Entertainment
More Troubles for Baba Ijesha As Minor Narrates How She Was Defiled with Car Key
The video of the 14-year-old minor allegedly defiled by a popular Nollywood actor, Olanrewaju James, also known as Baba Ijesha, was played at an Ikeja Special Offences Court on Wednesday.
The video was a recording of the child forensic interview conducted on May 15 by Mrs Olabisi Ajayi-Kayode, a child expert and Executive Director of the Cece Yara Foundation.
The video was played during the cross-examination of Ajayi-Kayode by the defence counsel, Babatunde Ogala (SAN).
During the interview, the minor described the interaction she had with Baba Ijesha on April 19, when she met him at her foster mother’s house.
“He said, ‘You’re a smart young girl, my baby. Do you have a boyfriend? I said no, and he said since you do not have a boyfriend, now that you’re much more mature, you’re now mine; I am your boyfriend.’
“He said, ‘I used to teach you some things when you were small.’ I asked him what things so that I could record him with my phone.
“My phone was under the throw pillow because I thought he wanted to confess to what he did seven years ago, but I was unable to record him.
“He said, ‘Don’t you remember me and you used to play together; I used to teach you some things when you were small; me and you had a contract.’ I asked him what contract?
“He asked me to sit on his legs and I said no and he said, ‘You that when you were small, you were not afraid. Now you’re afraid,’” the minor said.
The minor then told Ajayi-Kayode that Baba Ijesha started touching her sexually and asked her to bring some water.
“When I went to the kitchen, he also followed me and it was at this point that my mother and the other men, the CCTV company staff, came in,” she said.
Earlier, the minor narrated to Ajayi-Kayode what transpired when the Nollywood actor allegedly defiled her seven years ago.
She said the first incident occurred when Baba Ijesha came to visit her sick foster mother when she was seven years old.
According to her, she was sitting on the carpet watching cartoons while he sat on the couch.
She said Baba Ijesha asked her to remove her underwear, while he brought out his private parts and asked her to wriggle her waist while sitting on his laps.
“My concentration was on the cartoon I was watching; I couldn’t remember how long I was on his laps before I felt some wetness.
“He cleaned himself with a handkerchief and asked me to clean myself up and I went to the bathroom to clean myself up with a towel,” she said.
The minor said Baba Ijesha told her not to tell anyone about what transpired between them.
She told Ajayi-Kayode that the next day, Baba Ijesha came to the house with some fruits for her foster mother and she was asked to pick up the fruits from his car.
“The car was parked at a T-junction and there was a wall and a gutter there; no one was on the other side.
“The fruits were on the back seat; he opened the door in front and asked me to take the fruits.
“When I stretched to pick the fruits from the back seat, he put the car key into my private parts, and at the same time, he was trying to kiss me. After this incident, I did not see him again until seven years later,” she said.
During the interview, the child expert gave the minor male and female dolls to depict how the defendant allegedly molested her seven years ago.
Using the dolls for narration, the survivor described where the defendant sat and invited her to sit on his laps.
The child gave a demonstration of how the molestation happened with the observation of Ajayi-Kayode.
Under cross-examination by the lead defence team, Mrs Ajayi-Kayode told the court that she was a qualified lawyer and certified child forensic expert trained abroad.
She also said she was not a child advocate but a child forensic expert who had received training on child psychology and development.
She maintained that the brain of the minor was well developed to recall events that took place seven years ago, adding that the minor gave a good account of what happened to her seven years ago without interference.
When asked how she was able to determine if the minor was telling the truth, she said she only asked her open-ended questions.
Actress and comedienne, Damilola Adekoya, also known as Princess, the foster mother of the minor, and Nollywood actress, Iyabo Ojo, were present in court to observe the proceedings.
Entertainment
I Big Pass Your Father, Wizkid Knocks Fela’s Son, Seun Kuti
Nigerian Grammy Award-winning artiste, Ayodeji Ibrahim Balogun, popularly known as Wizkid, has declared that he is bigger than Fela Anikulapo-Kuti, the father of Afrobeats musician, Seun Kuti.
Wizkid made the claim on Tuesday amid ongoing feud with Seun Kuti.
In a series of Instagram posts on Tuesday, Wizkid mocked Seun Kuti, claiming he has surpassed Fela in status.
He wrote: “Pussy boy Ebigbirdkuti ok I big pass your papa!! Wetin u one do? Fool at 40!”
In another story he wrote, “I’m big wiz everyday bigger than your papa! Wetin you wan do?”
Wizkid also took the feud to X, where he accused Seun Kuti of being a bastard who is fighting with his fan base, unlike his father, who fought for freedom while alive.
He tweeted: “Fela fight for freedom this fool Dey fight fc! Oloshi Omo ale!”
The outburst followed Seun Kuti’s recent rejection of comparisons between Wizkid and his late father, which he described as disrespectful and rooted in ignorance.
Speaking during an Instagram livestream, Seun warned Wizkid’s fanbase, popularly known as Wizkid FC, to stop portraying the singer as a modern-day Fela.
“Wizkid FC, keep Fela’s name out of your mouths. You try to claim that your fake artiste is the new Fela. When you saw that the shoes were too big to fill and people like me didn’t allow you to get away with those insults, you became uncomfortable. It is actually an insult to compare Wizkid to Fela,” Kuti said.
He accused the fanbase of lacking respect and acting out of ignorance rather than defiance.
“You people have no respect. If your lack of respect came from a place of defiance, I would respect it. But your lack of respect comes from a place of ignorance,” he added.
Seun further criticised what he described as the overzealous behaviour of some fans, saying online rivalries were harming the Nigerian music industry.
“Wizkid fans are online disrespecting Fela again. Why must you always involve Fela in your petty discussions? The overzealousness of some fans has significantly affected the music industry. Some artistes can’t even collaborate because of fan rivalries,” he said.
He went on to label Wizkid FC “the most ignorant fanbase in the world,” urging them to focus on enjoying their preferred artiste’s music without constant comparisons.
“Concentrate on your artiste. Can’t you enjoy the music without comparing it to something else? Do you know why you can’t enjoy your artiste’s music without comparisons? It’s because the music does not fill your spirit. You can pretend to enjoy it, but spiritually, you are not satisfied,” Kuti stated.
Entertainment
Glo Wows Subscribers with New Gaming Experience, Unveils ‘Travel Saga’
Globacom has raised the bar in mobile entertainment with the launch of Travel Saga, a premium, high-octane gaming experience now live and available exclusively to Glo subscribers.
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At its core, Travel Saga propels players through fast-paced virtual odysseys set against iconic global backdrops. Gamers are plunged into relentless missions, pitched battles and ever-expanding storylines, where skill, strategy and stamina determine who ascends the ranks to emerge as a true war hero within a vibrant, constantly evolving gaming universe.
Beyond the thrill of combat, subscribers are invited to explore diverse destinations, engage in adrenaline-charged challenges and compete fiercely for in-app rewards, including victory badges and points. Each level deepens the immersion, sustaining momentum and excitement with every encounter and achievement.
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With Travel Saga, Glo once again affirms its commitment to innovation and premium digital experiences, placing world-class gaming within effortless reach of its subscribers delivering unbroken action, adventure and competition, powered seamlessly by the Glo network.
Entertainment
Nollywood Actress Allwell Ademola Dies at 43
The Nigerian film industry, Nollywood, has been thrown into mourning following the sudden and tragic passing of actress and producer Allwell Ademola.
The 43-year-old actress reportedly died on Saturday, sending shockwaves through the entertainment community and her legion of fans.
According to multiple reports from within the film industry, the tragic event unfolded at Ademola’s residence, where she is said to have suffered a sudden heart attack.
She was swiftly rushed to a nearby hospital, but medical efforts were unable to save her life. The unexpected nature of her death, at such a relatively young age, has been a primary source of the widespread shock and disbelief.
News of her passing ignited an immediate and emotional outpouring of tributes on social media from heartbroken colleagues, highlighting the deep bonds within the Nollywood community and the high esteem in which she was held.
Fellow actress Faithia Williams expressed her raw grief on Instagram, writing: “Haaaa. This hit me so bad. Eniobanke. Allahu Akbar..Allwell.” Her post encapsulated the stunned reaction of many.
Actress Mide Martins marked the day as a “BLACK SATURDAY……” on Facebook, accompanying a photo of Ademola with the anguished plea, “This is not fair. May God forgive your shortcomings Allwell.”
Actor Damola Olatunji shared a somber, philosophical note with a candlelight image, captioning it simply, “Life is a mirage.”
The disbelief was palpable in the reaction of actress Bidemi Kosoko, who fervently rejected the initial reports: “No way. No, no,, no. Ko possible ooo. This isn’t true. God forbid, in Jesus’ name… I refuse to accept this one Lai Lai God forbid… Just reply to my message, abeg Oremi/ aunty mi. I will wait patiently for your reply.”
Allwell Ademola was a prominent figure in the Yoruba-language sector of Nollywood, known for her compelling performances and her work behind the camera as a producer.
Her sudden departure has left a significant void in the industry, prompting a period of collective mourning and reflection on her contributions to Nigerian cinema. Details regarding funeral arrangements have not yet been announced.






