Entertainment
Opinion: On the Music That is #MadeInLagos
By Jane Efagwu
When Wizkid suddenly tweeted that his next tweet will be the official drop of his long awaited fourth studio album, I kid you not, I had certain doubts in mind. What was going on? Was this the moment? Somebody pinch me! Rightfully, Twitter was going nuts over the surprise announcement but I refused to fully believe it. This shameful doubt organized a call to my fellow Starboy FC members because we were the core fans who low-key feared that it could just be Starboy doing normal Starboy things.
I mean, he is Wizkid for God’s sake. We think he can do music however, whenever and it will pop severely. Whatever him and his team were cooking up, one thing was sure- everywhere must definitely stew. E no get how. That was why when I first heard the project, I wasn’t even surprised. He had done it again. For any dedicated observer of the Starboy’s decade old magic, you would know that “it” changes from time to time. Single to single. Era to era. Ayodeji Balogun’s career has been a thrilling movie where the watchers are constantly dazed yet inspired by how often the entertainer is able to top himself over and over and…
The arrangement of the tracks on Made In Lagos is quietly poetic as it is peacefully progressive. Like every life or career journey, it starts out “Reckless” and ends with “Grace”, a silent point made by Starboy regarding his current position in his music and music worldwide. This point echoes loudly throughout the project as we hear a peaceful and permanent replacement of the expected way of delivering Nigerian music with the continuous championing of a new dawn in album creation: creating genre bending music that dare to take up spaces bigger than a genre box or even your radio set.
With his last LP, Sounds From The Other Side (2017), his innovative delivery faced heavy criticism from the Nigerian public.The UK and the U.S ate the project up but Nigerians remained tongue tied. What happened? A timeless album that was grossly misunderstood because of its renovation of the Afropop genre. This same approach to sound heavily punctuates MIL but what’s different this time is instead of misplaced criticism, all we hear is thunderous praise for its effortless delivery. What changed? When did Nigerians start to fully embrace unconventional, refreshing approaches to the beloved Afropop genre?
The music on Wizkid’s fourth studio rollout crosses and merges dominant cultural influences on Starboy’s ever changing sound over the years. He reimagines modern day Afrobeats alongside fellow genre giant, Burna boy while acknowledging his extended family in the U.S. and the UK with features from heavyweights like H.E.R, Ella Mai and frequent collaborator and ‘brother’, Skepta and exploring his old soul by kicking back senior citizen style to jam spiritual raggae with Jr Gong himself, Damian Marley. This he does while hosting the popping new kids on the Nigerian block: Tems, Terri and Jamaican newbie, Projexx, a valid endorsement for their promising catalogues.
One move that seals the project and lends it its cohesive flow is his clever choice of producers. Starboy employs the award-winning P2J as executive producer as well as other hood family acts like Sarz, Blaqjerzee, Mut4y and balances it up with British composers like Juls and Kill September. This cross country family affair births 14 solid tracks that have inspired ecstasy for the notoriously versatile Afro sound and how far it can be pushed, bent or merged to create nothing but magic.
However, some Twitter critics have maintained that while the album is titled Made In Lagos, it is regrettably not made for Lagos. With honey tracks like Sweet One which serves as a perfect play for a sunday evening stroll to one of the many beaches in Lagos and the enchanting, alté raggae merge that is True Love, a fitting dance ballad for a light intimate session with a lover on a beach house balcony over looking the waves, it is hard to understand where that take comes from. You can almost picture a dimly lit beer parlor complete with its regular cast and crew, spirited drinks exchanging hands and the Terri contribution, Roma, playing softly in the ambience while steaming pepper soup fingers your nostrils and lifts your spirits.
The album has been aptly described by its listeners as “rich people music”. Not a lie at all. To create this empowering effect, the creator employs his signature lush velvet saxo that lends an easy air of affluence to the songs and we all know that if it’s one thing about affluence, it is that it’s certainly not for everyone. You can feel this on the spiritually charged Blessed, where Damian Marley breezily samples his unique wealth (of experience) as he explores the unbeatable knowledge of self, the joys of fatherhood, a burning passion to do better and of course, great gratitude to be able to live this life.
This vibe runs over to the next track, Smile, a guaranteed anthem for positive vibrations while acknowledging life’s battle throughout the years. Smile comes from a place of relaxed reflections which ultimately leads to unconditional acceptance and gratitude for where you are right now. Clocking 30 this year, the track is dedicated to his three beautiful kids. Some might call it a simple dad move but followers of his journey especially his controversial fatherhood would agree that this is his own way of owning his shit loudly. Took him long enough but we’re glad he’s finally there.
With #MadeInLagos, Wizkid popularizes his signature effortless approach to everything. Usually mistaken for lazy, this style champions the less is more mantra and places strategy/smart work above hard work. From the second album cover which features a muted color palette that instinctively creates a warm sensation that somehow makes you want more than you’re seeing, to his cool and cohesive execution on an intro track ironically titled Reckless, he seems to never lose his chill and still manages to make several points throughout the album.
Infact, it is because of how relaxed he sounds that makes his lyrics more believable. No Stress isn’t just the second promotional single off the project, it’s actually a perpetual state of mind for the entertainer. He coyly samples the Lagos struggle while reminding us why we’re struggling in the first place. Why are women selling ‘cold mineral, cold pure water’ under the hot sun in the first place? Fela’s “suffering and smiling” is remixed to sound like: “say the people dey suffer but they smile for face but if Starboy talk Dem say Starboy craze” on Grace. Even dragging Nigerians and their government is done in the most chill way possible. No stress indeed.
For where Afropop is right now, an album like #MadeInLagos is nothing but a cheat code to the cutthroat game. It might feel so fresh and irresistible right now but we all know good music ages like fine wine and only gets better with time. The days are coming when we’d listen to it in time capsule style and the sonic wave will hit us a bit harder than it does now. When its true essence would make us smile. But for now we enjoy, we gyrate and we stream the project on every platform as we all beam with pride to be from the city that never sleeps.
Chimamanda Ngozi Adichie is the special guest on this week’s edition of Glo-sponsored African Voices on CNN International.
She will be answering questions and providing exposition on her writing career from the host of the programme, Larry Madowo, on the special package, which premieres at 11:00 a.m. on Saturday, September 20, 2025.
Adichie’s gripping narratives continue to inspire readers all over the world. She has established herself as a significant writer whose works question stereotypes, reinterpret identities, and honour African stories, starting with her highly praised debut novel, Purple Hibiscus, and continuing with the widely acclaimed Half of a Yellow Sun and Americanah.
She once again demonstrates her status as a cultural icon whose influence transcends literature into international discussions on feminism, heritage, and authenticity with her eagerly awaited new book, Dream Count.
This edition was shot in Adichie’s hometown of Nsukka, Enugu State, Nigeria, which also appears frequently in her writing. The show gives viewers a close-up look at her writing development, sources of inspiration, and ongoing efforts to reimagine African storytelling for the world.
The programme will air multiple times to give viewers across different time zones the opportunity to watch, with rebroadcasts scheduled for Sunday, September 21, at 3:30 a.m. and 6:00 p.m.; Monday, September 22, at 3:00 a.m. and 5:45 p.m.; as well as the following weekend, Saturday, September 27, at 7:30 a.m. and 11:00 a.m.; Sunday, September 28, at 3:30 a.m. and 6:00 p.m.; and Monday, September 29, at 3:00 a.m. and 5:45 p.m.
Through Globacom’s sustained sponsorship of CNN’s African Voices, the programme has become a premier platform for celebrating African excellence. By shining a spotlight on trailblazers like Adichie, it continues to showcase the continent’s talent, creativity, and cultural influence to a global audience.
Every December in Nigeria is a whole mood. The harmattan breeze and the Christmas themed red and white decorations all over the cities and towns; the cousins returning from the UK, US and Europe with “I just came back” stamped on their accents — and of course, the unmissable lineup of street carnivals, concerts, plays, and festivals that keep Lagos, Abuja, Warri and Port Harcourt buzzing deep into the New Year. Since its launch, FirstBank’s “DecemberIssaVybe” (DIAV) campaign has stood at the centre of this cultural energy, giving Nigerians more than just access to premium entertainment — it’s been about creating awesome shared moments, uniting families, and giving the creative industry the big boost it deserves.
For almost a decade, DIAV has quietly shaped the last few months of the year especially December as the season of vibe, through its First@arts initiative, and if you’ve ever danced shoulder-to-shoulder with thousands at a FirstBank-sponsored event, you’ll know exactly what that means.
2018: When the Vybe Began
December 2018 felt different. Nigerians were beginning to embrace “Detty December” as a tradition, and FirstBank cleverly caught the wave. The bank rolled out DecemberIssaVybe with free and discounted tickets to mega concerts and stage plays, pulling crowds that wanted premium vibes without premium stress. Wizkid, Davido, Burna Boy were headlining the big music festivals, while stage productions like “Moremi the Musical” got a new audience thanks to FirstBank’s push.
For the over 130-year-old FirstBank, “DecemberIssaVybe is a way of giving back during the festive season. It’s not just about music or theatre; it’s about connecting people, supporting the creative industry, and ensuring families make memories together.
Families who hadn’t been to the theatre in years found themselves seated side by side at Terra Kulture, watching Nigerian history come alive on stage. And for diaspora kids back home with “I just came back” energy? DIAV became their shortcut into Nigeria’s hottest events.
2019: The Year of Mega Concerts
By 2019, the Vybe was unstoppable. DecemberIssaVybe became synonymous with front-row seats at Davido’s “A Good Time” concerts, Kizz Daniel’s explosive Lagos show, and of course, the unforgettable Wizkid Starboy Fest. But it wasn’t just music. DIAV sponsored families into “Mad About You”, a romantic stage play that had couples rediscovering love, and rolled out tickets to AY Live Comedy Show, proving that December isn’t just about music — it’s about laughter too. By year’s end, DIAV had cemented itself as a December passport.
2020: The Pandemic Pause
2020 was strange for everyone. COVID-19 clipped the wings of live entertainment. But even then, FirstBank didn’t fold its arms. DIAV adapted by sponsoring virtual concerts and livestreamed plays, ensuring families could still bond over art and entertainment from the safety of their homes. It wasn’t the usual sweaty concert hall, but for many, DecemberIssaVybe campaign was proof that even in tough times, music and theatre are powerful connectors.
2021: The Big Comeback
With restrictions easing, Nigerians were desperate for a proper December. DIAV answered in full colour. Imagine a December where Adekunle Gold (AG Baby) sang his heart out at sold-out shows, Simi serenaded lovers, and Fireboy lit up the stage with “Peru” before it became an international anthem.
Families returned to KAKADU the Musical, friends reunited at comedy festivals, and for diasporans who hadn’t been home since 2019, the Vybe was a welcome mat rolled out in sound and laughter.
2022: The Golden Year
By 2022, DIAV wasn’t just an add-on to December, it was the main dish. That year, Asake’s breakout concerts shook Lagos, Burna Boy’s Love, Damini show was an electric storm, and the theatre scene — from The King Must Dance Naked to Awo The Musical — had DIAV stamping tickets for culture lovers.
2023: A Night of Queens
DecemberIssaVybe 2023 brought something fresh to the table with “A Night of Queens”, an all-female musical showcase at Eko Convention Centre. It was a dazzling lineup: Tiwa Savage, Simi, Teni, Yemi Alade, Waje, Niniola and Dope Ceaser all shared the stage in one unforgettable night of music.
FirstBank also sponsored the revival of Kakadu the Musical at MUSON Centre — a play that blends highlife, Afrobeat, soul and pop with the turbulent history of 1960s Nigeria. Meanwhile, families trooped out for Ali Baba’s January 1st concert and Basketmouth Unprovoked, while diaspora returnees shared DIAV tickets proudly on Instagram.
2024: From Comedy to Culture
Last December opened with a bang: Kenny Blaq’s Reckless Musicomedy Festival at Onikan Stadium. The crowd roared as Kenny Blaq, DJ Neptune, Aproko, MC Monica, and OvyGodwin delivered a high-energy mix of music and stand-up.
At the same time, FirstBank sponsored Motherland the Musical, Street Souk at Harbour Point, A True Christmas Story, and family-friendly events like Eko Hotel Pride Land Adventures and the Calabar Carnival Festival.
Reflecting on the season, Olayinka Ijabiyi, Acting Group Head, Marketing and Corporate Communications said: “FirstBank is facilitating memorable homecoming and unforgettable experiences in December with family reunions, concerts and festivals. DecemberIssaVybe isn’t just about entertainment — it’s about the cultural glue for Nigerians everywhere.
Across the years, DIAV has done more than hand out tickets. It has fuelled the creative economy by investing in theatre, comedy, and music. Families and friends have been reunited, turning concerts into bonding sessions. Given the diaspora a homecoming anchor, it has blended the “I just came back” energy with Nigerian hospitality.
In a country where December is both the busiest and most joyful month, DIAV has positioned FirstBank not just as a financial giant, but as a lifestyle brand that understands culture.
2025: The Vybe Is Loading
Now here we are, on the cusp of another December. Whispers are already flying: who will headline the 2025 DecemberIssaVybe experience? Will it be another electrifying Davido Timeless Experience? Will Asake shut down Lagos again? Will Burna Boy, Rema, Tems, or Ayra Starr bring home the global magic? Or will DIAV surprise everyone with a mix of music legends and fresh new voices?
What’s certain is that FirstBank will once again hold the keys to the hottest tickets in town — concerts, fashion, culture, musicals, plays, comedy shows — all to be rolled out on their social media handles, where lucky fans can get premium access.
So, whether you are keeping it real in Naija or you are planning to visit, DecemberIssaVybe 2025 is coming, and FirstBank is about to make it unforgettable.
Contributed by By Bolaji Israel
The Big Brother Naija Season 10 house witnessed another emotional moment during Sunday’s live eviction show, as two housemates, Arinze Ekwenme (Denari), and Uchenna Ekwe (Tracy), were evicted after seven weeks in the competition.
Twenty-seven-year-old Denari, who appeared surprisingly excited, was the first to leave the show.
Tracy, who hails from Anambra, became the second housemate evicted, marking the end of their journey in the Big Brother Naija reality show.
Their departures reduced the pool of contenders, leaving 17 housemates vying for the N150 million grand prize.
Faith Adewale emerged as the “Most Influential Player” of the week.
The title, awarded through a combination of tasks and housemate recognition, grants Faith immunity from eviction in Week 8.
