Personality in Focus
How Title Deed is Responding to Stolen African Art
- /home/rhoncare/pointblank.ng/wp-content/plugins/mvp-social-buttons/mvp-social-buttons.php on line 27
https://pointblank.ng/wp-content/uploads/2020/11/IMG_3247-1000x600.jpg&description=How Title Deed is Responding to Stolen African Art', 'pinterestShare', 'width=750,height=350'); return false;" title="Pin This Post">
- Share
- Tweet /home/rhoncare/pointblank.ng/wp-content/plugins/mvp-social-buttons/mvp-social-buttons.php on line 69
https://pointblank.ng/wp-content/uploads/2020/11/IMG_3247-1000x600.jpg&description=How Title Deed is Responding to Stolen African Art', 'pinterestShare', 'width=750,height=350'); return false;" title="Pin This Post">
By Jane Efagwu Photos: Olaseni Okedairo
It is no longer a secret. 2020 has proven to be the year of something bigger than anything else: The black revolution. Africans everywhere are taking a stand against systemic oppression, discrimination and objectification of the African culture and her people. While this major cultural reset now dominates public spheres and has initiated major social discourse everywhere around the world, it is important to look back at where it all started. Africa. Before the now popular violence and commodification of Africans themselves, there was the very unpopular violence and commodification of African art.
Stolen. Shipped. Sold. Copied. Displayed. And now, owned by major museums around the world, the journey to the world stage for African art has been a painful one. However, if it’s one thing about art, it’s that it will always turn pain to power. This power is what Title Deed, a collective of seven young Nigerian contemporary artists-Wasiu Eshinlokun, Maureen Uzoh, Ken Nwadiogbu, Lekan Abatan, Emma Odumade, Margaret Otoikhine and Yussuff Aina have employed in correcting the narrative and telling their own stories through their own art and in their own spaces.
Re: Mediation. An exhibition which was held at the African Artists’ Foundation (AAF) at Victoria Island, Lagos featuring works that boundlessly explore the theme of restitution. In these works, these artists demonstrate the importance of understanding the past and appreciating the present as a means of predicting and owning the future.
Eshinlokun’s display features masking tapes dangling in an unending W motion, flooding the ceiling and connecting to the three art pieces on the wall which are also connected to themselves and each other. The artist goes a step further to pull the art out of the frame by featuring a live remake in a painted and taped human form. This one step produces several painted and muddled footsteps and the artist explains that this represents the movements of Africans and their culture such that we no longer know where it starts or where it stops. Wasiu also explains that the tape represents bondage as well as continuity of life for Africans, African art and of course, African artists.
For Ken Nwadiogbu the renowned hyperrealist, the eyes will always have it. This is how he represents consciousness in an unconscious world. He depicts the sale and commodification of consciousness by putting eyes on a coin. Nwadiogbu’s clever irony stings again when he puts open eyes on bodies and cages them with something made to cool us down – a fan.
To execute the theme, Maureen Uzoh employs a brilliant fuse of new media and old culture. Her works also feature heavy themes of sisterhood, African feminity and family. In one frame, Uzoh attempts to ridicule the idea of the West renting, selling or discounting African art to its rightful owners despite being aware and even wearing the countless headlines of stolen African art being reported in the media.
Abatan’s Our Ancestors Wear Prada shows the aftermath of a cross-fire meeting between Africans, their art and the West thus birthing popular phrases like ‘African American’. His works feature portraits of historical Benin, Ife and Nok art pieces dressed up in Calvin Klein, Adidas and Lacoste with African fabrics as the background. The mix up is almost comical yet thought provoking.
Restitution is literal for Yussuff Aina as he presents three dimensional versions of a recreation of Eniyan, his signature mask style. Eniyan, meaning person in Yoruba, takes on the form of newly excavated art pieces whose facial/body features have been damaged due to the gruesome unearthing process. One piece features Eniyan with palms pressed together and a marked cross on one palm. He explains that this is a way of using Western religion to beg/pray that the Westerners return the stolen pieces back to Africa.
Choosing a dramatic yet creative approach to the topic, Margaret Otoikhine casts African art and its stories in movie posters that attract you with their colors and captivate you with their details. The only photographer in the group, her use of black and white imagery on one of her pieces, Queen Idia, sees the filmmaker and photographer attempt to tell the Queen’s actual story before the tragedy. It is Margaret’s way of telling her own story as an Edo born Nigerian. She explains that the poster was actually for a short film that was supposed to be shot but was put on hold because of the pandemic.
What better way to change the narrative than to educate? But how do you educate people on what they can’t even see or understand despite how much it affects them today? Emma Odumade captures this glitch in the system by depicting the after effects of the looting on education and African children, who he says he used to represent dreams. His works are set against the heavy backdrop of the past while projecting the uncertainty of the future especially for the younger, upcoming generation.
The ‘Re: Mediation’ exhibition is a very refreshing take on the conversation surrounding African art and it’s movements because it offers a contemporary yet genuine view on the topic. The works serve as an intermediary between a distant past and an uncertain yet inspiring future. ‘Re: Mediation’ commenced on the 26th of September, 2020 and showed at the African Artists’ Foundation until the 12th of October, 2020.
Personality in Focus
Lessons from Dickem Farms: Two Decades of Pioneering Innovation in Nigeria’s Aquaculture Industry
By Ayo Oyoze Baje
“Our philosophy has always been simple: innovation should solve real problems, create opportunities and improve livelihoods.”
Introduction
For over two decades, Dickem Farms has remained committed to transforming Nigeria’s aquaculture industry through innovation, technology, enterprise development and human capacity building. What began in 1999 as a vision to improve fish production has evolved into one of the country’s respected aquaculture enterprises, recognized for pioneering practical solutions that have strengthened fish farming and empowered the next generation of agripreneurs.
Dickem Farms was the first to introduce mobile fish ponds into the Nigerian market, making fish farming more flexible, affordable and accessible to investors and smallholder farmers. The company also pioneered the local production of a floating fish feed extruder that uses locally available materials, reducing dependence on imported technology while lowering production costs for fish farmers. In addition, Dickem Farms has invested in modern hatchery systems that produce healthy, high-quality fingerlings to support commercial fish production.
Our philosophy has always been simple: innovation should solve real problems, create opportunities and improve livelihoods.
Recent experiences and initiatives
To get more important information about the farm there were questions on the different aspects, starting with the experiences in the past five years. Let us glean from the horse’s mouth. According to the Managing Director, Godwin Emaketenemi, “Over the last five years, we have continued to strengthen our production systems for both catfish and tilapia. Our focus has been on improving fingerling quality, enhancing pond management practices and maintaining strict water-quality monitoring to maximise fish survival and productivity.
“We also introduced better feeding programmes and comprehensive record-keeping systems that enable us to monitor growth performance, feed conversion efficiency and mortality rates.
Rather than pursuing rapid expansion, we have adopted a disciplined strategy of scaling only after achieving consistent operational results.
“This measured approach has enabled Dickem Farms to build a resilient business capable of supplying quality fish and aquaculture services to customers in Lagos and across Nigeria.”
Overcoming challenges:
On the challenges faced and how they were overcome, he stated that: “Like every agricultural enterprise, we have encountered significant challenges. Rising feed costs, unreliable electricity supply and disease management remain major concerns within the aquaculture industry. Instead of allowing these obstacles to limit our growth, we viewed them as opportunities for innovation.
Producing our own quality fish feed has significantly reduced production costs while giving us greater control over feed quality and formulation. We have also improved water-management systems and operational planning to minimize the effects of power instability.
“At the farm level, stronger biosecurity measures, improved hygiene and proactive fish-health monitoring have substantially reduced disease outbreaks and production losses.”
Marketing strategies
With regards to marketing he explained that; “Production alone does not guarantee success; a reliable market is equally important. Dickem Farms has therefore, built long-term relationships with wholesalers, retailers, restaurants and institutional buyers. We grade our fish according to customer specifications and schedule harvesting to coincide with periods of stronger market demand.”
Training programs
Furthermore, with the focus on training he explained that: “Our reputation has been built on dependable supply, consistent quality and customer trust.
One of our proudest achievements is our investment in people. We believe that sustainable agriculture depends not only on technology but also on developing competent professionals and entrepreneurs.
Over the years, Dickem Farms has trained hundreds of staff, industrial attachment (IT) students, graduates and aspiring fish farmers in practical aquaculture.
“Our training covers hatchery management, pond construction and management, fish nutrition, water-quality management, fish-health monitoring, biosecurity and business record-keeping.
More importantly, we do not stop at training. We mentor young graduates and entrepreneurs, providing technical guidance and business support until they are confident enough to establish and successfully manage their own enterprises. Seeing former trainees become successful employers and business owners remains one of our greatest rewards.
“Continuous learning has also shaped our growth. Through partnerships with foreign organisations and technical visits to leading aquaculture companies, we have gained valuable knowledge in modern hatchery technology, fish-health management, production efficiency and operational excellence.”
Government ‘s support
Coming to the need for government’s support he beamed light on it this way:
“These experiences have strengthened our technical capacity and enabled us to transfer global best practices to Nigerian farmers.
Nigeria possesses enormous potential to become a leading aquaculture producer in Africa. However, unlocking that potential requires stronger collaboration between government and the private sector.
We recommend tax exemptions or significant tax incentives for fish farming and aquaculture value-chain businesses to encourage investment.
“Farmers also need affordable financing with realistic repayment terms, reliable access to quality fingerlings, improved energy support and stronger extension services that provide timely technical guidance on fish health and disease prevention. Organized marketing systems that connect producers directly with institutional buyers will further strengthen the industry’s competitiveness.”
Piece of advice to the younger generation:
His piece of advice to young people who might be interested to go into fish farming:
“To young people considering aquaculture as a career or business, my advice is straightforward: seek proper training and find a credible mentor. Fish farming is a science and a business that rewards discipline, knowledge and patience. Begin with manageable investments, keep accurate records, master water-quality management and learn from experienced practitioners before expanding.
“A good mentor can save years of costly mistakes and accelerate the journey to success.”
As the future beckons:
As for plans for the future he highlighted that: “Looking ahead, Dickem Farms will continue to invest in innovation, local technology development, commercial hatchery expansion, fish-feed production, modern aquaculture equipment and practical capacity building. Our ambition is not only to grow our business but also to contribute meaningfully to food security, employment creation and economic development.
Our long-term vision extends beyond Nigeria.
“We believe Africa possesses the resources, talent and entrepreneurial spirit to feed itself and compete globally. Through innovation, strategic partnerships and investment in people, Dickem Farms will continue to play its part in building a modern aquaculture industry that delivers prosperity for farmers, affordable nutrition for families and sustainable growth for the continent.
Our mission remains unwavering: to inspire a future where Africans feed Africa through innovation, enterprise and excellence in agriculture.”
These indeed, are brilliant submissions for us all to learn from now and always.
The Chairman of First HoldCo, Femi Otedola, has strengthened his stake in the financial institution after acquiring an additional 1.77 billion shares valued at N222.20 billion.
Details contained in a disclosure filed with the Nigerian Exchange (NGX) showed that the shares were purchased on Thursday through his investment company, Calvados Global Services Limited.
The latest transaction raised Otedola’s shareholding in First HoldCo from 9.99 billion shares to 11.77 billion shares, with his ownership increasing from 21.96 per cent to 25.88 per cent.
The purchase marks Otedola’s second major investment in the company this July, following his acquisition of 706.13 million shares worth N77.58 billion on July 22.
With the fresh acquisition, Otedola’s total investment in First HoldCo has climbed to N1.47 trillion, making him the institution’s largest shareholder.
Tributes have continued to pour in for renowned entrepreneur and construction magnate, Otunba Muraina Olatunji Banjoko (MOB), as he marks his 65th birthday, with the Chairman/GCEO of Adron Group, Aare Adetola Emmanuelking, leading the celebration with glowing commendation for the accomplished business leader and philanthropist.
In his goodwill message, Aare Adetola Emmanuelking described the Chairman and CEO of Threeco Construction Company Limited as an icon of excellence whose remarkable contributions to business, community development, and humanity have earned him widespread admiration and enduring respect.
He noted that Otunba Banjoko has distinguished himself as an accomplished entrepreneur, visionary leader, and compassionate philanthropist whose impact transcends the construction industry. According to him, under the celebrant’s leadership, Threeco Construction Company Limited has become synonymous with quality, professionalism, and reliability, while his numerous humanitarian initiatives have positively transformed lives and communities.
He further acknowledged the numerous traditional and honorary titles held by the celebrant, including the Oluwo of Ibaragunland, Baba Adini of Akuteland, Ifo Local Government Renewed Hope Ambassador, Otunba of Akuteland, Bashorun of Agbado, and Dr. Olowore Adini of Egbaland, describing them as a reflection of the immense respect and admiration he commands across different spheres of society.
“As Otunba Muraina Olatunji Banjoko marks this remarkable milestone, we celebrate not only his achievements but also his commitment to excellence, integrity, and service to humanity. His life remains a shining example of purposeful leadership and enduring impact,” Aare Adetola Emmanuelking stated.
He prayed that Almighty God would grant the celebrant renewed strength, sound health, greater wisdom, and many more years of fulfilment, prosperity, and impactful service, expressing confidence that his legacy of excellence and selfless service would continue to flourish for generations to come.
