Entertainment
Majek Fashek (1963-2020): The Triumphs, the Storm, the Travails
By Eric Elezuo
Could you believe that even age mates of late Majek Fashek believed he was 71 years, and was born in 1949. They claimed that was what the official record said…such naivety. One day, someone would tell them something different from their names, and they will believe because one supposedly ‘impeccable’ source has erroneously written it. I still wonder what we do with our brains, even with claims that we have been to school. Well, that is a story for another day!
He was only 25 years in 1988 when his glory filled not only the airwaves but the nook and crannies of the Nigerian music and entertainment circle. It didn’t stop there, Majekodunmi Fasheke, known as Majek Fashek for short, took his epic arrival into stardom more than a niche further, covering the world with his own form of ‘Righteousness’. He dished out hits after hits, making him the epicentre of Reggae music in Nigeria, competing favourably with the likes of Alpha Blonde and Lucky Dube in the Africa continent, and world icons like Robert Nester Marley, Peter Tosh, Gregory Isaac and many more. New York Daily News hailed him as the spiritual heir to Bob Marley.
Majek Fashek occupied the late 80s and early 90s like a colossus, as his hit album, Prisoner of Conscience with the track ‘Send Down the Rain’, became a national anthem of some sort. Every child could sing the song; it was on the lips of every adult. And of course, it was interwoven with childlike chorus which heralds the arrival of mothers after a long absence. It was made for all ages; a product of long term planing. More so, its prophetic orientation and spiritual undertone made it a toast for all season.
In a 2013, when Fashek’s former bandmate and cousin, Amos McRoy, granted an interview with now defunct Entertainment Express Newspaper, he claimed that the singer told him the song ‘Send Down The Rain’ had a spiritual force behind it.
“That was one of the things he told me in Cote d’Ivoire. Based on what he told me, I think he ‘crossed the line’ before he released the album,” McRoy said in that interview.
“In Cote d’Ivoire, I asked him certain questions. His reply was: ‘Amos, are you that naive? I released Send Down The Rain, everywhere that song was played, rain must fall. Even in summer while we were on US tour, I played Send Down The Rain and rain fell. I released Free Mandela and that month Mandela was released. I did fire (Majek Beware) the week that record was released was the week the Rodney King incident happened. That song, Fire o! Fire o! was played for almost two months in all the TV and radio stations in Los Angeles during that Rodney King episode. So, are you that naive? Don’t you reason?
He practically started a musical revolution in 1988, and by 1989, he carted away six awards at the PMAN Awards including two of the most important nominations; the prestigious Album of the Year and Song of the Year categories. His Send Down the Rain competed in the category of millennial hits such as Nico Mbago’s Sweet Mother and Onyeka Onwenu’s One Love in not only national, but international appeals.
One thing is obvious, no Nigerian song has been so mythologized as ‘Send Down the Rain’ and by extension, Holy Spirit. He composed every song personally, and gave Bob Marley’s ‘Redemption Song’ a touch of excellence when he remixed it. No one can deny that Fashek was a legend. A typical example of one who came during his time, saw and conquered. Many believed he had room for more conquest if not for the self-destructive mode he put himself. Reports had it that he dabbled into spiritism, not drug use, and ruined a God-given career.
This as much was confirmed by McRoy thus:
“Truth is Majek’s problem is spiritual. Majek strayed into spiritism.
“Majek’s problem is not drug-related. He took to alcoholism to get over his real problem. Failing to keep the rules of whatever he delved into, he started to hallucinate. He started seeing things. For instance, if he was in a room, he would tell you ‘open the door, open the window’. If you tell him the air condition is on, he would say “Can’t you see them spirits; you want to trap the spirits. Men, let the spirits move around.”
In the peak of his career in 1991, Fashek visited New York for the first time, and that was when he released the track ‘Mashek Fashek Inna New York’. The excited attached to the song would reveal his clear human nature, as he x-rayed life in the city that never sleeps in comparison to what is obtainable in other cities of the world. He was practically surprised to see that there were homeless people, beggars and destitute in New York.
Nollywood actress, Iyabo Ojo, has revealed in a recent interview that she is been a victim of rape five times in the past.
Speaking with Biola Bayo, on her talk show, Talk to B, she expressed her frustration with rape apologists.
Iyabo Ojo shared her traumatic experiences, emphasising her zero-tolerance stance on rape.
Iyabo Ojo also discussed her complicated family history, including her father’s struggles with addiction, which led to his death at 49.
She revealed that she grew up with her grandmother and didn’t meet her mother until she was seven years old.
“I was raped five times in my life. I discovered we have a lot of rape apologists. I don’t care who the person is; if that person is my son, I am going to come for him unapologetically.
“I have never met Naira Marley before my entire life. The only time I lacked was when I insisted this was the man I was going to get married to because, at that time, my dad and I disowned each other.
“My dad did everything, alcohol and drugs, so it messed him up at a young age. He died at 40.
“I grew up with my grandmother, who is half Delta and half Igbo. I think I was seven before I knew my mother.”
First Bank of Nigeria Limited proudly sponsored a remarkable stage play titled ‘Our Duke Has Gone Mad Again: A Biting Satire.’ This captivating performance was masterfully directed by the acclaimed Joseph Edgar, widely recognised as The Duke of Shomolu. The play received high praise for its creative ingenuity and sharp satirical brilliance, effectively delivering a meaningful message to its audience.
The much-anticipated performance took place on December 23, 2023, at the prestigious Shell Hall, MUSON Centre in Lagos. This staging was an integral part of the vibrant activities associated with the 2024 edition of FirstBank’s annual Initiative, ‘DecemberIssaVybe,’ which aims to support and promote the thriving arts and entertainment sector in Nigeria.
Written and produced by the versatile Joseph Edgar, who is also a distinguished playwright and journalist, ‘Our Duke Has Gone Mad Again’ is a profound satire that conveys a compelling message through clever satirical elements and well-crafted characters. Edgar describes the play as a compilation of his earlier writings that appeared in ThisDay newspaper, along with his personal reflections shared on various platforms, including WhatsApp.
This particular production marked the fourth outing of the play, with previous adaptations being celebrated and well-received. One standout performance featured the talented actress Chantal, who humorously chastised Edgar in a memorable scene, referring to him as a “self-centred Ibibio man,” eliciting laughter from the audience. Another crowd favourite was a scene set in a white garment church, directed by the iconic Segun Adefila. This lively depiction showcased the vibrant energy and joyful movements of the beautiful women attending such congregations, further engaging the audience with their energetic performances. Additionally, the play prominently featured a scene centered around the controversial journalist and TV host Rufai Oseni, thoughtfully reflecting current societal debates and media dynamics.
A significant portion of the production was dedicated to a heartfelt tribute to the late Herbert Wigwe, a revered banker and former chairman of Access Holdings, known for his bold business strategies and calculated risk-taking. Edgar, drawing from his personal experiences with Wigwe, portrayed the late banker as an inspiring figure who achieved prominence through sheer determination and hard work. The narrative expressed a profound sense of loss felt by many following Wigwe’s untimely passing, resonating deeply with the audience.
The storyline of ‘Our Duke Has Gone Mad Again’ is a vibrant and dynamic fusion of dance, music, traditional aesthetics, and visual spectacle, seamlessly blending comedic and tragic elements. In addition to honoring Herbert Wigwe, Edgar also paid homage to other notable figures, such as Mrs. Umo Eno, the recently deceased First Lady of Akwa Ibom State, and the iconic singer Onyeka Onwenu, showcasing the play’s deep connections to the fabric of Nigerian society.
The themes explored within the play span a broad spectrum of human experience, including pain, love, joy, relationships, and the myriad challenges faced by society. It poignantly reflects the complexities of Nigerian life and culture, utilizing elements from Edgar’s finest writings to resonate with the audience on multiple levels. Furthermore, the production served as a platform to commemorate several Nigerians who have recently passed away, intertwining personal narratives with collective grief and memory, thus adding another layer of depth to the performance.
Crafted with a rich, emotional plot, ‘Our Duke Has Gone Mad Again’ is an exhilarating theatrical spectacle that effortlessly integrates various aspects of Nigerian culture, music, folklore, and languages. While rooted in satire, the core narrative resonates with contemporary societal realities, making the production both entertaining and deeply thought-provoking.
Olayinka Ijabiyi, the Acting Group Head of Marketing & Corporate Communications at FirstBank, expressed the bank’s unwavering commitment to providing a memorable December experience for all generations. He remarked, “FirstBank is dedicated to facilitating unforgettable homecoming experiences this December for gatherings such as weddings, family reunions, and festive celebrations. Our collaboration with the Duke of Shomolu on this play signifies our dedication to promoting the creative industry through the arts and stage plays, aligning perfectly with our vision as an organization that cherishes Nigeria’s artistic landscape.”
Ijabiyi further highlighted FirstBank’s rich 130-year legacy of supporting the arts through its First@arts initiative. He encouraged Nigerians to embrace the diverse entertainment offerings presented throughout DecemberIssaVybe. He assured people that FirstBank is steadfast in its mission to create memorable experiences while considering the overall well-being of its customers.
The FirstBank DecemberIssaVybe is celebrated each year to enhance the arts and entertainment sectors in Nigeria. Throughout December, the bank hosts multiple opportunities and platforms that provide a memorable Homecoming Experience for Nigerians, welcoming both local and international guests. It is designed to provide access to premium live performances featuring beloved artists and engaging concerts that embody the spirit of joy and celebration, ultimately creating lasting memories for all attendees.
Looking ahead, FirstBank is actively working on an exciting lineup for the upcoming 2024 DecemberIssaVybe ensuring that both customers and social media followers can look forward to a world of entertainment that promises to be unforgettable.
This story is sponsored by FirstBank, and written by Oladapo Sofowora
A Nigerian, Samuel Nwajaju, became the first African to win the Mister International pageant at the 16th edition of the pageant in Bangkok, Thailand, yesterday.
Established in 2006 by the late Alan Sim, the former president and founder, Mister International is one of the world’s largest male pageants, second only to Mister World in terms of national-level competitions.
The Singapore-based organisation has grown to attract participants from over 80 countries, with an annual average of 38 contestants.
For the first time in 16 years, the Mister International Organisation allowed fathers, married, and divorced men to compete.
Mr Nwajaju, a 23-year-old model and University of Port Harcourt undergraduate who also won the Best Swimwear category, secured the title by competing against 47 other contestants, the highest number in the pageant’s history.
He succeeds Kim Thitisan Goodburn of Thailand, defeating formidable competitors, including Vietnam’s Nguyễn Mạnh Lân, who was placed as first runner-up and Indonesia’s Glenn Victor Sutanto, who was placed second runner-up, according to Premium Times.
Nwajaju secured his place in this year’s competition in June by winning the Mister of Nigeria 2024 title during a grand event at the Lagos Oriental Hotel.
Although the specific cash prize or award for the Mister International competition is not explicitly disclosed, winners enjoy various forms of recognition, such as sponsorships, endorsements, and opportunities to collaborate with global brands and organisations.
Additionally, the titleholder participates in charitable and promotional events worldwide during their reign.
The pageant licenses local organisations that wish to select the Mister International contestant for their country and approves the selection method for national contestants.
