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Opinion: On the Music That is #MadeInLagos

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By Jane Efagwu

When Wizkid suddenly tweeted that his next tweet will be the official drop of his long awaited fourth studio album, I kid you not, I had certain doubts in mind. What was going on? Was this the moment? Somebody pinch me! Rightfully, Twitter was going nuts over the surprise announcement but I refused to fully believe it. This shameful doubt organized a call to my fellow Starboy FC members because we were the core fans who low-key feared that it could just be Starboy doing normal Starboy things.

I mean, he is Wizkid for God’s sake. We think he can do music however, whenever and it will pop severely. Whatever him and his team were cooking up, one thing was sure- everywhere must definitely stew. E no get how. That was why when I first heard the project, I wasn’t even surprised. He had done it again. For any dedicated observer of the Starboy’s decade old magic, you would know that “it” changes from time to time. Single to single. Era to era. Ayodeji Balogun’s career has been a thrilling movie where the watchers are constantly dazed yet inspired by how often the entertainer is able to top himself over and over and…

The arrangement of the tracks on Made In Lagos is quietly poetic as it is peacefully progressive. Like every life or career journey, it starts out “Reckless” and ends with “Grace”, a silent point made by Starboy regarding his current position in his music and music worldwide. This point echoes loudly throughout the project as we hear a peaceful and permanent replacement of the expected way of delivering Nigerian music with the continuous championing of a new dawn in album creation: creating genre bending music that dare to take up spaces bigger than a genre box or even your radio set.

With his last LP, Sounds From The Other Side (2017), his innovative delivery faced heavy criticism from the Nigerian public.The UK and the U.S ate the project up but Nigerians remained tongue tied. What happened? A timeless album that was grossly misunderstood because of its renovation of the Afropop genre. This same approach to sound heavily punctuates MIL but what’s different this time is instead of misplaced criticism, all we hear is thunderous praise for its effortless delivery. What changed? When did Nigerians start to fully embrace unconventional, refreshing approaches to the beloved Afropop genre?

The music on Wizkid’s fourth studio rollout crosses and merges dominant cultural influences on Starboy’s ever changing sound over the years. He reimagines modern day Afrobeats alongside fellow genre giant, Burna boy while acknowledging his extended family in the U.S. and the UK with features from heavyweights like H.E.R, Ella Mai and frequent collaborator and ‘brother’, Skepta and exploring his old soul by kicking back senior citizen style to jam spiritual raggae with Jr Gong himself, Damian Marley. This he does while hosting the popping new kids on the Nigerian block: Tems, Terri and Jamaican newbie, Projexx, a valid endorsement for their promising catalogues.

One move that seals the project and lends it its cohesive flow is his clever choice of producers. Starboy employs the award-winning P2J as executive producer as well as other hood family acts like Sarz, Blaqjerzee, Mut4y and balances it up with British composers like Juls and Kill September. This cross country family affair births 14 solid tracks that have inspired ecstasy for the notoriously versatile Afro sound and how far it can be pushed, bent or merged to create nothing but magic.

However, some Twitter critics have maintained that while the album is titled Made In Lagos, it is regrettably not made for Lagos. With honey tracks like Sweet One which serves as a perfect play for a sunday evening stroll to one of the many beaches in Lagos and the enchanting, alté raggae merge that is True Love, a fitting dance ballad for a light intimate session with a lover on a beach house balcony over looking the waves, it is hard to understand where that take comes from. You can almost picture a dimly lit beer parlor complete with its regular cast and crew, spirited drinks exchanging hands and the Terri contribution, Roma, playing softly in the ambience while steaming pepper soup fingers your nostrils and lifts your spirits.

The album has been aptly described by its listeners as “rich people music”. Not a lie at all. To create this empowering effect, the creator employs his signature lush velvet saxo that lends an easy air of affluence to the songs and we all know that if it’s one thing about affluence, it is that it’s certainly not for everyone. You can feel this on the spiritually charged Blessed, where Damian Marley breezily samples his unique wealth (of experience) as he explores the unbeatable knowledge of self, the joys of fatherhood, a burning passion to do better and of course, great gratitude to be able to live this life.

This vibe runs over to the next track, Smile, a guaranteed anthem for positive vibrations while acknowledging life’s battle throughout the years. Smile comes from a place of relaxed reflections which ultimately leads to unconditional acceptance and gratitude for where you are right now. Clocking 30 this year, the track is dedicated to his three beautiful kids. Some might call it a simple dad move but followers of his journey especially his controversial fatherhood would agree that this is his own way of owning his shit loudly. Took him long enough but we’re glad he’s finally there.

With #MadeInLagos, Wizkid popularizes his signature effortless approach to everything. Usually mistaken for lazy, this style champions the less is more mantra and places strategy/smart work above hard work. From the second album cover which features a muted color palette that instinctively creates a warm sensation that somehow makes you want more than you’re seeing, to his cool and cohesive execution on an intro track ironically titled Reckless, he seems to never lose his chill and still manages to make several points throughout the album.

Infact, it is because of how relaxed he sounds that makes his lyrics more believable. No Stress isn’t just the second promotional single off the project, it’s actually a perpetual state of mind for the entertainer. He coyly samples the Lagos struggle while reminding us why we’re struggling in the first place. Why are women selling ‘cold mineral, cold pure water’ under the hot sun in the first place? Fela’s “suffering and smiling” is remixed to sound like: “say the people dey suffer but they smile for face but if Starboy talk Dem say Starboy craze” on Grace. Even dragging Nigerians and their government is done in the most chill way possible. No stress indeed.

For where Afropop is right now, an album like #MadeInLagos is nothing but a cheat code to the cutthroat game. It might feel so fresh and irresistible right now but we all know good music ages like fine wine and only gets better with time. The days are coming when we’d listen to it in time capsule style and the sonic wave will hit us a bit harder than it does now. When its true essence would make us smile. But for now we enjoy, we gyrate and we stream the project on every platform as we all beam with pride to be from the city that never sleeps.

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Entertainment

Country Music Icon, Dolly Parton, Dies at 80

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Country music icon, Dolly Parton, has died at the age of 80, according to multiple reports, including The Independent, The Guardian and Sky News.

Parton’s death was reportedly announced by her nephew, Bryan Seaver, on Instagram on Tuesday.

“I have imagined the heaviness of this moment but haven’t truly felt it until now.

“It is an honour, an honour that is mixed with absolute pride and great sadness,” Seaver said.

Parton, who rose from humble beginnings in Tennessee to become one of country music’s most celebrated singer-songwriters, had a career spanning more than six decades.

She sold more than 100 million records globally and became known as the “Queen of Country”, with hits including “Jolene”, “9 to 5” and “I Will Always Love You”.

Parton wrote more than 3,000 songs and won 11 Grammy Awards. She was also a successful actor, appearing in films including 9 to 5, The Best Little Whorehouse in Texas, Steel Magnolias and Joyful Noise.

Born on January 19, 1946, in a two-room log cabin on the banks of the Little Pigeon River in Tennessee, Parton was the fourth of 12 children.

Her father was an illiterate sharecropper who later worked his way up to owning a small tobacco farm. Parton described her family as “dirt poor” but credited her mother with passing on her love and knowledge of traditional folk ballads and her father for his work ethic.

Parton began performing as a child. By the age of 13, she had appeared on local radio and television in East Tennessee, performed at the Grand Ole Opry in Nashville and recorded her first single, “Puppy Love”.

After graduating from high school in 1964, she moved to Nashville the following day and began establishing herself as a songwriter.

She released her debut album, Hello, I’m Dolly, in 1967, the same year she joined the weekly television programme The Porter Wagoner Show. Wagoner, an established country star, mentored Parton, and the pair released a series of successful albums as a duo.

In 1973, Parton decided to concentrate on her solo career and wrote “I Will Always Love You” about their professional separation. The song became a hit for Parton and was later famously recorded by Whitney Houston for the 1992 film The Bodyguard.

Parton also wrote “Jolene”, one of her signature songs, around the same period. Both songs were included on her 1974 album Jolene, which helped introduce her to a wider audience beyond country music.

Her 1977 album, Here You Come Again, became her first to sell a million copies and earned her first Grammy Award after almost a decade of nominations.

In 1980, Parton made her acting debut alongside Jane Fonda and Lily Tomlin in the workplace comedy 9 to 5. She also wrote and performed the film’s theme song, which became a number one hit and earned an Oscar nomination for Best Original Song.

The film’s success helped launch Parton’s acting career, with roles in films including The Best Little Whorehouse in Texas (1982), Steel Magnolias (1989) and Joyful Noise (2012).

Parton also built a business empire that included television specials, food products and Dollywood, the Tennessee theme park she acquired an interest in and renamed in 1986.

Beyond music and acting, she was known for her philanthropy, particularly through the Dollywood Foundation’s Imagination Library, which promotes childhood literacy.

She also supported medical research, disaster relief and other charitable causes, including donating $1 million towards COVID-19 vaccine research.

In 2022, she was awarded the Carnegie Medal of Philanthropy.

“I just give from my heart. I never know what I’m going to do or why I’m gonna do it. I just see a need and if I can fill it, then I will,” she said at the time.

Parton’s health concerns became public in September 2025 when she postponed her Las Vegas residency. In recent weeks, she had also withdrawn from public appearances amid ongoing health issues.

Parton’s death comes months after the death of her husband of nearly 60 years, Carl Dean, who died in March 2025 at the age of 82.

The couple married in 1966.

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BBNaija S11: Why I Voluntarily Left Big Brother House – Neche

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Big Brother Naija Season 11 housemate, Chinaecherem Maduagwu, popularly known as Neche, has explained why she voluntarily exited the reality television show, saying she chose to prioritise what matters most to her outside the competition.

Neche announced her exit from the Big Brother house on Sunday, shortly after the live eviction show.

In an official statement shared on her official X account on Tuesday, her team said her departure was not the outcome they had expected when she entered the reality show.

“This was not the ending any of us imagined,” the statement began.

According to the statement, Neche entered the Big Brother Naija house determined to give her best and make the most of the experience.

It added that within three weeks, she became more than a housemate, connecting with viewers who supported and identified with her.

“Neche was a worthy competitor. She had the drive, the personality, the intelligence and the presence to go very far in this competition,” the team said.

The statement maintained that the support Neche received from viewers was earned through her personality and authenticity.

It, however, acknowledged that her decision to leave came at a difficult time, especially as some fans had hoped to see her remain in the competition until the finale.

“Some of you had already seen the winner in her. Some of you were ready to fight, vote, campaign and stand beside her all the way to the finale,” the statement said.

The team said fans wanted Neche to have more days in the house, more wins and more memorable moments, adding that her exit was painful for both the housemate and her supporters.

However, the statement explained that the decision was driven by the need to attend to matters outside the reality show.

“But sometimes, life asks us to make difficult decisions even when the timing is not perfect,” it said.

The team described Neche’s decision as an act of courage rather than weakness, urging fans to understand her choice from that perspective.

“The same strength that made Neche a standout in that house is the strength behind this decision. Life doesn’t pause for reality TV, and sometimes the bravest thing a person can do is choose what matters most, even when the world is watching,” the statement said.

The statement further said Neche had chosen herself outside the reality show, describing the decision as consistent with the qualities viewers had admired in her.

“Neche didn’t leave BBNaija, she simply chose herself outside of it,” the team said.

Despite her departure, the team assured fans that Neche’s journey was far from over, describing her exit as the beginning of a bigger chapter.

“This is not goodbye. This is the beginning of something bigger,” it said.

The team noted that although Neche would no longer compete for the season’s prize money, her future remained open to new opportunities.

It also urged her supporters, known as CHEYTARS, to remain supportive as she begins her next chapter.

“CHEYTARS, stay close. Stay loud. She’s going to need you more than ever,” the statement said.

The team added that Neche’s media rounds would commence soon, with the former housemate expected to speak directly about her experience on the show.

It thanked everyone who supported Neche and believed she could win the competition, while also appreciating Big Brother Naija for giving her the opportunity to participate in the reality show.

Neche’s voluntary exit means she will no longer compete for the ultimate prize in BBNaija Season 11, bringing her three-week stay in Biggie’s house to an early end.

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Davido Clarifies, Says Osogbo Incident Has Nothing to Do with Him or Gov Adeleke

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Afrobeats star, David Adeleke, popularly known as Davido, has said the attack that occurred outside the palace of the Ataoja of Osogbo, Oba Jimoh Oyetunji, on Wednesday had nothing to do with him or his uncle, Osun State Governor Ademola Adeleke.

Davido made the clarification in a post on his official X account on Wednesday, shortly after suspected hoodlums reportedly attacked the governor’s convoy following his visit to the monarch’s palace.

“It was a fight outside the palace that had nothing to do with us! The pple love excellency!” the singer wrote.

It was earlier reported that the attack reportedly triggered an exchange of gunfire between the suspected hoodlums and the governor’s security personnel, with the shooting lasting between 12 and 15 minutes.

An eyewitness said the assailants later fled the scene, while the incident caused panic among traders and residents around the palace.

Confirming the attack, the Osun State Commissioner for Information and Public Enlightenment, Kolapo Alimi, said the governor’s security personnel repelled the assailants.

“They are hoodlums, and the governor’s security repelled them. They attacked the governor’s convoy at Ataoja’s palace. No casualty,” Alimi said.

The incident occurred on the same day Adeleke received his Certificate of Return from the Independent National Electoral Commission following his re-election as governor.

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