The President of Security Resources & Risk Management Academy, Lagos, Mr. Matthew Ibadin, has charged officers of the Nigerian Armed Forces and allied nations to practice emotional discipline, warning that unmanaged anger remains a greater threat to a Staff Officer than the enemy.

Ibadin, who is also a doctoral researcher at the Nigerian Defence Academy (NDA) and University of Abuja, stated this on Monday while delivering a lecture on “Emotional Discipline Under Pressure and Anger Management for Staff Officers” to participants of Senior Course 48 at the Armed Forces Command and Staff College (AFCSC), Jaji, Kaduna.

The lecture was attended by 436 officers comprising the Nigerian Army, Nigerian Navy, Nigerian Air Force and officers from eight friendly nations.

Describing anger as “a temporary madness that leaves a permanent record,” Ibadin warned officers that “the line between a respected officer and an inmate is thinner than you can imagine.”

“Anger may enter the room, but must never take command,” he said.

The Lion Principle

Illustrating his point with the parable of the lions, Ibadin noted that while both male and female lions roar, the female roars only when necessary and lives 15-18 years compared to 10-12 years for the male.

“She lives longer not because she is weaker, but because she is more disciplined. Many of us have become male lions in uniform – fighting juniors, spouses, traffic, minor disagreements even when no real threat exists. That constant agitation slowly destroys what you have built,” he said.

He therefore charged officers to “be a female lion in strategy and a male lion only when tactically necessary.”

Five Battlefields Where Anger Destroys

Ibadin identified five battlefields where undisciplined anger destroys officers: Health, Home Front, Office and Command, Career and Prison, and Relationships.

On health, he described anger as a silent killer that triggers hypertension, stroke and cardiac arrest, noting that many officers survive the war front but do not survive peacetime.

“At Jaji, your rank commands respect, but at home your rank is irrelevant. If you win at the office and lose at home, you have lost. An officer whose home is under emotional fire cannot think clearly at the command post,” he cautioned.

He warned that signatures appended in anger to operational orders, procurement papers and personnel assessments could lead to Boards of Inquiry, career ruin and mission failure.

He added that 70 percent of inmates in correctional centres for murder never planned to kill, but acted in a moment of unmanaged anger.

Practical Tools

Ibadin introduced practical tools including the 90-Second Rule and the S.T.O.P Protocol – Stop, Take a Breath (4-4-4), Observe, and Proceed with Discipline – for decisions under pressure.

He adopted Aristotle’s five tests for disciplining anger: Right Person, Right Reason, Right Time, Right Degree, and Right Manner.

Canadian poet, essayist and translator Anne Carson has been awarded the 2026 Nobel Prize in Literature for her inventive writing and her engagement with the classical tradition. Her work brings together poetry, criticism, translation and narrative, expanding the forms through which contemporary literature can tell stories.

Born in Toronto in 1950, Carson trained as a classicist and has combined writing with university teaching and translation throughout her career. Her interest in the origins and meanings of words informs both her scholarship and her poetry. Ancient texts provide material for her explorations of desire, grief, identity and human relationships.

Her translations include If Not, Winter (2002), a rendering of Sappho’s surviving poetry that preserves the gaps between fragments. She has also translated plays by Sophocles and Euripides, bringing the language and conflicts of Greek tragedy into contemporary expression.

Carson’s writing gained increasing recognition during the 1990s. “The Glass Essay,” published in Glass, Irony, and God (1995), combines the experience of a relationship’s end with reflections on Emily Brontë, family life and solitude. Its movement between personal narrative and literary interpretation demonstrates her freedom in working across genres.

Autobiography of Red: A Novel in Verse (1998) remains among her most celebrated works. Drawing on fragments by the ancient Greek poet Stesichoros, Carson reimagines the winged red monster Geryon as a young person discovering photography, desire and heartbreak. The book places his experiences at the centre of a story traditionally associated with the exploits of Herakles.

Her later publications continue this experimentation. Float (2016) consists of twenty-two chapbooks that readers can approach in any order. Wrong Norma (2024) brings together varied prose pieces, extending her interest in the possibilities of short, loosely connected forms.

Carson has also collaborated with visual artists, choreographers and theatre and opera directors. These projects carry her writing into performance and establish connections between literature and other arts.

The award recognises a career devoted to close attention to language and continual experimentation with form. Through translation, poetry and collaboration, Carson has made classical literature an active part of contemporary writing.
Souce:Classic Books.