Entertainment
Ifeanyi: The Death of Nigeria’s Most Popular Baby
By Eric Elezuo
A dark day it was on November 1, 2022 when Nigerians woke to the shocking news of Davido and his fiancee, Chioma’s son, Ifeanyi’s death. The news, which filtered in at midnight throw celebrity posts, hovered like a grand rumour until it gained ground, and became confirmed. Ifeanyichukwu ‘Davido’ Adeleke has died. He drowned in a swimming pool in his father’s house in highbrow Banana Island.
The news threw the country into unbelievable grieve, causing politicians and entertainers to shift their priories and programmes amid tears. Ifeanyi was only three years old; an age he attained only a week before his death. An age that was celebrated with pomp, pageantry and total exuberance.
Much as the parents of the child have not uttered a word on the issue till date, the Lagos State Command through its publicity department led by SP Benjamin Hundeyin, has continually kept the public abreast of the situation, culminating in its Saturday announcement that autopsy authorised to determine the cause of the child’d death was out. The content according to him, revealed that the boy some people have come to rever as Nigeria’s most popular baby died as a result of drowning.
Hundeyin said, “Autopsy has been concluded. It confirms the boy (Ifeanyi) drowned.”
Earlier, the Police had picked up all eight domestic staff on duty when the child died for questioning. They later released six, and detained only the cook and the nanny, who were directly in charge of Ifeanyi. The Police hinted that they may be charged for negligence.
It was reported that the nanny was with the toddler when the cook came to join them. The nanny claimed to have moved away to receive a call leaving the child with the cook who also insisted that he left the boy in the care of the nanny. The child’s body was later found at the bottom of the pool by a security guard 20 minutes later.
Analysts have wondered why it took the Nanny a whole 20 minutes to discover that the child was not with them, and why security guards in the facility do not regularly patrol the surroundings if it took 20 minutes for the guard to spot him.
A lot of people have said that Ifeanyi was a victim of circumstance arriving with so much fanfare as his mother was so loved among the four baby mamas of the star artist, Davido.
The pair broke the internet when on Chioma’s 23rd birthday, in 2018, Davido caused a stir on social media when he released a song titled ‘Assurance’ in homage to her. While lavishing love on her, he also generated a torrent of reactions by presenting her with a N45 million Porshe as a birthday gift. The car came with a plate number which reads ‘Assurance’.
Davido had specifically gone to the studio to release a single dedicated to Chioma. The song broke music charts, and placed Chioma on a great pedestal in Davido’s love line. However, shortly after their talk of the town traditional marriage, and birth of Ifeanyi, the two parted ways as a result of Davido’s alleged involvement with another woman overseas and another alleged romantic affair between Chioma and Davido’s staff, Peruzzi.
The disagreement reached a head recently when Chioma, an Economics undergraduate at Lead City University, learned that the singer had impregnated yet another woman.
Much as Chioma Rowland is greatly hit by the unfortunate death of the child because it was her only child, Davido is equally devastated as the child was his only son. His other baby mamas had daughters, Imade and Hailey, for him.
Imade Adeleke is the product of his romance with Sophie Momodu while he had Hailey Veronica Adeleke with an Atlanta-based lady popularly known as Amanda ‘Mandy Play’ on Instagram.
Their separation, more than setting them apart further cemented their love, and hyped their personalities. It was not therefore, a surprise when in June 2022, the duo made a drama comeback, setting 2023 for the wedding ceremony.
The circumstances that brought his parents together, broke them apart and brought them back again, have made the young Ifeanyi to remain in the limelight as the unofficial most popular in Nigeria. His popularity was shored up when his third birthday party took over the entire internet.
Though the last of the unfortunate has not been heard, Nigerians continue to mourn a boy many have said was finer than most beautiful girls; a boy many said was Nigeria’s most popular baby.
May the innocent soul of Ifeanyi rest in peace!
Shakira has announced the official song for the 2026 FIFA World Cup, featuring Nigerian Grammy-winning star, Burna Boy.
The Colombian superstar revealed on social media that the song, titled “Dai Dai,” will be released on May 14.
“From Maracaná Stadium, here is ‘Dai Dai,’ the FIFA World Cup Official Song 2026. Coming 5/14. We’re ready!” Shakira posted on X alongside a teaser for the track.
The announcement has sparked excitement among football and music fans, especially with Burna Boy becoming one of the African artists to feature prominently on a World Cup anthem.
Shakira is no stranger to World Cup songs. Her 2010 hit Waka Waka (This Time for Africa) became one of the most iconic football anthems in history during the tournament in South Africa.
Recent World Cup theme songs have also featured global stars. In 2014, Pitbull, Jennifer Lopez and Claudia Leitte performed We Are One (Ole Ola) for the tournament in Brazil.
For the 2018 tournament in Russia, Nicky Jam, Will Smith and Era Istrefi released Live It Up.
At the 2022 World Cup in Qatar, FIFA rolled out multiple soundtrack songs, including Hayya Hayya (Better Together) by Trinidad Cardona, Davido and Aisha.
The 2026 FIFA World Cup will be jointly hosted by the United States, Canada and Mexico.
This week, African Voices, the Globacom-sponsored magazine programme on CNN International, turns its searchlight on Ejatu Shaw the London-based photographer and multidisciplinary artist whose work continues to refract heritage into striking visual poetry.
Born in 1996, Shaw is a graduate of University of Westminster, where she earned a Master’s degree in Photography Arts in 2020. Yet the true genesis of her craft predates the academy. It was during a 2013 family sojourn to Sierra Leone that her creative awakening first flickered—like light finding its way through a narrow aperture—setting her on a path of introspective exploration.
Her oeuvre is a delicate tapestry, interweaving strands of Islamic faith with the vibrant textures of African heritage. Echoes of the great studio photographers of the 1960s and 1970s—such as Malick Sidibé, Sory Sanlé, and Omar Yahia Barram—resonate subtly within her compositions, like ancestral voices carried on a visual wind.
From these influences, Shaw has cultivated a practice rooted in memory and self-inquiry. Through self-portraiture and conceptually layered projects, she transforms personal recollections into images that speak with both intimacy and universality—mirrors in which the past and present quietly converge.
Her ascent has been both swift and assured. In 2025, the British Fashion Council named her a New Wave Creative, affirming her place among a new generation of cultural vanguards. In the same year, her lens captured figures of global renown, including Angela Bassett for EBONY, Cynthia Erivo for The Guardian, Sunday Times and Vogue, and Usain Bolt for Puma.
She also conceived and shot the album cover for Craig David—each frame a testament to her evolving visual language.
African Voices airs on Saturdays at 7:30 a.m. and 11:00 a.m., with further broadcasts on Sunday at 3:30 a.m. and 6:00 p.m., and repeat transmissions on Monday at 3:00 a.m. and 5:45 p.m.—an invitation to witness, through Shaw’s eyes, a world where identity is not fixed, but fluid, luminous, and ever unfolding.
Nigeria-born Afro-pop star, Joeboy, whose melodies now ripple across continents, takes centre stage this week on the Easter edition of African Voices, the Globacom-sponsored CNN magazine programme.
In a captivating session from Lagos, show anchor Larry Madowo drew out the rhythm of Joeboy’s journey, tracing the arc from a starry-eyed university dreamer to a maestro whose songs now traverse the globe like whispered secrets carried on the wind.
Born Joseph Akinwale Akinfenwa-Donus in 1997, Joeboy—affectionately dubbed Afrobeats’ “lover boy”—embarked on his musical odyssey in 2017 with a viral reinterpretation of Ed Sheeran’s Shape of You.
This pivot from rap to melodious crooning caught the discerning eye of Nigerian artiste and entrepreneur Mr Eazi, who, upon discovering him on Instagram, extended an invitation to join the emPawa Africa Talent Incubation initiative—a sanctuary for budding African talents where raw potential is nurtured into brilliance.
The partnership bore fruit in 2018 with the release of Fààjí, featuring Mr Eazi, and soon after, Joeboy was signed to Warner Music Africa. From there, his ascent became a symphony of milestones: the intoxicating single Baby in 2019, followed by Beginning, which amassed over 23 million views on YouTube, and Love & Light the same year.
Collaborations with Mayorkun yielded the spirited tracks Don’t Call Me and All for You, further cementing his place in the Afrobeats constellation.
Joeboy’s debut album, Somewhere Between Beauty & Magic, unfurled in February 2021, a melodic tapestry of youth, hope, and desire. By 19 May 2023, he unveiled his sophomore studio effort, Body & Soul, preceded by the evocative singles Sip (Alcohol), Contour, Body & Soul, and Duffel Bag. In 2023, he teased the world with Only God Save Me and the extended EP Body, Soul and Spirit, offering listeners a window into the essence of his artistic spirit.
February 2024 marked another milestone as he launched his own imprint, Young Legend, soon releasing Osadebe, a track that resonated nationwide with the familiar warmth of homegrown brilliance.
Joeboy’s dedication has been richly rewarded. He clinched Best Artiste in African Pop at the 2019 All Africa Music Awards and Best Pop at the 2020 Soundcity MVP Awards Festival. His music has earned numerous nominations, including at the City People Entertainment Awards and The Headies, affirming his status as a luminary of contemporary African sound.
The Easter edition of African Voices featuring Joeboy will air on DSTV Channel 401 at 7:30 a.m. on Saturday, with repeats at 11 a.m.; Sunday at 3:30 a.m. and 6 p.m.; Monday at 3 a.m. and 5:45 p.m.; and Tuesday at 5:45 p.m. The schedule will be mirrored the following week, culminating in Monday at 3 a.m., giving audiences multiple opportunities to bask in the artistry of a musician whose voice carries the pulse of a continent.
