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WAEC Releases Results of January CB-WASSCE for Private Candidates
By Eric Elezuo
The West African Examinations Council (WAEC), according to a statement by Ag. Head, Public Affairs, Moyosola Adesina, has released the results of the first-ever Computer-Based West African Senior School Certificate Examination (CB- WASSCE) for Private Candidates, 2024–First Series.
The statement noted that 2,519 candidates obtained at least five credits including English and Mathematics.
Read the statement in full:
The West African Examinations Council (WAEC), Nigeria, wishes to announce to candidates, stakeholders, and the general public that the results of the first-ever Computer-Based West African Senior School Certificate Examination (CB- WASSCE) for Private Candidates, 2024–First Series, have been released.
Recall that the Council, in line with emerging best practices and continuous quest for excellence in its service delivery, commenced migration from the traditional Paper-Based Examinations (PBE) to Computer-Based Examinations (CBE) for its Private Candidates examinations. The novel CB-WASSCE entailed using a hybrid method where all questions were projected on the computer. Whereas answers to the multiple-choice questions were supplied on the computer real-time, answers to the essay and test of practical questions were supplied in booklets given to the candidates.
The examination was conducted between Wednesday, January 31 and Saturday, February 17, 2024. The Coordination of Examiners and Marking of Candidates’ Scripts were carried out at THREE (3) Marking Venues in Lagos, Enugu and Kaduna from March 1 to 16, 2024. A total of FOUR HUNDRED AND FIFTY-NINE (459) Examiners participated in the Coordination and Marking Exercise.
The entry figure of EIGHT THOUSAND, THREE HUNDRED AND SIXTY-TWO (8,362) candidates showed a 4.30% decrease in candidature when compared with the 2023 entry figure of EIGHT THOUSAND SEVEN HUNDRED AND THIRTY-EIGHT (8,738). EIGHT THOUSAND, ONE HUNDRED AND THIRTY-NINE (8,139) candidates sat the examination at ONE HUNDRED AND FORTY (140) CBT centres spread across the country.
Amongst the candidates that sat the examination, TWENTY-ONE (21) candidates, with varying degrees of Special Needs, were registered for the examination. Out of this number, NINE (9) were visually challenged, TWO (2) had impaired hearing and TWO (2) were Albinos. All these candidates with special needs were adequately catered for in the administration of the examination.
Of the total number of EIGHT THOUSAND, ONE HUNDRED AND THIRTY-NINE (8,139) candidates that sat the examination, THREE THOUSAND, EIGHT HUNDRED AND SIXTY-TWO (3,862) were male while FOUR THOUSAND, TWO
HUNDRED AND SEVENTY-SEVEN (4,277) were female, representing 47.45% and 52.55%, respectively.
Out of the total number of candidates that sat the examination, EIGHT THOUSAND AND SIX (8,006) candidates, representing 98.37% have their results fully processed and released while ONE HUNDRED AND THIRTY-THREE (133) candidates, representing 1.63% have a few of their subjects still being processed due to some errors traceable to them. However, efforts are being made to speedily complete the processing to enable all the affected candidates to get their results fully processed and released, subsequently.
The analysis of candidates’ performance showed that out of the EIGHT THOUSAND, ONE HUNDRED AND THIRTY-NINE (8,139) candidates that sat the examination:
THREE THOUSAND, FOUR HUNDRED AND TWENTY-FOUR (3,424) candidates representing 42.07% obtained credit and above in a minimum of FIVE (5) subjects (with or without English Language and/or Mathematics);
TWO THOUSAND, FIVE HUNDRED AND NINETEEN (2,519) candidates representing 30.95% obtained credit and above in a minimum of FIVE (5) subjects, including English Language and Mathematics.
Of this number, ONE THOUSAND, TWO HUNDRED AND EIGHTY-SIX (1,286), i.e. 51.05% were male candidates, while ONE THOUSAND, TWO HUNDRED AND THIRTY-THREE (1,233), i.e. 48.95% were female candidates. The percentage of candidates in this category in WASSCE for Private Candidates, 2022 and 2023 – First Series, that is, those who obtained credit and above in a minimum of five (5) subjects, including English Language and Mathematics, were 26.32% and 23.99% respectively. Thus, there is a marginal increase of 6.96% in performance in this regard.
SIXTY-FIVE (65) candidates’ results, representing 0.80% of the total number of candidates that sat the examination, are being withheld for various reported cases of examination malpractice. Comparatively, the reported cases of FOUR HUNDRED AND THIRTEEN (413) candidates or 4.95% recorded for WASSCE for Private Candidates, 2023-First Series evidently reveal that the method of examination administration drastically reduced examination malpractices. These reported cases are being investigated and reports of the investigations will be presented to the appropriate Committee of the Council for consideration. Thereafter, the Committee’s decisions will be communicated directly to the affected candidates. Meanwhile, candidates whose results are being held/withheld can apply for redress by visiting https://waecinternational.org/complaints to register their complaints.
Candidates may check their results by visiting www.waecdirect.org to ascertain their status before visiting the Digital Certificate platform (www.waec.org) to access the digital copies of their certificates, which have been released along with their results. Candidates will be required to apply for the printing of the hard copies of their certificates online, through the WAEC Certificate Request Portal (e-Certman). The portal address is https://certrequest.waec.ng/.
WAEC-Nigeria would like to congratulate all candidates who have worked hard and achieved great results. Our profound gratitude also goes to the government at all levels, Security Agencies, Ministries of Education, Staff, Supervisors, Invigilators, Custodians, Examiners, and other Ad-hoc personnel who, despite all odds, availed the Council of their services in ensuring the successful conduct of the examination and marking of scripts. The results are a testament to their dedication and hard work. We wish all the candidates the best in their future endeavours.
Once again, we assure all our stakeholders of our dedication and commitment to excellent service delivery.
Following the fatal crash on the Lagos–Ibadan Expressway in Ogun State involving world-renowned boxer, Anthony Joshua and his team, the Zonal Commanding Officer (ZCO) of the FRSC RS2 Lagos Zone, Assistant Corps Marshal, ACM Ann O. Oladayo, on Tuesday conducted an on-the-spot assessment of the accident scene, even as the incident has generated widespread public interest and conflicting reports, the National Association of Online Security News Publishers (NAOSNP), can report
Speaking with pressmen during the assessment visit, ACM Oladayo said the inspection was necessary to establish the true facts, noting that some FRSC operatives were already present at the corridor when the crash occurred yesterday. “A lot of reports are out there, but we decided to come for an eyewitness account because some of our operatives were here when it happened. We needed to ascertain what actually occurred,” she said.
According to the FRSC, preliminary findings from eyewitnesses revealed that a trailer conveying soya beans was properly parked off the road, waiting to be offloaded, when a speeding vehicle conveying popular international boxing champion, Anthony Joshua and his friends ran into it. “From what we gathered, the truck was not on the road. It was waiting to be offloaded and was well off the carriageway when the vehicle ran into it,” Oladayo explained.
She dismissed claims that the FRSC failed to respond promptly, stressing that the Corps arrived at the scene within minutes. “Immediately we heard of the incident, we were here in under three minutes. Our priority was rescue. Unfortunately, we lost two lives, but the injured were rescued and taken for medical attention,” she said.
The Zonal Commander added that suspected over-speeding and possible wrongful overtaking were being investigated as likely causes of the crash, noting that the impact force which pulled out the trailer’s tyres suggested excessive speed. “On this highway, the speed limit is 100km/h. From the impact, it is likely that the vehicle exceeded that limit. Investigation is still ongoing,” she stated.
An eyewitness, Yusuf Ajala Oluwaseun, who was at the scene when the crash occurred, blamed persistent speeding along the highway. “We just heard a loud boom. At first, we thought it was a tyre burst. People overspeed a lot on this road. Just last week, an 18-seater bus speeding here hit a man and overturned. FRSC came and rescued the victims,” he said.
Another eyewitness, Sodiq Ayo, confirmed the swift arrival of emergency responders of FRSC and described the moments after the crash. “I heard a sound and came out. People were shouting that someone was still inside the Jeep. When we realised it was Anthony Joshua, everyone gathered, a lot of people were doing video of Anthony Joshua. But before people arrived fully, FRSC came and rescued them,” he recounted.
The FRSC Zonal Commander, Oladayo noted that the damaged trailer has been moved to its facility using a heavy-duty tow truck, while the SUV involved in the crash is currently in the custody of the Ogun State Police Command, as investigations continue. She used the opportunity to caution motorists to plan their journeys properly, avoid over-speeding and reckless overtaking, and ensure their vehicles are roadworthy before travelling.
The Corps reaffirmed its commitment to rapid emergency response and road safety enforcement.
The operatives of Ondo State Security Network Agency aka Amotekun Corps, have arrested 39 suspected terrorists who allegedly fled Sokoto State following the “powerful and deadly” United States airstrikes targeting militants linked to the Islamic State (IS) group in North-western Nigeria.
The Commander of Amotekun Corps in Ondo State, Adetunji Adeleye, disclosed this on Tuesday in Akure while parading a total of 61 suspects apprehended across various parts of the State during the Yuletide period.
According to Adeleye, the 39 suspects claimed during interrogation that they escaped from Sokoto State and moved towards the South-West in the aftermath of the airstrikes.
“These 39 suspects themselves claimed they fled from the Sokoto area,” he told journalists.
He said the suspects, aged between 18 and 45 years, are currently undergoing profiling, adding that those found in possession of incriminating materials would be prosecuted according to the law.
Mr Adeleye further revealed that the Amotekun corps has intensified patrols and strengthened collaboration with sister security agencies, particularly along border communities linking Ondo State with Ekiti, Osun, Ogun, Edo, and Kwara states.
Giving a breakdown of the arrests, the Amotekun commander said that out of the 61 suspects paraded, 50 were arrested for various breaches of law and order, two for offences related to anti-open grazing laws, six for kidnapping-related crimes, while three were arrested for gender-based violence and rape.
He explained that the ember months patrol would officially end on Tuesday, but assured residents that security operations would not be relaxed, as Operation Le Jade Phase Two is scheduled to commence on January 1.
Adeleye added that the Amotekun Corps has also increased its 24-hour surveillance across the state, with the deployment of Amotekun Rangers to forest reserves.
He attributed the numerous arrests to sustained and coordinated efforts by officers and men of the Amotekun Corps to rid the state of criminal elements.
While commending Governor Lucky Aiyedatiwa for providing an enabling environment for effective security operations, Adeleye said the state government has continued to support security agencies without hesitation.
He also lauded the Nigeria Police, the Nigeria Security and Civil Defence Corps, the Nigerian Army, the Department of State Services (DSS), vigilante groups, and members of the public for their cooperation.
Providing details of some arrests, Adeleye said two suspects – Mustafa (34) and Philip (45) – were apprehended for kidnapping around the Ofosio area of Odigbo Local Government Area.
“In the Isua-Akoko axis, three suspects identified as Idris (18), Ibrahim Abdullahi (20), and Lawal Idris (23) were also arrested for alleged criminal activities.
On rape and assault cases, he disclosed that Daniel Ojo (19), Usman (33), and Bejide (41) were arrested in Isinkan for rape and for assaulting Amotekun officers.
“The corps also arrested suspected armed robbers identified as Ola Tunbosun (30), Ibrahim, and Shahidu in Akure North, Oba-Akoko, and Oba-Ile.
“The suspects were allegedly part of a robbery gang that recently stole a vehicle in Akure, with plans to transport it to Abuja for sale. The stolen vehicle, as well as a taxi reportedly used to rob unsuspecting passengers, were recovered and displayed during the parade,” he said.
Adeleye explained that the gang’s modus operandi involved operating in densely populated areas, picking up passengers, introducing another gang member as an extra passenger, and then using a firearm to dispossess victims of their belongings before pushing them out of the vehicle.
He advised members of the public to remain vigilant, particularly when boarding taxis without proper markings or readable registration numbers.
When the National Theatre Lagos first opened ahead of FESTAC ’77, an architectural marvel, a symbol of the cultural soul of a nation ready to introduce its artistic brilliance to the world. Modelled after the Varna Palace of Culture and Sports in Bulgaria and constructed between 1973 and 1976, the National Theatre was designed as an emblem of Nigeria’s ambition to be Africa’s cultural capital. Its 5,000-seat main hall, festival arena, exhibition spaces, and state-of-the-art acoustics made it one of the most sophisticated performance complexes on the continent.
Throughout the 1970s and 1980s, the Theatre became home to Nigeria’s most iconic productions, from Hubert Ogunde’s epic plays to international dance festivals, orchestral performances, film premieres, and global conferences. It was a beacon for African creativity, a place where culture, identity, music, and storytelling came alive. But by the early 2000s, the Theatre, though heavy with cultural memory, had fallen into disrepair. Years of inadequate maintenance, stalled concession agreements, and structural depreciation left the building struggling to meet modern technical and creative demands. The symbol of national pride had become a shadow of its past promise.
Recognising the scale of cultural loss and the opportunity embedded within it, the Bankers’ Committee, with Access Bank playing a pivotal role, initiated the largest cultural infrastructure revitalisation project in contemporary Nigeria. The decision was both strategic and patriotic: Nigeria’s creative industry, now contributing significantly to GDP through film, fashion, music, design, cultural tourism, and digital content, urgently needed a modern, centralised hub that could support global-standard production and creative entrepreneurship. Reviving the National Theatre would not only restore a national icon but also stimulate job creation, attract international collaborations, and reposition Lagos as a premier African creative economy hub.
The renewal of the National Theatre is therefore more than a restoration project; it is a necessary economic intervention, a cultural renaissance, and a visionary step toward building a more inclusive and future-ready Nigeria. And for Access Bank, supporting this transformation is a natural continuation of a long, deliberate commitment to art, culture, and creative empowerment.
Access Bank’s Legacy of Championing the Creative Economy
Well before Nigeria’s creative industry gained global recognition, Access Bank had positioned itself as a cultural investor and ecosystem builder. For over a decade, the Bank has supported transformational initiatives across music, visual arts, fashion, film, sustainability, and youth development.
Access Bank has helped spotlight emerging and established African artists on a global stage through partnerships and collaborations with platforms like ART X. The annual fair, now one of Africa’s most influential contemporary art events, has benefitted immensely from the Bank’s commitment to nurturing young talent, commissioning bold projects, and providing a meeting point for creators, collectors, and global art enthusiasts.
In film and entertainment, Access Bank has backed festivals, documentaries, youth-focused storytelling, and creative incubators, recognising that Nigeria’s cultural exports are among its most powerful global assets. Across literature, community theatre, design, and public art, the Access brand remains synonymous with innovation, creativity, and cultural elevation. The revival of the National Theatre is thus an extension of this commitment.
A Cultural Renaissance Rooted in National Development
The National Theatre project is designed as a two-phase undertaking. Phase One, already significantly advanced, focuses on restoring the original theatre structure. This includes upgrading the main stage, cinema halls, exhibition spaces, lighting systems, acoustics, seating, ventilation, and accessibility infrastructure. The goal is to return the iconic building to world-class functionality while preserving its historic architecture.
Phase Two introduces a modern Creative Industries Park, a multi-purpose development designed to house film production studios, music recording labs, fashion houses, IT and gaming centers, photography studios, coworking spaces, and training academies. This innovation hub is expected to host thousands of young creators annually, enabling them to produce, learn, collaborate, and scale ideas into globally competitive businesses.
With Access Bank’s involvement through the Bankers’ Committee, the project has attracted international partnerships, institutional investors, technical specialists, and creative collaborators. It is poised to become one of the most significant cultural and economic catalysts in West Africa.
In a world where creative exports have become a major source of national influence, from Nollywood films to Afrobeats, digital arts to global fashion, infrastructure is destiny. Nigeria’s young creators generate some of the world’s most consumed cultural content, yet the ecosystem has lacked the physical and institutional support systems needed to harness that potential fully.
The revitalised National Theatre is therefore a launchpad for Nigeria’s next creative era.
With Access Bank’s long-standing commitment to empowering Africa’s creative industries, the revival blends heritage with innovation, history with ambition, and art with economic development.
From art fairs to creative hubs, sustainability initiatives to youth empowerment, Access Bank continues to champion platforms that inspire, educate, and elevate communities across the country.
By supporting the transformation of the National Theatre, the Bank has once again placed itself at the heart of Nigeria’s cultural renewal, bridging past and future, preserving heritage, and building an ecosystem where creativity can thrive without limits.
