Personality in Focus
How Title Deed is Responding to Stolen African Art
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By Jane Efagwu Photos: Olaseni Okedairo
It is no longer a secret. 2020 has proven to be the year of something bigger than anything else: The black revolution. Africans everywhere are taking a stand against systemic oppression, discrimination and objectification of the African culture and her people. While this major cultural reset now dominates public spheres and has initiated major social discourse everywhere around the world, it is important to look back at where it all started. Africa. Before the now popular violence and commodification of Africans themselves, there was the very unpopular violence and commodification of African art.
Stolen. Shipped. Sold. Copied. Displayed. And now, owned by major museums around the world, the journey to the world stage for African art has been a painful one. However, if it’s one thing about art, it’s that it will always turn pain to power. This power is what Title Deed, a collective of seven young Nigerian contemporary artists-Wasiu Eshinlokun, Maureen Uzoh, Ken Nwadiogbu, Lekan Abatan, Emma Odumade, Margaret Otoikhine and Yussuff Aina have employed in correcting the narrative and telling their own stories through their own art and in their own spaces.

Re: Mediation. An exhibition which was held at the African Artists’ Foundation (AAF) at Victoria Island, Lagos featuring works that boundlessly explore the theme of restitution. In these works, these artists demonstrate the importance of understanding the past and appreciating the present as a means of predicting and owning the future.
Eshinlokun’s display features masking tapes dangling in an unending W motion, flooding the ceiling and connecting to the three art pieces on the wall which are also connected to themselves and each other. The artist goes a step further to pull the art out of the frame by featuring a live remake in a painted and taped human form. This one step produces several painted and muddled footsteps and the artist explains that this represents the movements of Africans and their culture such that we no longer know where it starts or where it stops. Wasiu also explains that the tape represents bondage as well as continuity of life for Africans, African art and of course, African artists.

For Ken Nwadiogbu the renowned hyperrealist, the eyes will always have it. This is how he represents consciousness in an unconscious world. He depicts the sale and commodification of consciousness by putting eyes on a coin. Nwadiogbu’s clever irony stings again when he puts open eyes on bodies and cages them with something made to cool us down – a fan.

To execute the theme, Maureen Uzoh employs a brilliant fuse of new media and old culture. Her works also feature heavy themes of sisterhood, African feminity and family. In one frame, Uzoh attempts to ridicule the idea of the West renting, selling or discounting African art to its rightful owners despite being aware and even wearing the countless headlines of stolen African art being reported in the media.

Abatan’s Our Ancestors Wear Prada shows the aftermath of a cross-fire meeting between Africans, their art and the West thus birthing popular phrases like ‘African American’. His works feature portraits of historical Benin, Ife and Nok art pieces dressed up in Calvin Klein, Adidas and Lacoste with African fabrics as the background. The mix up is almost comical yet thought provoking.

Restitution is literal for Yussuff Aina as he presents three dimensional versions of a recreation of Eniyan, his signature mask style. Eniyan, meaning person in Yoruba, takes on the form of newly excavated art pieces whose facial/body features have been damaged due to the gruesome unearthing process. One piece features Eniyan with palms pressed together and a marked cross on one palm. He explains that this is a way of using Western religion to beg/pray that the Westerners return the stolen pieces back to Africa.

Choosing a dramatic yet creative approach to the topic, Margaret Otoikhine casts African art and its stories in movie posters that attract you with their colors and captivate you with their details. The only photographer in the group, her use of black and white imagery on one of her pieces, Queen Idia, sees the filmmaker and photographer attempt to tell the Queen’s actual story before the tragedy. It is Margaret’s way of telling her own story as an Edo born Nigerian. She explains that the poster was actually for a short film that was supposed to be shot but was put on hold because of the pandemic.

What better way to change the narrative than to educate? But how do you educate people on what they can’t even see or understand despite how much it affects them today? Emma Odumade captures this glitch in the system by depicting the after effects of the looting on education and African children, who he says he used to represent dreams. His works are set against the heavy backdrop of the past while projecting the uncertainty of the future especially for the younger, upcoming generation.

The ‘Re: Mediation’ exhibition is a very refreshing take on the conversation surrounding African art and it’s movements because it offers a contemporary yet genuine view on the topic. The works serve as an intermediary between a distant past and an uncertain yet inspiring future. ‘Re: Mediation’ commenced on the 26th of September, 2020 and showed at the African Artists’ Foundation until the 12th of October, 2020.
Personality in Focus
Aare Adetola Emmanuelking Celebrates Damola Aiyeola @60
The National President of the Remo Secondary School Old Students Association (RSSOSA), Aare Adetola Emmanuelking, has celebrated the National Vice President of the Association’s UK Branch, Mr. Damola Aiyeola, on the occasion of his 60th birthday, describing him as a God-fearing family man, committed leader and an exemplary Old Student whose years of service have continued to make a meaningful difference in the lives of students and the development of Remo Secondary School and beyond.
In a special birthday message marking the significant milestone, Aare Adetola Emmanuelking described Aiyeola’s 60 years as a life of purpose, faith, family, leadership and service, noting that his contributions to RSSOSA demonstrate a deep understanding of the responsibility that comes with belonging to an association of Old Students.
The RSSOSA National President praised Aiyeola’s leadership as the National Vice President of the Association’s UK Branch, noting that his contribution goes beyond occupying an executive position to actively using his platform to advance the welfare of students and contribute meaningfully to the growth and development of the alma mater.
Aare Adetola Emmanuelking particularly highlighted the various initiatives undertaken by the RSSOSA UK Branch under Aiyeola’s watch, describing them as tangible expressions of the responsibility that Old Students owe to the institution that shaped them.
Some of the notable interventions include the renovation of the UK-adopted classrooms at Remo Secondary School; the donation of learning materials to exceptional students across the Senior and Junior sections of the school; and the support and funding of holiday tutorials for SS3 students. The tutorial programme was further complemented by the donation of textbooks and sanitary pads to the students, addressing both their educational and personal welfare needs.
Commending these initiatives, the RSSOSA National President described Mr. Damola Aiyeola as a leader whose influence is evident in the positive impact being recorded by the UK Branch.
According to him, Aiyeola’s leadership reflects the importance of having people who understand that alumni leadership is ultimately about service, responsibility and giving back. He noted that the story of the RSSOSA UK Branch under Aiyeola’s watch is one of Old Students turning their affection for their alma mater into measurable interventions that improve the lives of present-day students.
As Mr. Damola Aiyeola marks his diamond jubilee, the RSSOSA National President prayed that God would continue to strengthen him, preserve his life and grant him the wisdom and grace required for greater responsibilities.
He prayed for divine health, protection, prosperity, renewed strength and continued fulfilment, asking God to bless and preserve his family and reward the celebrant for his commitment to service.
He further prayed that the years ahead would be even more fruitful and impactful, with greater opportunities to contribute to the advancement of RSSOSA, the UK Branch and Remo Secondary School.
Personality in Focus
World’s Oldest Person, Ethel Caterham, Celebrates 117th Birthday
Ethel Caterham, recognised by Guinness World Records as the world’s oldest living person, has turned 117.
Caterham celebrated her birthday on Friday, August 21, 2026, at Hallmark Lakeview Care Home in Lightwater, Surrey, where she lives.
“Thank you for all of the kind birthday wishes. Even at 117, I’ve had many firsts this year, from stroking a llama to holding hands with the King!” Caterham said in a birthday message shared through her care home.
“I’ve had a lovely day celebrating with my family and friends, and I look forward to seeing what next year brings!”
Born on August 21, 1909, in Shipton Bellinger, Hampshire, Caterham is the last known surviving person born during the reign of King Edward VII.
She became the world’s oldest living person in April 2025 after the death of Brazilian nun Inah Canabarro Lucas at the age of 116. Guinness World Records also recognises her as the oldest living woman.
Caterham travelled alone to India at 18, where she worked as a nanny for a British family.
She later met British Army officer Norman Caterham at a dinner party in 1931. They married in 1933 and lived in several countries, including Hong Kong, where Caterham set up a kindergarten.
The couple later returned to Britain and raised two daughters. Norman died in 1976. Caterham has since outlived both daughters and is now a grandmother of three and great-grandmother of five.
Her long life has spanned two World Wars, the sinking of the Titanic and the COVID-19 pandemic. She also survived COVID-19 at the age of 110.
Caterham has previously said she believes avoiding arguments has helped her live a long life.
“Never arguing with anyone, I listen and I do what I like,” she said.
One of the highlights of Caterham’s past year was meeting King Charles III in September 2025.
During their meeting, she recalled watching his investiture as Prince of Wales in 1969, when he was 21.
“All the girls were in love with you and wanted to marry you,” she told the King.
Caterham later described meeting Charles and holding his hand as two of the memorable “firsts” she experienced during her 116th year.
The world’s oldest living man, Brazil’s João Marinho Neto, also sent birthday wishes to Caterham, according to Guinness World Records.
Despite reaching 117, Caterham remains five years short of the verified record for the oldest person ever. That record belongs to Frenchwoman Jeanne Calment, who lived to 122 years and 164 days.
For now, Caterham continues to celebrate life with her family and friends while looking ahead to another milestone year.
Personality in Focus
NAOSNP Celebrates IGP Disu, Wife on 30th Wedding Anniversary
The National Association of Online Security News Publishers (NAOSNP) has extended warm congratulations to the Inspector-General of Police, IGP Olatunji Rilwan Disu, on the occasion of his 30th wedding anniversary with his beautiful wife, Mrs. Mutiat Olufunmilola Disu, describing the milestone as a reflection of the stability and discipline the IGP has brought to both his home and his office.
Mrs. Disu, who doubles as National President of the Police Officers Wives Association (POWA), the umbrella body for wives and spouses of police officers nationwide, has been a steady presence alongside her husband through a career that has spanned more than three decades of policing, culminating in his appointment by President Bola Ahmed Tinubu as the nation’s 23rd indigenous Inspector-General in February 2026.
In a statement signed by NAOSNP National President, Mayor Oki O. Samson, the Association described the union as “a partnership that has clearly shaped a man now trusted with the safety of over 200 million Nigerians,” adding that “thirty years of marriage is no small feat, and we join well-wishers across the country in celebrating the IGP and his amiable wife on this golden occasion.”
The Association noted that Mrs. Disu’s leadership of POWA has itself been an extension of her husband’s community-first approach to policing, with the association playing a quiet but consistent role in supporting the welfare of officers’ families across the Force. This is a mission that mirrors IGP Disu’s own emphasis on troop and personnel welfare since assumption of office.
Beyond the celebration, NAOSNP used the opportunity to reflect on what it described as the sterling contributions IGP Disu has made to President Bola Tinubu’s ongoing security architecture reforms in his first six months in office. The Association recalled that the IGP’s appointment came at a pivotal moment in the country’s history, as the Presidency pursued the most far-reaching restructuring of Nigeria’s security institutions since the Civil War. The reforms include the State Police bill now passed by both chambers of the National Assembly, the expansion of the Nigerian Army from eight to twelve divisions, and the rollout of the Forest Guard corps.
“IGP Disu has actively complimented the reform agenda of Mr. President Tinubu,” Mayor Oki said. “From his welfare-driven leadership of the rank and file to his insistence on intelligence-led and community-rooted policing which were the same approach that made him a celebrated name at the Lagos RRS, he has shown that the Force under his watch is a willing and capable partner in Mr President’s vision for a secure Nigeria.”
NAOSNP also heaped praises on the IGP for the Force’s professional conduct during the just-concluded Osun State governorship election held on August 15, 2026. The Association noted that IGP Disu personally directed a massive security deployment led by DIG Ishyaku Mohammed to the State. The Police deployment included Police mobile units across all 30 local government areas, air and drone surveillance. The Police also engaged with civil society groups such as Yiaga Africa ahead of the poll to strengthen public trust in the process.
Despite isolated incidents, the election was widely adjudged as peaceful and credible, with candidates across party lines, INEC officials, media and residents commended the professionalism of Police officers on ground. Incumbent Governor Ademola Adeleke of the Accord Party was declared winner, defeating APC’s Bola Oyebamiji by over 66,000 votes, in a contest that many observers say passed a key credibility test ahead of the 2027 general elections.
“Osun has once again proven that when the Police lead with professionalism and neutrality, Nigerians reward that conduct with confidence in the process,” Mayor Oki Samson stated.
NAOSNP concluded its statement by wishing IGP Disu and his wife many more years of marital bliss, and expressing confidence that the same discipline, patience and grace that has sustained their union will continue to guide his stewardship of the Nigeria Police Force in the months ahead.






