — which has grown into a phenomenon on both sides of the Atlantic after being acquired by Amazon — also scooped awards for best comedy writing and directing.

“It’s just really wonderful to know and reassuring that a dirty, pervy, angry, messed-up woman can make it to the Emmys,” said Waller-Bridge, referring to her character.

“This is just getting ridiculous,” she said on adding the comedy series prize. “The journey has been absolutely mental.”

“Fleabag” was totally shunned by Emmy voters last year, failing to bag a single nomination. But the Television Academy’s 24,000-plus voters changed their tune for its second season.

Waller-Bridge has ruled out a third season, saying the irreverent series about a self-absorbed young Londoner has come “to a natural end.”

(AFP)

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Entertainment

Popular Live Band Leader, Akin Shuga Dies at 50

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Renowned Nigerian musician and live-band leader, Akinloye Tofowomo, popularly known as Akin Shuga, is dead.

The celebrated performer and founder of Shuga Band died on October 30, 2025, in New Brunswick, Canada, at the age of 50.

His family, in a statement on Monday, described him as a “revered music icon, grandmaster, and custodian of rhythm, culture, and the spirit of performance.”

The statement added, “Akinloye Tofowomo was more than a musician; he was a custodian of rhythm, culture, and the spirit of performance.

“Across more than three decades of excellence — on stage and in mentorship — he redefined what it meant to lead a band with grace, mastery, and purpose. To countless admirers at home and abroad, he was both an inspiration and an institution: a true king in his art.

“As the family comes to terms with this immeasurable loss, we humbly request privacy and quiet reflection at this deeply difficult time. We wish for the space to find closure and to honour his life in the intimacy of loved ones and cherished memories.

“Further details, including dates and arrangements for memorial observances, will be communicated in due course.

“We extend heartfelt appreciation to all who have reached out with prayers, tributes, and kind words. Akinloye Tofowomo’s legacy, through the Shuga Band and Shuga Entertainment, will continue to live on.”

Born on January 6, 1975, in Ile-Oluji, Ondo State, Akiin Shuga’s life was defined by resilience, passion, and purpose.

Stricken by polio at the age of five, he defied physical challenges to become one of Nigeria’s most accomplished live-band performers and music entrepreneurs. His story mirrored Nigeria’s own revival of live music as an essential part of its cultural identity.

In 1998, he founded the Shuga Band, which began performing at Pintos in Ikeja, Lagos. Over the years, the band grew into a 14-member ensemble known for its electrifying performances at weddings, corporate events, and state functions.

His company, Shuga Entertainment, became a model for professionalism and excellence in live performance, combining artistry with discipline.

Akiin Shuga also served as the founder and president of the Association of Music Band Owners of Nigeria, where he worked to elevate standards within the live-music industry and promote fair treatment for musicians.

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Don Jazzy Names Top 5 All-time Afrobeats Songs, Albums

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Mavin Records boss, Don Jazzy, has unveiled his list of favorite Afrobeats songs and albums, spotlighting the classics that propelled the genre from local streets to international acclaim.

In a RollingStone Africa interview, the producer paid homage to the Mo’ Hits era he co-built with D’Banj, while crediting pioneers who shaped the sound.

His top songs include 2Baba’s African Queen, which he said opened global doors for Afrobeats and Wizkid’s Ojuelegba for its authentic storytelling.

D’Banj’s Fall in Love earned praise as a continental anthem from Mo’ Hits, while 9ice’s Gongo Aso was lauded for blending Yoruba tradition with pop.

Davido’s Aye rounded out the list for its Highlife-infused energy.

For albums, Don Jazzy singled out Wande Coal’s Mushin 2 Mo’Hits, which he produced as a timeless masterpiece.

He also named 2Baba’s Grass 2 Grace, Wizkid’s Superstar, D’Banj’s The Entertainer, and Aṣa’s self-titled debut as foundational works that influenced today’s stars.

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NBA Condemns Alleged Court Order Forcing TikTok Creators to Marry

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The Nigerian Bar Association (NBA) has condemned an alleged order by a Magistrate Court in Kano State reportedly directing two social media content creators, Idris Mai Wushirya and Basira Yar Guda, to marry each other within 60 days.

The court directive reportedly followed a case against the duo over the circulation of a video deemed “indecent” by state authorities.

The content, which went viral on TikTok and other platforms, featured affectionate scenes between the two influencers.

The Kano State Films and Video Censorship Board claimed the video violated public morality and religious codes governing conduct in the state.

Magistrate Halima Wali reportedly handed down the marriage directive on Monday after arraigning the pair on charges relating to the production and distribution of obscene content online.

Reacting to the development, NBA President Afam Osigwe described the court order as a “grave misunderstanding of the limits of judicial authority under the Nigerian Constitution and constitutes an affront to the fundamental rights of the individuals concerned.”

Osigwe noted that no court has the power to compel any person to marry another person or two persons to mandatorily marry, adding: “It is indeed unconstitutional and therefore unlawful for any court to purport to have power to make such an order.”

He added that such an order would constitute a violation of several fundamental rights guaranteed under the 1999 Constitution of the Federal Republic of Nigeria (as amended).

“Marriage, by its very nature, is a voluntary union between consenting adults. It cannot, under any circumstance, be imposed as a form of punishment, moral correction, or judicial remedy.

“No court in Nigeria possesses the constitutional authority to compel two persons to marry, and any attempt to do so violates the rights to personal liberty, dignity of the human person, and privacy as guaranteed under the 1999 Constitution (as amended).”

The alleged order, according to the NBA president, is an example of judicial overreach that not only infringes on personal freedoms but also could undermine public trust in the legal system.

“The courts must remain the bastion of justice and protectors of constitutional rights, not instruments for enforcing social conformity or moral compulsion,” Osigwe added.

The NBA then called for an immediate review of this decision by Magistrate Halima Wali and urged the relevant judicial authorities to take steps to prevent a recurrence of such unconstitutional orders.

It also directed the NBA Citizens’ Liberties Committee and Women’s Forum to monitor the situation to ensure that the rule of law prevails.

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