Entertainment
More Troubles for Baba Ijesha As Minor Narrates How She Was Defiled with Car Key

The video of the 14-year-old minor allegedly defiled by a popular Nollywood actor, Olanrewaju James, also known as Baba Ijesha, was played at an Ikeja Special Offences Court on Wednesday.
The video was a recording of the child forensic interview conducted on May 15 by Mrs Olabisi Ajayi-Kayode, a child expert and Executive Director of the Cece Yara Foundation.
The video was played during the cross-examination of Ajayi-Kayode by the defence counsel, Babatunde Ogala (SAN).
During the interview, the minor described the interaction she had with Baba Ijesha on April 19, when she met him at her foster mother’s house.
“He said, ‘You’re a smart young girl, my baby. Do you have a boyfriend? I said no, and he said since you do not have a boyfriend, now that you’re much more mature, you’re now mine; I am your boyfriend.’
“He said, ‘I used to teach you some things when you were small.’ I asked him what things so that I could record him with my phone.
“My phone was under the throw pillow because I thought he wanted to confess to what he did seven years ago, but I was unable to record him.
“He said, ‘Don’t you remember me and you used to play together; I used to teach you some things when you were small; me and you had a contract.’ I asked him what contract?
“He asked me to sit on his legs and I said no and he said, ‘You that when you were small, you were not afraid. Now you’re afraid,’” the minor said.
The minor then told Ajayi-Kayode that Baba Ijesha started touching her sexually and asked her to bring some water.
“When I went to the kitchen, he also followed me and it was at this point that my mother and the other men, the CCTV company staff, came in,” she said.
Earlier, the minor narrated to Ajayi-Kayode what transpired when the Nollywood actor allegedly defiled her seven years ago.
She said the first incident occurred when Baba Ijesha came to visit her sick foster mother when she was seven years old.
According to her, she was sitting on the carpet watching cartoons while he sat on the couch.
She said Baba Ijesha asked her to remove her underwear, while he brought out his private parts and asked her to wriggle her waist while sitting on his laps.
“My concentration was on the cartoon I was watching; I couldn’t remember how long I was on his laps before I felt some wetness.
“He cleaned himself with a handkerchief and asked me to clean myself up and I went to the bathroom to clean myself up with a towel,” she said.
The minor said Baba Ijesha told her not to tell anyone about what transpired between them.
She told Ajayi-Kayode that the next day, Baba Ijesha came to the house with some fruits for her foster mother and she was asked to pick up the fruits from his car.
“The car was parked at a T-junction and there was a wall and a gutter there; no one was on the other side.
“The fruits were on the back seat; he opened the door in front and asked me to take the fruits.
“When I stretched to pick the fruits from the back seat, he put the car key into my private parts, and at the same time, he was trying to kiss me. After this incident, I did not see him again until seven years later,” she said.
During the interview, the child expert gave the minor male and female dolls to depict how the defendant allegedly molested her seven years ago.
Using the dolls for narration, the survivor described where the defendant sat and invited her to sit on his laps.
The child gave a demonstration of how the molestation happened with the observation of Ajayi-Kayode.
Under cross-examination by the lead defence team, Mrs Ajayi-Kayode told the court that she was a qualified lawyer and certified child forensic expert trained abroad.
She also said she was not a child advocate but a child forensic expert who had received training on child psychology and development.
She maintained that the brain of the minor was well developed to recall events that took place seven years ago, adding that the minor gave a good account of what happened to her seven years ago without interference.
When asked how she was able to determine if the minor was telling the truth, she said she only asked her open-ended questions.
Actress and comedienne, Damilola Adekoya, also known as Princess, the foster mother of the minor, and Nollywood actress, Iyabo Ojo, were present in court to observe the proceedings.
Entertainment
PMAN Rejects NBC Ban on Eedris Abdulkareem’s New Song ‘Tell Your Papa’

The Performing Musicians Association of Nigeria has voiced strong objection to ban imposed by the National Broadcasting Commission (NBC) on rapper Eedris Abdulkareem’s trending song, “Tell Your Papa.”
The IPMAN President, Pretty Okafor, emphasised that the ban was likely to backfire, as it only serves to amplify the song’s reach and relevance in light of the current socio-economic challenges facing Nigerians.
Okafor stated: “The first major mistake is banning the song because it’s going to make the song even go viral right now. Those who haven’t heard about the song or haven’t even listened to it will go now to look for the song and will start promoting it. The song has practically pinched the government somewhere, that’s why they ordered for the ban. So, there is already a mistake that has been made by the NBC or even the government by paying attention to that particular song.”
Discussing PMAN’s position on the matter, Okafor remarked, “We don’t have the power to offer the artiste support right now because it is a very sensitive issue, so, we need to be careful. We will just be watching because people are dying and the suffering is too much. How do we repair the economy? We cannot pretend that all is well. The song is telling us the truth, and there is nothing wrong with that song.”
The NBC barred Nigerian radio and television stations from airing the trending song, “Tell Your Papa,” by popular rapper Eedris Abdulkareem, citing its “objectionable nature.”
In a memo dated April 9, 2025, and issued by the Coordinating Director of Broadcast Monitoring, Susan Obi, the commission declared the track “Not To Be Broadcast” under Section 3.1.8 of the Nigeria Broadcasting Code.
This section prohibits content deemed inappropriate, offensive, or in breach of public decency from being aired on Nigerian broadcast platforms.
According to NBC, while the song had gained momentum across social media platforms, its lyrical content failed to meet the standards of responsible broadcasting.
The statement titled, “Restriction on broadcasting ‘Tell Your Papa’ by Eedris Abdulkareem,” reads, “The National Broadcasting Commission has identified the song ‘Tell Your Papa’ by Eedris Abdulkareem, currently trending on social media, as content deemed inappropriate for broadcast due to its objectionable nature.
” It is, therefore, classified as Not To Be Broadcast (NTBB), as it violates Section 3.1.8 of the Nigeria Broadcasting Code.
“The commission requests that your station exercises discretion and refrains from airing this song to maintain responsible broadcasting standards.”
The controversial song, released earlier this week, targets Seyi Tinubu, son of President Bola Tinubu, calling on him to confront his father over the worsening socio-economic conditions in Nigeria.
In the track titled “Tell Your Papa,” which was shared on X (formerly Twitter) on Sunday, Abdulkareem delivered a blunt message, painting a grim picture of the hardships facing everyday Nigerians.
The song comes in response to Seyi Tinubu’s recent comments in Adamawa State, where he described his father as “the greatest President in Nigeria’s history.”
In the hard-hitting lyrics, Abdulkareem raps, “Seyi, tell your papa country hard. Tell your papa people dey die. Tell your papa this one don pass jagajaga.”
“Seyi, how far? I swear your Papa no try. Too much empty promises. On behalf of Nigerians, take our message to him; kidnappers dey kill Nigerians.
“Seyi, try travel by road without your security, make you feel the pains of fellow Nigerians. You dey fly private jets, insecurity no be your problem.”
Entertainment
Glo Throws Weight Behind Radio Voice, Sponsors Exclusive Premiere

Digital solutions provider, Globacom, last Sunday sponsored the premier of Radio Voice, the much-anticipated movie produced by Richard Mofe-Damijo.
At the event held at the Alliance Francaise, Mike Adenuga Centre, Ikoyi, Lagos, Mofe-Damijo described the movie as “the triumph of the human spirit over adversity. It’s about the life of people on radio and their challenges and the things they have to go through; cyber bullying and the like, and succeeding against all odds. I don’t want to reveal everything about it; it’s a movie everyone needs to watch”.
Explaining why he is venturing into movie production, he explained, “It’s time when it’s time, you know. I’ve produced before but this is the first time in the new era, so to speak”.
Since launch in 2003, Globacom has carved a niche as the biggest corporate supporter of Nigeria’s entertainment industry. The company has signed on many musicians, actors and comedians as brand ambassadors, sponsored several entertainment reality shows including X Factor, Glo Naija Sings, Battle of the Year and Dance with Peter, and also hosted several music and comedy shows across Nigerian cities to avail talents in the industry the grace to their gifts.
Radio Voice is a motivational story of resilience, passion and transformation. It features notable Nollywood giants including Richard Mofe Damijo (RMD), who equally produced the movie; Nse Ikpe Etim, Nancy Isime, Deyemi Okanlawon, Damilola Adegbite and Timini Egbuson.
Radio Voice has the support of the Office of the Vice President as it is meant to complement the Federal Government’s investment in the Creative Arts and Digital Transformation.
Entertainment
Davido Chooses August for White Wedding with Heartthrob Chioma in Miami, US

Afrobeat music singer, Davido, has announced that his Church wedding with Chioma will take place in August, 2025.
The singer disclosed this in a recent interview with The Breakfast Club.
He likened the upcoming event with the traditional marriage in Nigeria, which he said was a “Carnival”.
Davido said: “I’m doing my white wedding in Miami (USA) in August. The wedding I did was traditional; it was like a carnival in Nigeria, like a holiday. The whole world stood still. Me and my wife’s relationship was in the public eye, especially after I did that one song.
“So, a lot of things happened. Even apart from losing our child, I messed up a lot of times so that full circle moment everyone was like finally she can get what she deserves.”