Entertainment
Opinion: On the Music That is #MadeInLagos
By Jane Efagwu
When Wizkid suddenly tweeted that his next tweet will be the official drop of his long awaited fourth studio album, I kid you not, I had certain doubts in mind. What was going on? Was this the moment? Somebody pinch me! Rightfully, Twitter was going nuts over the surprise announcement but I refused to fully believe it. This shameful doubt organized a call to my fellow Starboy FC members because we were the core fans who low-key feared that it could just be Starboy doing normal Starboy things.
I mean, he is Wizkid for God’s sake. We think he can do music however, whenever and it will pop severely. Whatever him and his team were cooking up, one thing was sure- everywhere must definitely stew. E no get how. That was why when I first heard the project, I wasn’t even surprised. He had done it again. For any dedicated observer of the Starboy’s decade old magic, you would know that “it” changes from time to time. Single to single. Era to era. Ayodeji Balogun’s career has been a thrilling movie where the watchers are constantly dazed yet inspired by how often the entertainer is able to top himself over and over and…
The arrangement of the tracks on Made In Lagos is quietly poetic as it is peacefully progressive. Like every life or career journey, it starts out “Reckless” and ends with “Grace”, a silent point made by Starboy regarding his current position in his music and music worldwide. This point echoes loudly throughout the project as we hear a peaceful and permanent replacement of the expected way of delivering Nigerian music with the continuous championing of a new dawn in album creation: creating genre bending music that dare to take up spaces bigger than a genre box or even your radio set.
With his last LP, Sounds From The Other Side (2017), his innovative delivery faced heavy criticism from the Nigerian public.The UK and the U.S ate the project up but Nigerians remained tongue tied. What happened? A timeless album that was grossly misunderstood because of its renovation of the Afropop genre. This same approach to sound heavily punctuates MIL but what’s different this time is instead of misplaced criticism, all we hear is thunderous praise for its effortless delivery. What changed? When did Nigerians start to fully embrace unconventional, refreshing approaches to the beloved Afropop genre?
The music on Wizkid’s fourth studio rollout crosses and merges dominant cultural influences on Starboy’s ever changing sound over the years. He reimagines modern day Afrobeats alongside fellow genre giant, Burna boy while acknowledging his extended family in the U.S. and the UK with features from heavyweights like H.E.R, Ella Mai and frequent collaborator and ‘brother’, Skepta and exploring his old soul by kicking back senior citizen style to jam spiritual raggae with Jr Gong himself, Damian Marley. This he does while hosting the popping new kids on the Nigerian block: Tems, Terri and Jamaican newbie, Projexx, a valid endorsement for their promising catalogues.
One move that seals the project and lends it its cohesive flow is his clever choice of producers. Starboy employs the award-winning P2J as executive producer as well as other hood family acts like Sarz, Blaqjerzee, Mut4y and balances it up with British composers like Juls and Kill September. This cross country family affair births 14 solid tracks that have inspired ecstasy for the notoriously versatile Afro sound and how far it can be pushed, bent or merged to create nothing but magic.
However, some Twitter critics have maintained that while the album is titled Made In Lagos, it is regrettably not made for Lagos. With honey tracks like Sweet One which serves as a perfect play for a sunday evening stroll to one of the many beaches in Lagos and the enchanting, alté raggae merge that is True Love, a fitting dance ballad for a light intimate session with a lover on a beach house balcony over looking the waves, it is hard to understand where that take comes from. You can almost picture a dimly lit beer parlor complete with its regular cast and crew, spirited drinks exchanging hands and the Terri contribution, Roma, playing softly in the ambience while steaming pepper soup fingers your nostrils and lifts your spirits.
The album has been aptly described by its listeners as “rich people music”. Not a lie at all. To create this empowering effect, the creator employs his signature lush velvet saxo that lends an easy air of affluence to the songs and we all know that if it’s one thing about affluence, it is that it’s certainly not for everyone. You can feel this on the spiritually charged Blessed, where Damian Marley breezily samples his unique wealth (of experience) as he explores the unbeatable knowledge of self, the joys of fatherhood, a burning passion to do better and of course, great gratitude to be able to live this life.
This vibe runs over to the next track, Smile, a guaranteed anthem for positive vibrations while acknowledging life’s battle throughout the years. Smile comes from a place of relaxed reflections which ultimately leads to unconditional acceptance and gratitude for where you are right now. Clocking 30 this year, the track is dedicated to his three beautiful kids. Some might call it a simple dad move but followers of his journey especially his controversial fatherhood would agree that this is his own way of owning his shit loudly. Took him long enough but we’re glad he’s finally there.
With #MadeInLagos, Wizkid popularizes his signature effortless approach to everything. Usually mistaken for lazy, this style champions the less is more mantra and places strategy/smart work above hard work. From the second album cover which features a muted color palette that instinctively creates a warm sensation that somehow makes you want more than you’re seeing, to his cool and cohesive execution on an intro track ironically titled Reckless, he seems to never lose his chill and still manages to make several points throughout the album.
Infact, it is because of how relaxed he sounds that makes his lyrics more believable. No Stress isn’t just the second promotional single off the project, it’s actually a perpetual state of mind for the entertainer. He coyly samples the Lagos struggle while reminding us why we’re struggling in the first place. Why are women selling ‘cold mineral, cold pure water’ under the hot sun in the first place? Fela’s “suffering and smiling” is remixed to sound like: “say the people dey suffer but they smile for face but if Starboy talk Dem say Starboy craze” on Grace. Even dragging Nigerians and their government is done in the most chill way possible. No stress indeed.
For where Afropop is right now, an album like #MadeInLagos is nothing but a cheat code to the cutthroat game. It might feel so fresh and irresistible right now but we all know good music ages like fine wine and only gets better with time. The days are coming when we’d listen to it in time capsule style and the sonic wave will hit us a bit harder than it does now. When its true essence would make us smile. But for now we enjoy, we gyrate and we stream the project on every platform as we all beam with pride to be from the city that never sleeps.
Reputable gospel artiste, Nathaniel Bassey and his equally accomplished female colleague, Mercy Chinwo will be starring this week on African Voices Changemakers, CNN International’s magazine programme bankrolled by telecommunications company, Globacom.
The 30-minute soar-away show anchored by Larry Madowo will air on DSTV Channel 401 on Saturday at 8.30 a.m. with a repeat the same day at noon. On Sunday, two more repeats will be shown at 4.30 a.m. and 2 p.m. and on Monday at 4 a.m. The same broadcast schedule will be followed next week.
The audience will be sharing the stories of the duo’s ascendancy to fame and their staing power in the genre of music. Bassey’s musical prowess has continue to draw attention in person and online, especially with The Halleluiah Challenge while Mercy Chinwo serenades her fans with her voice, stage presence and charisma.
Bassey, a native of Akwa Ibom State, was born 27 August 1981. He has carved a niche for himself as a notable singer, trumpeter and gospel songwriter popularly known for his songs including “Yahweh Sabaoth”, “Ebenezer”, “Tobechukwu” “Imela”, “Onise Iyanu”, and “Olowogbogboro” and for his humility.
He studied International Relations and Politics at the University of Lagos before relocating to London where he studied Politics and later Music at the Middlesex University Summer School also in the United Kingdom and has successfully affirmed himself as one of the prominent and most listened-to gospel ministers in Nigeria. His music traverses different genres such as jazz, worship, hymns and medley. He is a Pastor of The Redeemed Christian Church Of God, King’s Court in Victoria Island, Lagos.
On her part, Mercy Nnenda Chinwo-Blessed was born September 5, 1991. She is a Nigerian gospel singer, actress, and songwriter who began singing in church at age six. In 2017, she signed a recording contract with EeZee Conceptz after which she released her first single “Excess Love” in 2018. She bagged a degree in Human Resources Management from the International Business Management Institute (IBMI). She emerged the Gospel Artiste of the year at the AFRIMMA Awards in 2020 and won the Africa Gospel Music of the year, CLIMA Africa Award 2022, among other awards.
A Lagos High Court in Tafawa Balewa Square (TBS) has banned public viewing and streaming of a controversial film titled, “Gang of Lagos”.
The order was contained in a consent judgment delivered by Justice Idowu Alakija.
It followed terms of agreement between parties in the suit delineated LD/6903GCM/2023 between Isale Eko Descendants Union & 2 Ors against Amazon Web Services and 11 others.
The judge agreed with the submission of the applicants that the movie erroneously portrayed and disparaged the cultural heritage of “the well respected Eyo Masquerade of Lagos and the peace-loving nature and the long standing traditions of the Isale-Eko People.”
Justice Alakija ordered the defendants in the matter to “tender an unreserved apology to the applicants in this regard”.
Justice Alakija also asked the defendants to tender an apology to the applicants, Isale Eko Descendants Union.
“In consideration of the mutual promises contained herein and in full and final settlement of all the claims in this suit, the parties hereby agreed that the 3rd to 11th respondents shall jointly issue a letter recognising the applicants’ position that the movie titled, “Gangs of Lagos” erroneously portrayed and disparaged the cultural heritage of the well-respected Eyo Masquerade and the peace-loving nature and the long-standing traditions of the Isale-Eko People, and shall therein, tender an unreserved apology to the applicants in this regard.
Oscar-winning actor Gene Hackman and his wife, Betsy Arakawa, were found dead in their home in New Mexico along with their dog, the Santa Fe County Sheriff’s Office told CNN. He was 95.
Their causes of death have not been confirmed, but foul play is not suspected, Santa Fe County Sheriff’s Office spokesperson Denise Womack-Avila told CNN on Thursday morning.
Deputies responded to a welfare check request at the home around 1:45 p.m. Wednesday and found Hackman, Arakawa and a dog deceased, Womack-Avila said. An investigation is ongoing, the sheriff’s office said. The gas company is assisting in the investigation, The Associated Press reported.
The welfare check was conducted after a neighbor called authorities, concerned about the couple’s well-being, CNN affiliate KOAT reported.
A search warrant shows that Hackman, his wife and their dog had been dead for some time, and the couple’s bodies were in different rooms when deputies found them during the wellness check, the AP reported.
Hackman was found dead Wednesday in a mudroom, and Arakawa was found dead in a bathroom next to a space heater. There was an open prescription bottle and pills scattered on the countertop near Arakawa, the AP reported.
Medical examiner’s reports with the final cause of death “generally take anywhere from 4-6 weeks to generate,” said Chris Ramirez, spokesperson for the New Mexico medical investigator’s office.
CNN has reached out to Hackman’s representatives.
The actor’s death comes just days before the Academy Awards on Sunday.
Hackman’s performances in such films as “The French Connection,” “Hoosiers,” “Unforgiven,” and “The Firm” elevated character roles to leading-man levels.
Hackman’s best roles were often of conflicted authority figures or surprisingly clever white-collar villains, such as the iconic, evil Lex Luthor in the “Superman” film series in the 1970s and ’80s. Many held a hint – sometimes more than a hint – of menace.
He won an Oscar for his portrayal in 1971’s “The French Connection” of New York cop Popeye Doyle, a detective who gets his man but at a high cost. His surveillance expert in 1974’s “The Conversation” is single-minded to the point of obsession, losing all perspective.
He won his second Oscar for his performance as Little Bill Daggett, the violent sheriff in Clint Eastwood’s 1992 film, “Unforgiven.”
Source: CNN
