Personality in Focus
How Title Deed is Responding to Stolen African Art
By Jane Efagwu Photos: Olaseni Okedairo
It is no longer a secret. 2020 has proven to be the year of something bigger than anything else: The black revolution. Africans everywhere are taking a stand against systemic oppression, discrimination and objectification of the African culture and her people. While this major cultural reset now dominates public spheres and has initiated major social discourse everywhere around the world, it is important to look back at where it all started. Africa. Before the now popular violence and commodification of Africans themselves, there was the very unpopular violence and commodification of African art.
Stolen. Shipped. Sold. Copied. Displayed. And now, owned by major museums around the world, the journey to the world stage for African art has been a painful one. However, if it’s one thing about art, it’s that it will always turn pain to power. This power is what Title Deed, a collective of seven young Nigerian contemporary artists-Wasiu Eshinlokun, Maureen Uzoh, Ken Nwadiogbu, Lekan Abatan, Emma Odumade, Margaret Otoikhine and Yussuff Aina have employed in correcting the narrative and telling their own stories through their own art and in their own spaces.
Re: Mediation. An exhibition which was held at the African Artists’ Foundation (AAF) at Victoria Island, Lagos featuring works that boundlessly explore the theme of restitution. In these works, these artists demonstrate the importance of understanding the past and appreciating the present as a means of predicting and owning the future.
Eshinlokun’s display features masking tapes dangling in an unending W motion, flooding the ceiling and connecting to the three art pieces on the wall which are also connected to themselves and each other. The artist goes a step further to pull the art out of the frame by featuring a live remake in a painted and taped human form. This one step produces several painted and muddled footsteps and the artist explains that this represents the movements of Africans and their culture such that we no longer know where it starts or where it stops. Wasiu also explains that the tape represents bondage as well as continuity of life for Africans, African art and of course, African artists.
For Ken Nwadiogbu the renowned hyperrealist, the eyes will always have it. This is how he represents consciousness in an unconscious world. He depicts the sale and commodification of consciousness by putting eyes on a coin. Nwadiogbu’s clever irony stings again when he puts open eyes on bodies and cages them with something made to cool us down – a fan.
To execute the theme, Maureen Uzoh employs a brilliant fuse of new media and old culture. Her works also feature heavy themes of sisterhood, African feminity and family. In one frame, Uzoh attempts to ridicule the idea of the West renting, selling or discounting African art to its rightful owners despite being aware and even wearing the countless headlines of stolen African art being reported in the media.
Abatan’s Our Ancestors Wear Prada shows the aftermath of a cross-fire meeting between Africans, their art and the West thus birthing popular phrases like ‘African American’. His works feature portraits of historical Benin, Ife and Nok art pieces dressed up in Calvin Klein, Adidas and Lacoste with African fabrics as the background. The mix up is almost comical yet thought provoking.
Restitution is literal for Yussuff Aina as he presents three dimensional versions of a recreation of Eniyan, his signature mask style. Eniyan, meaning person in Yoruba, takes on the form of newly excavated art pieces whose facial/body features have been damaged due to the gruesome unearthing process. One piece features Eniyan with palms pressed together and a marked cross on one palm. He explains that this is a way of using Western religion to beg/pray that the Westerners return the stolen pieces back to Africa.
Choosing a dramatic yet creative approach to the topic, Margaret Otoikhine casts African art and its stories in movie posters that attract you with their colors and captivate you with their details. The only photographer in the group, her use of black and white imagery on one of her pieces, Queen Idia, sees the filmmaker and photographer attempt to tell the Queen’s actual story before the tragedy. It is Margaret’s way of telling her own story as an Edo born Nigerian. She explains that the poster was actually for a short film that was supposed to be shot but was put on hold because of the pandemic.
What better way to change the narrative than to educate? But how do you educate people on what they can’t even see or understand despite how much it affects them today? Emma Odumade captures this glitch in the system by depicting the after effects of the looting on education and African children, who he says he used to represent dreams. His works are set against the heavy backdrop of the past while projecting the uncertainty of the future especially for the younger, upcoming generation.
The ‘Re: Mediation’ exhibition is a very refreshing take on the conversation surrounding African art and it’s movements because it offers a contemporary yet genuine view on the topic. The works serve as an intermediary between a distant past and an uncertain yet inspiring future. ‘Re: Mediation’ commenced on the 26th of September, 2020 and showed at the African Artists’ Foundation until the 12th of October, 2020.
The Lagos State Police Command, under the leadership of the Commissioner of Police, CP Olohundare Jimoh, has extended its heartfelt congratulations to Dr. Ayo Ogunsan on his well-deserved appointment as the Executive Secretary of the Lagos State Security Trust Fund (LSSTF).
In a statement signed by the Command’s Public Relations Officer, SP Abimbola Adebisi, and made available to the National Association of Online Security News Publishers (NAOSNP), the command noted that “Dr. Ogunsan’s appointment is a clear testimony to the unwavering trust and confidence that the Governor of Lagos State, Mr. Babajide Sanwo-Olu, has in him.”
Reminiscing Ogunsan’s trajectory in the world of administration and security, the statement stressed that “Over the years, Dr. Ogunsan has demonstrated exceptional selflessness and commitment to strengthening the security architecture of Lagos State.”
The Command further noted as follows:
“The Commissioner of Police is confident that Dr. Ogunsan, as a distinguished member of the LSSTF Board, will assume this new role with deep institutional knowledge, proven integrity, and unwavering dedication, coupled with a strategic understanding of the security needs of Lagos State. The Command has no doubt that he will deliver on his mandate successfully.
“Dr. Ogunsan’s continued valuable contributions to the LSSTF and his longstanding partnership with security agencies across the State have positioned him exceptionally well to steer the Fund towards greater operational efficiency, an outcome that will undoubtedly enhance public safety and security throughout Lagos State.
“The Lagos State Police Command once again warmly welcomes his appointment with deep optimism and hereby assures the new Executive Secretary of its unwavering partnership and cooperation. The Command is proud of him and immensely happy to be associated with him.
“The Lagos State Police Command looks forward to further strengthening the existing synergy, support, and operational collaboration with Dr. Ayo Ogunsan and the LSSTF team in ensuring the continued safety and protection of all residents and visitors in Lagos State.”
Prior to his appointment, Ogunsan was a Board Member of the Trust Fund.
The Chief of Army Staff (COAS), Lt. General Waidi Shaibu, has approved the appointment of some senior officers to top strategic command and positions, aimed to strengthen command structures and reposition the Nigerian Army for heightened operational effectiveness.
According to a statement by Army’s spokesperson, Lt.-Col. Apollonian Anele, on Thursday, the appointment cut across key command, staff and instructional positions across formations, units and training institutions of the Army.
Among the new appointees are: Major General Bamidele Alabi, who has been redeployed to Army Headquarters Department of Policy and Plans and appointed Chief of Policy and Plans (Army); Major General Jamal Abdulsalam, formerly Chief of Special Services and Programmes at Army Headquarters proceeds to Defence Headquarters Department of Operations as Chief of Defence Operations while Major General Peter Mala moves from Office of the National Security Adviser to Headquarters Training and Doctrine Command Nigerian Army (TRADOC) as Commander.
Major General Samson Jiya, from Nigerian Army Heritage and Future Centre (NAHFC) moves to Defence Headquarters Department of Defence Accounts and Budget as Chief of Defence Accounts and Budget.
Other strategic appointments include, Major General Mayirenso Saraso from NAHFC to Army Headquarters Department of Operations as Chief of Operations (Army); Major General Isa Abdullahi from Defence Headquarters to Army Headquarters Department of Administration as Chief of Administration (Army); Major General Musa Etsu-Ndagi from Army Headquarters to Department of Training to Army Headquarters Department of Civil-Military Affairs as Chief of Civil-Military Affairs. Major General Abubakar Haruna from NAHFC to Nigerian Army Training Centre (NATRAC) Kontagora as Commander and Major General Philip Ilodibia from Army Headquarters Department of Policy and Plans to Defence Space Administration as Chief of Defence Space Administration.
Others are: Major General Godwin Mutkut, from Multi-National Joint Task Force (MNJTF) N’Djamena to Headquarters Infantry Corps Centre as Corps Commander Infantry, Major General Umar Abubakar from the Ministry of Defence to Headquarters Nigerian Army Armour Corps as Commander Armour Corps, Major General John Adeyemo moves from Nigerian Army School of Artillery (NASA) to Headquarters Nigerian Army Corps of Artillery as Corps Commander Artillery and Major General Mohammed Abdullahi from Nigerian Army Cyberwarfare Command to Headquarters Nigerian Army Signals as Corps Commander Signals.
Also, Major General Taofik Sidick has been redeployed from the NAHFC to Headquarters Nigerian Army Finance Corps as Chief of Accounts and Budget (Army), Major General Abdullahi Ibrahim from NAHFC to Headquarters Nigerian Army Ordnance Corps as Corps Commander Ordnance, Major General Adeyinka Adereti from Defence Headquarters to Headquarters Nigerian Army Electrical and Mechanical Engineers as Corps Commander, Major General Nansak Shagaya from Army Headquarters Department of Operations to Headquarters Nigerian Army Corps of Supply and Transport as Corps Commander Supply and Transport while Brigadier General Yusha’u Ahmed has been appointed acting Corps Commander Education.
The COAS also approved the appointment of Major General Oluyemi Olatoye, from Headquarters 82 Division/ Joint Task Force South East Operation UDO KA to the Nigerian Defence Academy (NDA), Kaduna and appointed Commandant, Major General Emmanuel Mustapha from Defence Space Administration to Nigerian Army Signal School as Commandant, Major General Adamu Hassan from Nigerian Defence Section, Riyadh, to Nigerian Army School of Artillery as Commandant and Brigadier General John Bulus from Headquarters Nigerian Army Finance Corps to Nigerian Army School of Finance and Accounts as Commandant.
According to the statement, the senior officers appointed as field commanders includes, Major General Saidu Audu from Army Headquarters Department of Training to Multi-National Joint Task Force (MNJTF), N’Djamena, as Force Commander, Major General Warrah Idris from Defence Headquarters to Joint Task Force North West Operation FANSAN YAMMA as Commander and Major General Oluremi Fadairo from Army Headquarters Department of Civil Military Affairs to 82 Division Nigerian Army, Enugu as General Officer Commanding and Commander Joint Task Force South East Operation UDO KA.
Other appointees are Major General Olatokumbo Bello as the Director Defence Media Operations at Defence Headquarters while Brigadier General Samaila Uba was redeployed from the Armed Forces Command and Staff College Jaji to Defence Headquarters as Director Defence Information.
The CIAS charged the new appointees to bring to bear their wealth of operational experience, administrative acumen and strategic foresight in driving a disciplined and combat-ready Army to decisively confront the contemporary and emerging security challenges.
He urged them to sustain the current operational momentum, strengthen interagency collaboration and remain unwavering in upholding the Nigerian Army’s core ethos of loyalty, selfless service, integrity and excellence.
Former Director General of the National Council for Arts and Culture (NCAC) and the Nigerian Tourism Development Authority (NTDA), Otunba Segun Runsewe, has bagged the award of Pillar of Nigerian Culture and Tourism.
The award was conferred on him by the Association of Nigerian Journalists and Writers of Tourism (ANJET), the umbrella body for Nigerian travel press, on Thursday, October 23 at a colourful ceremony held at the prestigious Sheraton Lagos Hotel and Towers.
He was among some distinguished Nigerians from public and private sectors, including the former Nigerian Minister of Tourism and Culture, Ambassador Frank Ogbuewu, who were honoured for their contributions to the growth and development of Nigerian tourism.
Other distinguished Nigerians conferred with awards were: Otunba Wanle Akinboboye (Foremost National Tourism Builder and Creative Mind), Mr. Jemi Alade (National Trailblazer in Inbound Tour Operation) Engineer Tarzan Ganiyu Shekoni Balogun (National Icon in Tourist Boat Operations and Water Transportation), Mr. Nkereuwem Onung (Icon of Consistency and Resilience in National Tourism Leadership), and Chief Abimbola Bode-Thomas (Hospitality and Tourism Management Amazon).
Speaking on the award conferred on Runsewe and the other awardees, the President of ANJET Mr. Okorie Uguru said the awards aim to promote the culture of service to the people, and also showing appreciation to those who have served the nation with distinction while holding public office.
He said: “It is not about celebrating those who are serving the country now, but showing appreciation to those who have served in the past, to challenge current political office holders to put in their best.
“The individuals and distinguished Nigerians we are honouring are among the people that built the visibility and growth the tourism industry is enjoying today… They have contributed, and are still contributing to the sector.
“As holders of institutional memories and archivists of this industry, we know the roles they have played and are still playing in the development of the Nigerian tourism industry. That is why years after some of our awardees have left public offices, we still call them to bestow this honours.”
While receiving the award, Runsewe lamented the inability of Nigeria to take tourism seriously. He said: “I stopped talking for some time because there are too many talks in tourism, there is no action. We come; we speak big English and go back. Today, I am going to reveal two or three things. The last time I came out was to speak to the new executives of the Federation of Tourism Associations of Nigeria (FTAN). For me, I am almost tired of talking, because there is no action.
“Let me first of all thank Ambassador Ogbuewu today. He said he does not want to come, so I urged him to come. It is only the living that can be celebrated. Let us thank God that during our lifetime, we are being celebrated. It is not everybody that has that opportunity.
“I can stand anywhere and talk about this industry. I do not need a book.
“Ambassador Ogbuewu you would recollect that President Obasanjo took your very good self, led a delegation to Trinidad and Tobago. That was the day Obasanjo made a statement, he said ‘I going to stand on the existing protocol’. That was the first time they heard that English. The then president of Trinidad asked, ‘what is he talking about.’ That is a tourism brand.
“People do not understand tourism yet. People think it is only about moving from one place to the other. No. Let me reveal a few things: how many of us know the late Pastor T.B. Joshua. T.B. Joshua was selling religious tourism and nobody keyed into it? When T. B. Joshua was having his conference in Nigeria, there were over 20 private jets parked at the airport. I, maybe you did not know before today, I normally go to the airport to list how many countries they come from. I have my data. There is religious tourism in Nigeria. We have not tapped into it. We see them as pastors. Yes, pastors doing their job, but there is tourism content in what they are doing.
“If this country manages tourism well, we should not have a single child looking for a job. After agriculture, tourism is the biggest employer of labour, but we are still playing games, we are still telling ourselves stories.”
He thanked ANJET for the award and encouraged them to continue with the good work in the industry.
