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Nigerian Cultural Tourism Odyssey: Remi Tinubu’s Poetic Response to Hannatu’s Endless Tales

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By Frank Meke

Nigeria’s First Lady, Senator Remi Tinubu, practically showcased depth to creativeness and empowerment mechanics in our cultural tourism space by initiating the first ever national cultural dress code for Nigeria.

The First Lady, a former Senator of the Federal Republic of Nigeria, easily disconstruted the Web and shenanigans around certain cultural misteps, which has held down our people, particularly the young persons, from taking giant steps and assured confidence to tell their stories of creative influences and identity, usually bulied and waved aside as nothing by eurocentric merchants of foreign cultural superiority.

Unlike Hannatu Musa Musawa, Nigeria’s failed minister of culture and supposedly our culture’s chief driver, Senator Oluremi Tinubu, mobilisied young persons across the country, incentified their passion for creativity in indigenous fashion designing and pronto, one of those young nigerian persons, emerged the winner and her design which thousand of tailors will give a grace and light to its operational reality, will be on showcase on October 1st during the celebrations of Nigeria 64th independence anniversary in Abuja.

Jobs has just not only been created across board by the first lady, the effort is a strategic cultural fashion reorientation agenda, a call for us to be proudly nigerian once again in our way of dressings, it also could help reactivate our dead textile industries, bringing life back to the rural communities.

Our first lady, Senator Remi Tinubu, may be accused of being culturally ” political” by those outside our cultural tourism space, but what she has done with the search for a cultural national dress code for Nigeria with a focal elegance, ease and simplicity is to show that we don’t need an endless oddesay, a fantasied , dreamy and tales by moonlight talkshops on cultural economy as desperately parroted and canvassed by Hannatu Musa Musawa.

Indeed, the first lady’s practical, cultural fashion designing skill acquisition exposition targeting our youths and creative young persons resonates with me, highlighting the urgent need to critically evaluate our trust in our national character as against imported ideas and characters on how to husband the huge creative geniuses in our culture space.

No doubt, Nigeria is gifted in every area of cultural tourism diversity, but our problem, just as we are currently being punished by the presence of Hannatu Musa Musawa who has refused to read the hand writings on the wall, running from one eurocentric academic cultural pillar to another in the past one year, is the failure of leadership to carefully interrogate and boost these gifted children and make them the culture billionaires.

As much as we are blessed with these talented creative and cultural assets, we equally have the market in Nigeria, with our over 200 million people, ever willing to consume our cultural tourism products, not with the world shutting its doors against us out of endless economic and political foreign policy shenanigans .

What madam Senator Remi Tinubu has done may actually not be novel but it is indicative of the truth and reality that we need leaders who are at home with some measure of street sense and creative leadership to stimulate the our cultural tourism economy, and not the likes a pratting minister of culture who is looking up to either Taiwan, or India and many other countries to blindly copy developmental models which will only gulp our little resources in paying smart foreign cultural consultants, many who in the first place, trembles and fears our entrepreneurship in music, fashion, movies, and artistic works.

Go to Aba, Oshodi, Dugbe, kaduna, sokoto, Enugu and Abakiliki and see first hand the cultural fashion entrepreneurship passion of Nigerian young persons, whose only misgivings are the lack of opportunities for easy access to funding and export platforms.

I honestly wonder what Mr. President wants to do with our cultural tourism economies by appointing the two ladies, wasting our time and resources in the culture and tourism space. They don’t just fit into the system. The two, Hannatu Musa Musawa and lola Ade John, equally and sadly compete to muddle and poison the system, throwing around weights, which rankle the private sector players instead of pushing them to geometric boisterous achievements and presence.

While the first lady practically attracted the support, goodwill and collaboration of the private sector known influencers in the Nigerian fashion sector, same cannot be said of Hannatu Musa Musawa who is being regarded by self made industry players from Nollywood, to Music, fashion and artistic works communities as an irritating stranger, and a “waka pass” minister who has no known pedigree in the business and largely an unwilling servant employed by Nigerian citizens through the office of the president to learn , assist and honour those who have toiled in the past and are still toiling to make Nigeria culturally great.

Our cultural tourism narratives do not have a Hannatu Musa Musawa content, neither has she in the past one year shown capacity to understand the intricacies and flow with the power brokers. Unfortunately, her many oddesay of fanciful retorts to outdated statistical information or should I say a politically weaponised cultural statistics gain fails to impress.

Since her coming a year ago and quite sadly, Hannatu Musa Musawa has hugged controversy like bees and indeed, behaved like a boss rather than a servant of the industry where many had committed blood and passion without government helping out in any way .

She trotters around as queen mother of culture ( unpopular one at that), flooded her office with a national team of aides, picked blue eyed and equally day dreaming chief executives for the agencies under her watch, turned our television stations to platforms to showcase her ignorance, and market her beauty and is ever unwilling to read the handwriting on the walls for a change in strategy and corporate relationship.

Our Hannatu wishes we “CLAP” for her many failings, for shopping for pedestrian achievements, which her office neither influenced nor gave a bite.

Recently, she went on her national propaganda mission, as usual, with the most untested media troupe, which has a challenge of understanding the critical inside knowledge of the cultural tourism industry and regaled us to no end. Nobody CLAP’ PED” to her confusion.

It has indeed become boring and tiring to listen to Hannatu Musa Musawa on national television even to read her in our newspapers. She is clearly a desperate cultural spin doctor, the type that the gods sent as messengers of hopelessness and frustration.

To those who possibly wish to fact check the many cultural tales and missteps by this latter day mother saint of our cultural economy ” renaissance ” , please go read a certain piece written by one ” cultural anthropologist” a certain Dr Deji Ayoola in the vanguard newspapers of May 7th, 2024 and compare it to her recent national cultural evangelical propaganda wherein she told us of her mission to help us get a united States based Boston Consulting Group ( BCG) , her new Olympic god that would make our culture economy egg down to 100 billion dollars, transporting our global ranking in the business as world class and gainfully unbelievable.

What about her two million cultural jobs? Her microwave cultural jobs machine is still not timed to deliver since a year ago!. Instead, Hannatu went shopping at the portal of Nigeria Corporate Affairs Commission, appropriated and harvested twenty three thousand new creative cultural start up jobs without telling us how she funded them or assisted them.

Her propaganda oddesay is top-notch, endless spins and tales, cultivating captivating make-believe narratives that could make Nollywood film producers green with envy. All na shakara! Na magic!

Her cultural renaissance agenda has jumped us from the mere 1. 3% ranking in the economy to an impressive 2% by the end of second quarter in 2024, a conjured statistical equivalent according to Hannatu, birthing a 420 billion naira, exceeding government target of 1.8 % for the entire year, 2024, ” reimaging” and reflecting her assumed and self posturing submission of over 50 % in nominal terms in showcasing how effective she has delivered on cultural renaissance policy. All na wash, propaganda, bare faced fallacies which is built on nothingness.

Honestly, I should not waste our time, detailing all Hannatu Musa Musawa desperate cultural conjures just to impress and remain in office or to equally waste our time to audit her managerial incompetence of our cultural economy, doing that is to tell you the many woes which is a daily sing song of those who has the misfortune of being inherited by her from the Ministry of Information, Culture , Tourism and National ORIENTATION.

Her so-called ground zero cultural rebuilt ecosystem brought with it the famous proverbial dog in a manager. Those who work with her are living in hell fire . Her agency operators are divided down the line, as everyone must kiss the hand of the queen even for the most mundane issues.

At a recent public event in lagos three weeks ago, one of her agencies’ head publicly brought to the public the internal administrative rot in the ministry, which she was alleged to turned to her farm yard.

The guy in question who is a direct reflection of failings in her ground zero cultural renaissance management is a known shopper of achievements before his coming and a direct competitive cultural orientation propagandist , only second to Hannatu Musa Musawa fairy cultural tales .

If President Bola Ahmed Tinubu must get Nigeria cultural tourism going, and impactful, Hannatu Musa Musawa is certainly surplus to requirement, ditto Lola Ade-John in the ministry of Tourism. Those two ministries should be remerged and go getters, I mean fearless and powerful of game changers not lame duck and pedestrian propagandists, be appointed to lead us to our deserving cultural tourism destination of hope and empowerment.

We are tired of being told stories of ages past. Mr. President, please give us peace of mind by resting Hannatu Musa Musawa and lola Ade John to the sidelines.

Find them filling jobs at the villa, at least the ones they won’t mess up as they had sadly done in the culture and tourism assignment in the past one year!

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Personality in Focus

NAOSNP President, Oki Samson Bags Police-Youth Advocate Award

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The Lagos State Police Command under the leadership of the Commissioner of Police, CP Fatai Tijani, on Thursday, honoured the President of the National Association of Online Security News Publishers (NAOSNP), Mayor Oki Olatunji Samson, as a Police-Youth Advocate for his contribution to youth engagement and advocacy, responsible security journalism and community safety.

The recognition came during the Command’s commemoration of International Youth Day 2026, themed “Different Contexts, Common Aspirations,” held at the Police Officers’ Wives Association (POWA) Secretariat, Oduduwa Street, Lagos.

The event also featured the launch of the National Campaign Against Political and Digital Thuggery and a Police-Youth Dialogue designed to build stronger partnerships between law enforcement and young Nigerians. The initiative, in line with the vision of Inspector-General of Police, IGP Olatunji Rilwan Disu, placed youth participation, responsible citizenship and peacebuilding at the centre of contemporary security discourse.

In his address at the event, the NAOSNP President, a respected security journalist, stressed that youth advocacy must move beyond rhetoric to deliberate investment in the values, opportunities and relationships that enable young people to become agents of stability. He argued that the youth should not be viewed simply as potential victims or perpetrators of insecurity, but as indispensable stakeholders in preventing it. According to him, the digital space has become an extension of society and therefore requires the same standards of responsibility expected in the physical world.

The NAOSNP President urged young Nigerians to recognise the power of their voices, particularly on social media, and deploy that influence constructively. “Your phone is powerful. Your social media account is powerful. Your voice is powerful. Please use that power to build, not destroy.” He further challenged young people to resist political manipulation, stressing that no temporary political reward could justify sacrificing one’s future.

“Do not allow anyone to use your future to settle their present disagreement.”

He advocated a culture in which political differences could be expressed without becoming personal hostility, urging youths to verify information before sharing it and to understand that digital actions can have real-world consequences.

The intervention resonated strongly with the message of the Commissioner of Police, Lagos State Command, CP Tijani Fatai, who warned young people against allowing politicians to exploit them for electoral violence as the country approaches another election cycle. Fatai said youths must look beyond immediate gratification and recognise the importance of preserving their future.
“Tomorrow is there for us. We should not think of today. We should always think of tomorrow. That tomorrow is more important than what we are today.”

The CP also delivered a particularly strong message against the recruitment of young Nigerians into political thuggery, noting that political actors rarely expose their own children to the dangers of electoral violence. “None of these politicians will use any of their children for electioneering, thuggery, violence or what have you.”

He urged youths to reject attempts to use them for ballot-box snatching, intimidation, destruction of property and other forms of electoral violence, while stressing that political participation remained a legitimate right when exercised responsibly.

The Commissioner equally identified the digital environment as an emerging frontier of security, urging young Nigerians to think carefully before posting, sharing or reacting to provocative content. His message was clear: political participation must never become political violence, whether offline or online.

In his goodwill message, Commander, 9 Brigade, Nigerian Army, Brigadier General Ayokunle Owolabi, described the campaign as timely and commended the Police for strengthening engagement with young Nigerians. Owolabi noted that the energy, creativity and resilience of young people remained indispensable to Nigeria’s peace, security and development. He emphasised that national security could no longer be regarded as the exclusive responsibility of security agencies, but required a whole-of-society approach in which young Nigerians become active partners. He particularly warned against the misuse of digital platforms and physical spaces for violence, intimidation, misinformation and destructive engagement, while calling for stronger trust and communication between young people and security institutions.

Also speaking, the Lagos State Coordinator of the Police Campaign Against Cultism and Other Vices (POCACOV), SP Olivia Amarachi Ugochukwu, urged young people to become the change they desire in their communities.
“Policing is everybody’s business. If you see something, say something.”

She also charged the media to ensure that only verified information was disseminated, noting that responsible information management was essential to preventing fear, confusion and conflict.

The well attended event attracted representatives of the Nigerian Army, Nigerian Air Force, Nigerian Navy, NDLEA, FRSC and NSCDC, alongside NYSC, POCACOV, PCRC, NYCN, NANS, NURTW, RTEAN, CRAN, NAOSNP, POWA and youths from Police Barracks across Lagos. The programme featured an extensive Police-Youth Dialogue on security, political participation, social media, cultism, thuggery and emerging threats.

The recognition of Mayor Oki Samson as Police-Youth Advocate therefore represented more than an individual honour. It underscored the growing importance of credible voices capable of connecting young people, the media and security institutions around a shared commitment to peace.

In a society where insecurity can be amplified by a rumour, a provocative post or a manipulated young mind, youth advocacy has become a frontline security intervention. The future of Nigeria cannot be secured merely by policing the streets; it must also be secured by winning the minds, trust and participation of its young people.

The challenge before advocates such as Mayor Oki Samson and institutions such as the Police is to ensure that the message does not end with an award or a commemorative event. It must travel into schools, communities, newsrooms, transport parks and digital spaces—until peace becomes not merely a campaign slogan, but a conscious choice made by a generation whose future is ultimately at stake.

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Personality in Focus

Malian Singer Salif Keita Pulls Out of South African Festival over Xenophobic Attacks

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Malian music legend, Salif Keïta, has cancelled upcoming commercial performances in South Africa, including an appearance at the Mangaung African Cultural Festival (Macufe), citing what he described as “xenophobic violence” against African migrants.

The decision comes as anti-migrant protests intensify in one of Africa’s most industrialised economies, prompting thousands of foreign nationals to return home and increasingly straining cultural ties across the continent.

Explaining his decision, Keïta said he could not “ignore the reports of xenophobic violence against our African brothers and sisters.”

“When I see migrants attacked, I do not see ‘politics’. I see people looking for work, safety, and dignity.”

The 77-year-old musician stressed that his decision was not a rejection of South Africans.

“To be clear — I am not closing the door on South Africa. I am closing the door on violence,” he said.

Often described as the “Golden Voice of Africa”, Keïta has spent more than five decades in music and remains one of the continent’s most recognisable artists.

The award-winning Malian singer has earned four Grammy nominations and won France’s Victoire de la Musique for World Music Album of the Year in 2010 for La Différence.

His ties to South Africa also stretch back decades, including a performance at the Nelson Mandela 70th Birthday Tribute concert at Wembley Stadium in 1988, an event closely linked to the international anti-apartheid movement.

In response to his withdrawal, the Free State’s culture department said it regretted the decision and stressed that Macufe was intended to celebrate African unity.

Keïta’s withdrawal comes against the backdrop of worsening tensions over migration in South Africa, which has long attracted workers from across the continent.

More than 160,000 foreigners have left South Africa through repatriation programmes since May, according to an AFP tally. They include citizens of Malawi, Zimbabwe, Zambia, Ghana and Nigeria.

This week, 173 Tanzanian nationals also returned home from Durban, one of the centres of recent anti-migrant demonstrations.

Anti-migrant groups accuse undocumented foreigners of putting pressure on jobs and public services and contributing to crime.

However, South African authorities have maintained that immigration laws must be enforced through legal channels and have acted against people accused of vigilantism and violence.

Increasingly, the tensions are also spilling into Africa’s entertainment industry.

In July, a planned Lagos concert by Grammy-winning South African singer Tyla disappeared from her A*POP World Tour schedule after boycott calls from some Nigerians over reported xenophobic attacks against African migrants in South Africa.

Although Tyla and her management did not publicly confirm that the backlash caused the change, the episode showed how migration tensions were beginning to affect cross-border cultural exchanges.

Keïta’s decision now brings the issue into sharper focus from the opposite direction, with one of West Africa’s most prominent musicians refusing to perform in South Africa over the treatment of fellow Africans.

As a result, the controversy has added a cultural dimension to a migration crisis already affecting labour flows, diplomacy and relations between African countries.

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Personality in Focus

Tinubu Mourns Top Journalist Dotun Oladipo

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President Bola Tinubu has expressed sadness over the death of Dotun Oladipo, former Political Editor of The Punch newspaper and Publisher of The Eagle Online, describing his passing as a painful loss to Nigeria’s media industry and the nation.

Tinubu’s message was contained in a statement signed by his Special Assistant on Information and Strategy, Bayo Onanuga, on Wednesday.

Oladipo reportedly died on Tuesday, 25 August 2026, in Lagos at the age of 56.

The President acknowledged Oladipo’s contributions to journalism, particularly his years of dedicated service in political reporting and his commitment to providing Nigerians with credible information through traditional and digital media platforms.

He said Oladipo’s professional career reflected the important role journalists play in strengthening democracy by informing citizens, holding public officials accountable and providing platforms for robust public discourse.

Tinubu recalled Oladipo’s passion for journalism and his contributions to the growth of digital media through The Eagle Online, which he founded after his career at Punch Newspaper.

“Dotun Oladipo’s death at the age of 56 is a painful loss to the Nigerian media community and to our nation. He was a committed journalist who devoted significant years of his life to informing the public and contributing to the development of our democracy.

“His contributions to political journalism and the digital media space will not be forgotten. I extend my heartfelt condolences to his family, colleagues in the Guild of Online Corporate Publishers (GOCOP) and friends. I pray that Almighty God will grant him eternal rest and give his loved ones the strength to bear this irreparable loss,” President Tinubu noted.

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